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Aniston & Brunson
ACTORS ON ACTORS | Jennifer Aniston and Quinta Brunson discuss their no social media policies at work and why 'Friends' is still 'one of the best shows on TV.'
The British woman who claims to be the inspiration for Richard Gadd's hit Netflix "Baby Reindeer" has sued the streamer.
TV
L.A. Asian American Groups Call for Shane Gillis to Apologize for ‘Offensive Racial Remarks’ — or Netflix Should Cut Ties
Several Asian American groups gathered in the Chinatown district of Los Angeles Thursday afternoon to call for comedian Shane Gillis to apologize for using “offensive racial remarks”…
SPOILER ALERT: This story discusses plot points from “Bad Boys: Ride or Die,” which hits U.S. theaters on June 7. At the climax of “Bad Boys: Ride or Die” — the fourth installment…
A new “Hunger Games” prequel film will be released in theaters in 2026. After last November’s “Hunger Games” prequel “The Ballad of Songbirds and Snakes” charmed its way to $337…
Film
‘The Watchers’ Review
Ishana Night Shyamalan directs a glossy woodland horror thriller. The twist? The film is more promising than good.
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Actors on Actors
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Robert Downey Jr. and Jodie Foster Reunite
The Duo Reunite to Discuss TV Triumphs and Being 'Surprisingly' Open to Iron Man Return
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Jennifer Aniston and Quinta Brunson
On Saying 'F— It,' No Social Media Policies at Work and Why 'Friends' Is Still 'One of the Best Shows on TV'
Reviews
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‘Bad Boys: Ride or Die’
Will Smith and Martin Lawrence make the action comedy franchise's fourth entry tastier than it has any right to be.
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Critics Pick
‘Young Woman and the Sea’
Daisy Ridley stuns and earns your tears in Joachim Rønning's beautifully classical Trudy Ederle biopic.
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‘The Watchers’
Dakota Fanning stars in Ishana Night Shyamalan's glossy woodland horror film that's more promising than good.
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‘Someday We’ll Tell Each Other Everything’
Emily Atef's drama is something of a slog, hampered by escalating dramatic obviousness and thin characterization.
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‘A Man in Full’
A one-note Jeff Daniels stars in this empty Netflix series.
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‘The Tattooist of Auschwitz’
Peacock's gruesome and grueling love story is set during the Holocaust.
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‘The Veil’
Elisabeth Moss stuns in FX's fascinating spy thriller.
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'Dead Boy Detectives’
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
How Content Spending Will Be Impacted in the Post-Peak TV Era
Morgan Stanley data provides a good look at how outlays on content would be affected by companies' shifting priorities
Awards
How ‘The Bear’ Could Break Multiple Emmy Records Held by ‘Game of Thrones,’ ’30 Rock’ and ‘Succession’
With the appetite of a hungry grizzly, “The Bear” could gobble up a few Emmy records for its sophomore season. Fresh off a smashing first season that set a new benchmark for comedy…
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The Magazine
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‘You Have a Big Mouth and a Crazy Mind’: Robert Downey Jr. and Jodie Foster Reunite to Discuss TV Triumphs and Being ‘Surprisingly’ Open to Iron Man Return
By Andrew Wallenstein
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Matt Smith Pulls Back the Curtain on ‘House of the Dragon’ Season 2, From Losing a Showrunner to Playing a ‘Much Weaker’ Daemon in Crisis
By Andrew Wallenstein
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Andrew Scott on Becoming ‘Ripley,’ His Taylor Swift Friendship and Why He’s Tired of Being Called an ‘Openly Gay’ Actor
By Andrew Wallenstein
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The Re-Reinvention of Television: Streamers Dust Off Some of the Old Broadcast Playbook for a New Era
By Andrew Wallenstein
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