Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition

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University of California Press, Jul 19, 1988 - Religion - 281 pages
Goddess worship has long been a significant aspect of Hinduism. In this book David Kinsley, author of The Sword and the Flute—Kali & Krsna: Dark Visions of the Terrible and the Sublime in Hindu Mythology, sorts out the rich yet often chaotic history of Hindu goddess worship.
 

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To call Radha an adulterous lover of Shri Krishna is totally baseless. Maybe true ONLY as a metaphor for a higher love than the love between two human individuals who are married. The soul's love for the divine.

Contents

10 The M257trk257s
151
11 T257r257 Chinnamast257 and the Mah257vidy257s
161
12 Goddesses and Sacred Geography
178
13 Village Goddesses
197
The Indus Valley Civilization
212
Notes
221
Bibliography
253
Index
265

9 The Mah257dev299
132

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Page 74 - Though destitute of virtue, or seeking pleasure (elsewhere), or devoid of good qualities, (yet) a husband must be constantly worshiped as a god by a faithful wife.
Page 70 - Sira, welcome ye this laud, and with the milk which ye have made in heaven Bedew ye both this earth of ours. 6. Auspicious Sita, come thou near : we venerate and worship thee That thou mayst bless and prosper us and bring us fruits abundantly.
Page 75 - For a woman, it is not her father, her son, nor her mother, friends nor her own self, but the husband, who in this world and the next is ever her sole means of salvation. If thou dost enter the impenetrable forest to-day, O Descendant of Raghu, I shall precede thee on foot, treading down the spiky Kusha Grass.
Page 101 - In many respects Durga violates the model of the Hindu woman. She is not submissive, she is not subordinated to a male deity, she does not fulfill household duties, and she excels at what is traditionally a male function, fighting in battle. As an independent warrior who can hold her own against any male on the battlefield, she reverses the normal role for females and therefore stands outside normal society. Unlike the normal female, Durga does not lend her power or sakti to a male consort but rather...
Page 99 - The goddess Durga is one of the most formidable and popular deities of the Hindu pantheon. Her primary mythological function is to combat demons who threaten the stability of the cosmos. In this role, she is depicted as a great battle queen with many arms, each of which wields a weapon. She rides a fierce lion and is described as irresistible in battle. The demon she is most famous for defeating is Mahisa, the buffalo demon. Her most popular epithet is MahisamardinI, the slayer of Mahisa, and her...
Page 44 - He touches the garland made of skulls • in hope that they are geese and shakes the crescent moon with eagerness to grasp a lotus filament. Thinking the forehead-eye a lotus flower, he tries to pry it open. May skanda thus intent on play within his father's anna protect you.
Page 133 - ... leads to hypocrisy. That which is negated is not thereby removed. The rest of life, which does not tidily fit the accepted categories, is still there and demands attention. The body, as we have tried to show, provides a basic scheme for all symbolism. There is hardly any pollution which does not have some primary physiological reference. As life is in the body it cannot be rejected outright. And as life must be affirmed, the most complete philosophies, as William James put it, must find some...
Page 80 - If, in thought, I have never dwelt on any but Rama, may the Goddess Madhavi receive me!

About the author (1988)

David Kinsley is Professor of Religion at McMaster University, Canada. He is the author of Tantric Visions of the Divine Feminine: The Ten Mahavidyas (California, 1997), and The Sword and the Flute: Kali and Krisna, Dark Visions of the Terrible and Sublime in Hindu Mythology (California, 1975).

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