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11 Steps to Getting a Tattoo You Won't Regret for the Rest of Your Life

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 (Emmanuel Hapsis)

Tattoos last forever, or at least as long as your body lasts, which is pretty much forever in human terms. For a lot of people (your boss and your grandpa), this is the main reason not to get them. For other people (you), this is what makes them so great. Your pets and your parents will die, your house will get bulldozed to build a superhighway, your friends will move to New York City. But your tattoos? Barring a full-body burning accident, they will be with you through the whole scary, sublime thing, until you are sitting in your easy chair, unable to pee without the help of an in-home care assistant. Until finally, you lose consciousness and stop existing. How comforting to know that a) your memories will be written on your body no matter how badly your brain disintegrates and b) your in-home care assistant will have something pretty to look at while he’s pulling down your pants for you.

I have 6 tattoos and I know an amazing tattooer, so I consider myself enough of an expert to educate you on the process of getting art permanently inscribed on your skin. To fully commit to this project, I decided to go get a tattoo and, while it was happening, interview Derick Montez, who works at Picture Machine Tattoo. He’s the guy who has given me 3 of my tattoos and who is, in my opinion, the best tattoo artist of all time ever. Derek isn’t even 30 yet but he apprenticed with well-known graffiti and tattoo artist Mike Giant and is a great visual artist in a bunch of different mediums, beyond being a respected tattooer. So, without further ado, your step-by-step guide to getting a tattoo you won’t regret for the rest of your life:
inspection2

Before your tattoo:

1. Research! This is THE MOST IMPORTANT OF ALL THE STEPS.

Getting a good tattoo requires some actual preparation. According to Derick: “The biggest mistake I think someone can make is not doing research on the artist that they get tattooed by. Tattooing has become such a popularized trend… more people are tattooing now, more than ever, but just because someone gets the idea in their head that they want to be a tattooer doesn’t mean that they have the proper training or the proper techniques. It’s just like anything else: if you have the money, you can open up a shop, but that doesn’t mean you know what you’re doing.”

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So look at portfolios online. Derick says: “Most reputable shops have portfolios — what you’re looking for is consistency in work… you want to make sure the photos are clear, recognizable, readable, because a lot of times people just put up garbage photos… tattoos that are still wrapped in plastic. If you can find healed photos of peoples’ tattoo work, that is a lot better.”

I know he’s right because this is exactly how my ex-boyfriend found Derick: obsessive internet searching to find the perfect tattoo artist for his first tattoo. I do not have this kind of patience and my first 3 tattoos are a testament to that (I still love them, but they are nothing compared to Derick’s work), so I am very grateful that someone finally did the research for me. But you shouldn’t be so lazy! Do the research yourself! You won’t regret it!

2. Don’t price shop.

Would you look on Craigslist for the cheapest babysitter? Maybe, this isn’t a parenting lesson, but the point is, if some guy says he’ll give you a tattoo for 40 bucks, walk away. Instead, be ready to pay as much as it takes to get high quality work. Pick cheaper shoes or buy your rice in bulk if you want to save money, but when it comes to art that will be on your body until you die, don’t expect to pay less than $100 before tip, and a lot more if you are getting something large or adding color.

the-shop

3. Check out the shop in person.

When you find someone you think you like, go into the shop and meet the artist in real life before you actually get anything done. First, the shop should be clean. Check for work on display and see how you feel about the aesthetic in person. Then, go with your gut. My first tattoo, which I got when I was about 20, was the result of something halfway between a whim and a manic compulsion, when I decided I needed a tattoo and jumped on the bus that went to the part of Portland rife with tattoo parlors. The first one I went into was clean enough, but something about it gave me the heebie jeebies and I got back on the bus and got off at a smaller, friendlier place, where I ended up getting a tiny star below my left hip.

Derick put it this way: “Generally, if people are going to take the time to answer your questions and not be a dick, they have confidence in their work… you should never really feel pressured to get tattooed right then and there.”

(Side note: You can always start small and come back for something bigger when you are ready. Three years after I got that star, the same artist gave me the outline of Oregon with a heart in it. Sometimes slowly building up to a bigger piece is a good idea.)

If you do your research and find a really great tattooer, you are 90 percent of the way to getting an awesome tattoo. The rest of these things will become a lot easier, because a good, professional tattooer will be looking out for you — they want your tattoo to look awesome since it represents them. Remember though, this is your body and ultimately you make the decisions. So for better or worse, the end result is your responsibility.

derickswork

4. Spend some time thinking about the design.

Obviously, this goes without saying but I am going to say it anyway: don’t get something you really will regret. Disney princesses, an Aryan Brotherhood clover or anything else that might get you killed in prison, misspelled Chinese idioms, your on-again, off-again boyfriend’s name. These things ruin lives. Pick something with personal meaning or something you think is beautiful. Go in ahead of time to talk to your tattoo artist about the design. My last 3 tattoos started as just ideas and I pretty much gave Derick free reign to do what he wanted, since he knows a lot more about tattoos and making beautiful things than I do. I am very happy with the results.

the-creation

Day of the tattoo:

5. Don’t be drunk.

I’m not going to explain this to you. You know better. Also, a good tattoo artist will not tattoo you if you are drunk.

6. Eat something before you go.

No one wants you to pass out. Eat dinner! Bring along some candy to chew on if you are getting something big done.

7. Don’t come in with a posse.

Derick: “I think a mistake a lot of people can make is coming into a tattoo shop with a whole plethora of friends. I’ve watched people come in, know what they want, and through the opinion of 4 or 5 other people end up getting something completely different or going against the advice of the tattoo artist.”

Derick has a lot of great tattoos and he says: “Whenever I’ve gotten my tattoos, I’ve done it all by myself… just so I know that whatever I’m getting is all on me.”

Bring a friend if you are nervous or if you just want the company. But don’t bring a pack. You did your research, remember? This is between you and the person putting it on your body. It doesn’t really matter that your friend with no tattoos thinks it would look better in orange on your left kneecap.

drawing2

8. Make sure it is really what you want.

The tattoo artist will put a transfer of the tattoo on your body in the place you want it before he actually starts in with the needle and ink (in this case Derick actually drew on me, but usually it starts with a transfer). Make sure you like the size and the placement. This is not the time to be passive. Listen to the tattooer (not your friends) but remember: your body, your choice.

pain2

9. Accept that this will hurt.

Yes, it will hurt. It is needles poking your skin deeply and quickly. But if it didn’t hurt, would it mean as much? Plus, now instead of being the person asking their tatted-up friend, “Oh man, did that hurt?” you will be the person answering, “Yeah, it wasn’t so bad.”

drock2

After the tattoo is done:

10. Tip!

You did your research and you got an awesome tattoo! So tip! At least 20 percent and always in cash. Let me repeat that: always in cash. So make sure you have enough BEFORE YOU GET TO THE TATTOO PARLOR.

post2

11. Follow the care instructions.

Derick: “People should really treat their tattoo like they got a flesh wound.”

Me: Because they did. So wash it with unscented soap, don’t touch it or pick at it, use the recommended lotion, don’t soak in any water.

True story: I played a soccer game right after I got my Oregon tattoo. Due to the stretching caused by running around and sweating, when the tattoo healed, the border of the state and the heart in the middle had dots of bare skin. I had to wait 6 months and get the whole thing redone. Not only did it hurt about 50 times worse than the original tattoo, now it is raised like a scar while the rest of my tattoos seem flush with my skin.

So, what more can I tell you? If you do your research and pick a tattooer whose aesthetic you like and who gives you a good feeling in your stomach and you get a tattoo that won’t force you to join a white supremacist gang in prison, and then you take care of it, you will end up with a piece of art on your body that no one can ever take away. Good luck!

P.S.: Do you have a tattoo artist you love or any tattoo tips at all? Write about it in the comments! Share the wealth!

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All photos by Emmanuel Hapsis.

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He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"},"bloewinsohn":{"type":"authors","id":"11904","meta":{"index":"authors_1716337520","id":"11904","found":true},"name":"Briana Loewinsohn","firstName":"Briana","lastName":"Loewinsohn","slug":"bloewinsohn","email":"brianabreaks@gmail.com","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":null,"avatar":"https://secure.gravatar.com/avatar/3d271841017c9b3e8fd8bf5552758c08?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]}],"headData":{"title":"Briana Loewinsohn | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/3d271841017c9b3e8fd8bf5552758c08?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/3d271841017c9b3e8fd8bf5552758c08?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/bloewinsohn"},"lacker":{"type":"authors","id":"55","meta":{"index":"authors_1716337520","id":"55","found":true},"name":"Lizzy Acker","firstName":"Lizzy","lastName":"Acker","slug":"lacker","email":"eacker@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Lizzy Acker is a fiction writer whose first book, \u003cb>Monster Party\u003c/b>, was released in December 2010 by Small Desk Press. Her work has been published in \u003ci>Nano Fiction\u003c/i>, \u003ci>We Who Are About To Die\u003c/i> and \u003ci>Tramp Quarterly\u003c/i>, among others. She was the co-creator/curator of the San Francisco reading series Funny/Sexy/Sad. She blogs regularly at lizzyacker.com.Lizzy is from Oregon, but now lives in San Francisco where she recently received her MFA from San Francisco State University. Currently, she writes status updates and processes member donations for KQED and is a contributing blogger to KQED Arts.","avatar":"https://secure.gravatar.com/avatar/8ea0d686abaede31d5a094259db6a34f?s=600&d=blank&r=g","twitter":"lizzyacker","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","subscriber"]}],"headData":{"title":"Lizzy Acker | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/8ea0d686abaede31d5a094259db6a34f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/8ea0d686abaede31d5a094259db6a34f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/lacker"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13958719":{"type":"posts","id":"arts_13958719","meta":{"index":"posts_1716263798","site":"arts","id":"13958719","found":true},"guestAuthors":[],"slug":"who-was-yvonne-dangers-1960s-topless-north-beach-star-deportation","title":"The Mysterious Life of 1960s North Beach Starlet Yvonne D’Angers","publishDate":1717603252,"format":"standard","headTitle":"The Mysterious Life of 1960s North Beach Starlet Yvonne D’Angers | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>This is the story of a young woman who routinely bared her body, but never revealed much about her true identity.\u003c/p>\n\u003cp>Her name was Yvonne D’Angers — sometimes. Her birth name was rumored to be Mahviz Daneshforouz. Sometimes she went by Yvonne Donjay. Others knew her as Carmella Ettlinger when she worked as a cocktail waitress at bars around North Beach. Later, she adopted her second husband’s last name and became Yvonne Boreta. But at the peak of her fame in San Francisco, she was most affectionately referred to as “The Persian Lamb.”\u003c/p>\n\u003cp>D’Angers graduated from waitress to stage talent shortly after Carol Doda first went topless at the Condor. As North Beach venues scrambled to compete with Doda, the Off Broadway (located at 1024 Kearny) employed D’Angers — a large-breasted beauty who was rumored to be one of the reasons Doda first enhanced her chest with silicone. In 1966, at the peak of her fame, D’Angers posed for \u003cem>Playboy\u003c/em> and played Cleopatra at the month-long opening party for Caesar’s Palace in Las Vegas.\u003c/p>\n\u003cp>[aside postid='arts_13953248']D’Angers’ performances were not as strenuous as Doda’s. At the Off Broadway, she posed nude on stage while an artist named Nick Galin sketched her. She participated in topless “fashion shows.” She undressed behind a screen and then emerged for cheering audiences. Some of her performances lasted only five minutes. It mattered not. Newspaper ads for the Off Broadway promoted D’Angers as being in possession of “two of San Francisco’s three most famous landmarks.” During this same period, she was \u003ca href=\"https://www.christies.com/en/lot/lot-1591387\">photographed topless in her dressing room by Diane Arbus\u003c/a>. The image later appeared in Arbus’ posthumous monograph, published by Aperture.\u003c/p>\n\u003cp>During one 1966 interview, D’Angers spoke proudly of her job and the atmosphere at the Off Broadway. “I don’t see anything wrong with it,” she said. “I have never heard a nasty remark. I hear nothing but compliments. Lots of nice people come to this club. Businessmen, family men, married couples, office workers. They don’t bother me. I have dedicated myself to being a show business person.”\u003c/p>\n\u003cfigure id=\"attachment_13958875\" class=\"wp-caption aligncenter\" style=\"max-width: 840px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM.png\" alt=\"A blond woman in a white bikini poses, sideways on next to a headline that read 'virginity should be against the law.’\" width=\"840\" height=\"1170\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM.png 840w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM-800x1114.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM-160x223.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM-768x1070.png 768w\" sizes=\"(max-width: 840px) 100vw, 840px\">\u003cfigcaption class=\"wp-caption-text\">D’Angers gracing the cover of ‘Midnight’ magazine in 1967. \u003ccite>(Midnight: A Parliament Publication)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>D’Angers was born in either Tehran or Paris, the second of nine children. She became a model at the age of 14, and later studied — some say architecture, others say art — at UC Berkeley. She admitted to doctoring her birth certificate “any time it was necessary,” including when she got married at the age of 16 to a man named Howard S. Ettlinger who later claimed D’Angers paid him $200 to do so.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Throughout the 1960s and ’70s, in multiple courts across the land, D’Angers waged war with the United States Immigration and Naturalization Service as it tried desperately to deport her. D’Angers responded to this with a series of stunts. On Aug. 30, 1966, she chained herself, while clad in a hot pink catsuit, to the Golden Gate Bridge in protest, noting that she “felt like Joan of Arc.” Her antics attracted fascinated reporters who made a point to provide D’Angers’ measurements (“44-21-36!”) in almost every story.\u003c/p>\n\u003cfigure id=\"attachment_13958872\" class=\"wp-caption aligncenter\" style=\"max-width: 2499px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-scaled.jpg\" alt=\"A black and white image of a slender blonde woman in full make-up chained to a bridge railing.\" width=\"2499\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-scaled.jpg 2499w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-800x819.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1020x1045.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-160x164.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-768x787.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1499x1536.jpg 1499w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1999x2048.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1920x1967.jpg 1920w\" sizes=\"(max-width: 2499px) 100vw, 2499px\">\u003cfigcaption class=\"wp-caption-text\">On August 6, 1966, D’Angers chained herself to Golden Gate Bridge and tossed the keys into the water. The bolt cutters of a bridge worker were quickly employed to free her. \u003ccite>(Bill Young/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>More than two years later, D’Angers arrived at the Immigration Service building at 630 Sansome with her attorney Melvin Belli and her husband \u003ca href=\"https://www.legacy.com/us/obituaries/lvrj/name/voss-boreta-obituary?id=19784478\">Voss Boreta\u003c/a>. Trailing behind them were 21 dancers, waitresses and supporters from Off Broadway and other North Beach clubs carrying protest signs that demanded: “Save Our National Monument,” “Don’t Bust the Bust” and “Keep America Beautiful — Save Yvonne.”\u003c/p>\n\u003cp>[aside postid='arts_13902628']In 1965, D’Angers was also obliged to go to court to defend her right to be topless in public. This followed an arrest at the Off Broadway as she, in \u003cem>Life\u003c/em> magazine’s words, “strut[ted] down the aisle modeling a topless parody of an evening gown.” \u003cem>Life\u003c/em> quoted D’Angers as saying: “Being arrested does not bother me. San Francisco is so much like Paris. And I know that in Paris nothing will happen to a girl for doing this or more or less.”\u003c/p>\n\u003cp>She was right. D’Angers — alongside Doda and fellow topless performers, Kay Star and Euraine Heimberg — was acquitted of obscenity charges on May 8, 1965. D’Angers showed up to court wearing an electric-blue sequined dress.\u003c/p>\n\u003cp>D’Angers truly had a canny knack for getting herself out of trouble. Nowhere was this more evident than in June 1967 when she was stalked by a violent criminal from Oakland named James Reece. Reece, who had recently escaped from the Alameda County Jail and was wanted in five cities for a long list of felonies (including rape, kidnapping, burglary, assault with a deadly weapon and possession of a firearm), followed D’Angers in a stolen car one night after she left her shift at the Off Broadway.\u003c/p>\n\u003cp>“Following a high speed chase,” the \u003cem>Oakland Tribune\u003c/em> later reported, “Miss D’Angers cut into a dead end street and skidded to a stop, her four-day-old Cadillac half over a creek embankment. Reece careened into a tree and his car flipped 100 feet to the opposite bank.”\u003c/p>\n\u003cp>Reece survived the accident on the quiet Marin County road, was quickly apprehended and transferred to the San Quentin prison hospital. D’Angers was unscathed, her love of the spotlight undiluted by the terrifying incident. A year later, the aspiring actress made her big screen debut in \u003cem>Sappho Darling\u003c/em>, a lesbian exploitation flick that has since found a cult following. At the time of its release, however, the \u003cem>San Francisco Examiner\u003c/em> issued a scathing review:\u003c/p>\n\u003cp>[aside postid='arts_13958101']“[D’Angers] has been totally victimized by the glaring vulgarity of director Gunnar Steel’s sleazy little effort,” the review said. “Even her spectacular figure has been photographed disadvantageously and her voice (either her own or an inept dubbing job) sounds like a strident Betty Boop … When [a co-star] tremulously asks Miss D’Angers after a night of love: ‘Do you think I’m a lesbian?’ Yvonne smilingly recites quotations from Krafft-Ebing, Dr. Kinsey and Sigmund Freud … The scene is unintentionally hilarious.”\u003c/p>\n\u003cp>Following \u003cem>Sappho Darling\u003c/em>, D’Angers worked with Russ Meyer on \u003cem>The Seven Minutes\u003c/em> and \u003cem>Move\u003c/em>, alongside Elliot Gould and Paula Prentiss. A few years later came \u003cem>Ground Zero\u003c/em>, a thriller about a terrorist organization that plants a nuclear device on the Golden Gate Bridge.\u003c/p>\n\u003cfigure id=\"attachment_13958874\" class=\"wp-caption aligncenter\" style=\"max-width: 712px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-12.55.53-PM.png\" alt=\"A VHS cover featuring a fiery Golden Gate Bridge, close up of a man's face holding a gun and a woman in a bikini.\" width=\"712\" height=\"1270\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-12.55.53-PM.png 712w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-12.55.53-PM-160x285.png 160w\" sizes=\"(max-width: 712px) 100vw, 712px\">\u003cfigcaption class=\"wp-caption-text\">The home video cover of 1973’s ‘Ground Zero,’ which credits D’Angers as: ‘Ivonne D’Angiers.’ \u003ccite>(Genesis Home Video)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By the time \u003cem>Ground Zero\u003c/em> came out, D’Angers was living a much quieter life. In August 1973, the \u003cem>Oakland Tribune\u003c/em> reported that she could be regularly found hanging out at her husband’s Plaka Taverna club in North Beach. “The D’Angers charm is contagious as ever,” the newspaper said, “though … she prefers to stay in the background and let husband Voss run things.” She was quoted as saying “I’m enjoying being a wife very much.”\u003c/p>\n\u003cp>D’Angers died on June 10, 2009 in Las Vegas; she moved there with Boreta in 1974, and the couple subsequently raised three children. How she managed to stay in the United States after multiple deportation orders — including two, in 1967 and 1970, from Washington, D.C.’s Immigration Appeals Board — remains a mystery.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>By the time of her death, D’Angers’ notoriety had been largely forgotten. In its obituary, the \u003cem>San Francisco Chronicle\u003c/em> referred to D’Angers only as “an accomplished painter, model and college graduate.”\u003c/p>\n\n","blocks":[],"excerpt":"The topless performer had multiple pseudonyms and legal troubles, and once escaped a violent stalker.","status":"publish","parent":0,"modified":1717613175,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1413},"headData":{"title":"Remembering Yvonne D’Angers, 1960s North Beach Sensation | KQED","description":"The topless performer had multiple pseudonyms and legal troubles, and once escaped a violent stalker.","ogTitle":"The Mysterious Life of 1960s North Beach Starlet, Yvonne D'Angers","ogDescription":"","ogImgId":"","twTitle":"The Mysterious Life of 1960s North Beach Starlet, Yvonne D'Angers","twDescription":"","twImgId":"","socialTitle":"Remembering Yvonne D’Angers, 1960s North Beach Sensation %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Mysterious Life of 1960s North Beach Starlet Yvonne D’Angers","datePublished":"2024-06-05T09:00:52-07:00","dateModified":"2024-06-05T11:46:15-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13958719","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13958719/who-was-yvonne-dangers-1960s-topless-north-beach-star-deportation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This is the story of a young woman who routinely bared her body, but never revealed much about her true identity.\u003c/p>\n\u003cp>Her name was Yvonne D’Angers — sometimes. Her birth name was rumored to be Mahviz Daneshforouz. Sometimes she went by Yvonne Donjay. Others knew her as Carmella Ettlinger when she worked as a cocktail waitress at bars around North Beach. Later, she adopted her second husband’s last name and became Yvonne Boreta. But at the peak of her fame in San Francisco, she was most affectionately referred to as “The Persian Lamb.”\u003c/p>\n\u003cp>D’Angers graduated from waitress to stage talent shortly after Carol Doda first went topless at the Condor. As North Beach venues scrambled to compete with Doda, the Off Broadway (located at 1024 Kearny) employed D’Angers — a large-breasted beauty who was rumored to be one of the reasons Doda first enhanced her chest with silicone. In 1966, at the peak of her fame, D’Angers posed for \u003cem>Playboy\u003c/em> and played Cleopatra at the month-long opening party for Caesar’s Palace in Las Vegas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953248","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>D’Angers’ performances were not as strenuous as Doda’s. At the Off Broadway, she posed nude on stage while an artist named Nick Galin sketched her. She participated in topless “fashion shows.” She undressed behind a screen and then emerged for cheering audiences. Some of her performances lasted only five minutes. It mattered not. Newspaper ads for the Off Broadway promoted D’Angers as being in possession of “two of San Francisco’s three most famous landmarks.” During this same period, she was \u003ca href=\"https://www.christies.com/en/lot/lot-1591387\">photographed topless in her dressing room by Diane Arbus\u003c/a>. The image later appeared in Arbus’ posthumous monograph, published by Aperture.\u003c/p>\n\u003cp>During one 1966 interview, D’Angers spoke proudly of her job and the atmosphere at the Off Broadway. “I don’t see anything wrong with it,” she said. “I have never heard a nasty remark. I hear nothing but compliments. Lots of nice people come to this club. Businessmen, family men, married couples, office workers. They don’t bother me. I have dedicated myself to being a show business person.”\u003c/p>\n\u003cfigure id=\"attachment_13958875\" class=\"wp-caption aligncenter\" style=\"max-width: 840px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958875\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM.png\" alt=\"A blond woman in a white bikini poses, sideways on next to a headline that read 'virginity should be against the law.’\" width=\"840\" height=\"1170\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM.png 840w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM-800x1114.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM-160x223.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-1.36.12-PM-768x1070.png 768w\" sizes=\"(max-width: 840px) 100vw, 840px\">\u003cfigcaption class=\"wp-caption-text\">D’Angers gracing the cover of ‘Midnight’ magazine in 1967. \u003ccite>(Midnight: A Parliament Publication)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>D’Angers was born in either Tehran or Paris, the second of nine children. She became a model at the age of 14, and later studied — some say architecture, others say art — at UC Berkeley. She admitted to doctoring her birth certificate “any time it was necessary,” including when she got married at the age of 16 to a man named Howard S. Ettlinger who later claimed D’Angers paid him $200 to do so.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Throughout the 1960s and ’70s, in multiple courts across the land, D’Angers waged war with the United States Immigration and Naturalization Service as it tried desperately to deport her. D’Angers responded to this with a series of stunts. On Aug. 30, 1966, she chained herself, while clad in a hot pink catsuit, to the Golden Gate Bridge in protest, noting that she “felt like Joan of Arc.” Her antics attracted fascinated reporters who made a point to provide D’Angers’ measurements (“44-21-36!”) in almost every story.\u003c/p>\n\u003cfigure id=\"attachment_13958872\" class=\"wp-caption aligncenter\" style=\"max-width: 2499px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-scaled.jpg\" alt=\"A black and white image of a slender blonde woman in full make-up chained to a bridge railing.\" width=\"2499\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-scaled.jpg 2499w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-800x819.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1020x1045.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-160x164.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-768x787.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1499x1536.jpg 1499w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1999x2048.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1206296094-1920x1967.jpg 1920w\" sizes=\"(max-width: 2499px) 100vw, 2499px\">\u003cfigcaption class=\"wp-caption-text\">On August 6, 1966, D’Angers chained herself to Golden Gate Bridge and tossed the keys into the water. The bolt cutters of a bridge worker were quickly employed to free her. \u003ccite>(Bill Young/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>More than two years later, D’Angers arrived at the Immigration Service building at 630 Sansome with her attorney Melvin Belli and her husband \u003ca href=\"https://www.legacy.com/us/obituaries/lvrj/name/voss-boreta-obituary?id=19784478\">Voss Boreta\u003c/a>. Trailing behind them were 21 dancers, waitresses and supporters from Off Broadway and other North Beach clubs carrying protest signs that demanded: “Save Our National Monument,” “Don’t Bust the Bust” and “Keep America Beautiful — Save Yvonne.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13902628","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In 1965, D’Angers was also obliged to go to court to defend her right to be topless in public. This followed an arrest at the Off Broadway as she, in \u003cem>Life\u003c/em> magazine’s words, “strut[ted] down the aisle modeling a topless parody of an evening gown.” \u003cem>Life\u003c/em> quoted D’Angers as saying: “Being arrested does not bother me. San Francisco is so much like Paris. And I know that in Paris nothing will happen to a girl for doing this or more or less.”\u003c/p>\n\u003cp>She was right. D’Angers — alongside Doda and fellow topless performers, Kay Star and Euraine Heimberg — was acquitted of obscenity charges on May 8, 1965. D’Angers showed up to court wearing an electric-blue sequined dress.\u003c/p>\n\u003cp>D’Angers truly had a canny knack for getting herself out of trouble. Nowhere was this more evident than in June 1967 when she was stalked by a violent criminal from Oakland named James Reece. Reece, who had recently escaped from the Alameda County Jail and was wanted in five cities for a long list of felonies (including rape, kidnapping, burglary, assault with a deadly weapon and possession of a firearm), followed D’Angers in a stolen car one night after she left her shift at the Off Broadway.\u003c/p>\n\u003cp>“Following a high speed chase,” the \u003cem>Oakland Tribune\u003c/em> later reported, “Miss D’Angers cut into a dead end street and skidded to a stop, her four-day-old Cadillac half over a creek embankment. Reece careened into a tree and his car flipped 100 feet to the opposite bank.”\u003c/p>\n\u003cp>Reece survived the accident on the quiet Marin County road, was quickly apprehended and transferred to the San Quentin prison hospital. D’Angers was unscathed, her love of the spotlight undiluted by the terrifying incident. A year later, the aspiring actress made her big screen debut in \u003cem>Sappho Darling\u003c/em>, a lesbian exploitation flick that has since found a cult following. At the time of its release, however, the \u003cem>San Francisco Examiner\u003c/em> issued a scathing review:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13958101","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“[D’Angers] has been totally victimized by the glaring vulgarity of director Gunnar Steel’s sleazy little effort,” the review said. “Even her spectacular figure has been photographed disadvantageously and her voice (either her own or an inept dubbing job) sounds like a strident Betty Boop … When [a co-star] tremulously asks Miss D’Angers after a night of love: ‘Do you think I’m a lesbian?’ Yvonne smilingly recites quotations from Krafft-Ebing, Dr. Kinsey and Sigmund Freud … The scene is unintentionally hilarious.”\u003c/p>\n\u003cp>Following \u003cem>Sappho Darling\u003c/em>, D’Angers worked with Russ Meyer on \u003cem>The Seven Minutes\u003c/em> and \u003cem>Move\u003c/em>, alongside Elliot Gould and Paula Prentiss. A few years later came \u003cem>Ground Zero\u003c/em>, a thriller about a terrorist organization that plants a nuclear device on the Golden Gate Bridge.\u003c/p>\n\u003cfigure id=\"attachment_13958874\" class=\"wp-caption aligncenter\" style=\"max-width: 712px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-12.55.53-PM.png\" alt=\"A VHS cover featuring a fiery Golden Gate Bridge, close up of a man's face holding a gun and a woman in a bikini.\" width=\"712\" height=\"1270\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-12.55.53-PM.png 712w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Screen-Shot-2024-05-30-at-12.55.53-PM-160x285.png 160w\" sizes=\"(max-width: 712px) 100vw, 712px\">\u003cfigcaption class=\"wp-caption-text\">The home video cover of 1973’s ‘Ground Zero,’ which credits D’Angers as: ‘Ivonne D’Angiers.’ \u003ccite>(Genesis Home Video)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By the time \u003cem>Ground Zero\u003c/em> came out, D’Angers was living a much quieter life. In August 1973, the \u003cem>Oakland Tribune\u003c/em> reported that she could be regularly found hanging out at her husband’s Plaka Taverna club in North Beach. “The D’Angers charm is contagious as ever,” the newspaper said, “though … she prefers to stay in the background and let husband Voss run things.” She was quoted as saying “I’m enjoying being a wife very much.”\u003c/p>\n\u003cp>D’Angers died on June 10, 2009 in Las Vegas; she moved there with Boreta in 1974, and the couple subsequently raised three children. How she managed to stay in the United States after multiple deportation orders — including two, in 1967 and 1970, from Washington, D.C.’s Immigration Appeals Board — remains a mystery.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>By the time of her death, D’Angers’ notoriety had been largely forgotten. In its obituary, the \u003cem>San Francisco Chronicle\u003c/em> referred to D’Angers only as “an accomplished painter, model and college graduate.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958719/who-was-yvonne-dangers-1960s-topless-north-beach-star-deportation","authors":["11242"],"categories":["arts_1","arts_7862","arts_11615","arts_75"],"tags":["arts_5426","arts_5351","arts_5732"],"featImg":"arts_13958725","label":"arts"},"arts_13958776":{"type":"posts","id":"arts_13958776","meta":{"index":"posts_1716263798","site":"arts","id":"13958776","found":true},"guestAuthors":[],"slug":"santa-cruz-attack-otter-841-is-back-steamer-lane-surfboard","title":"The Infamous Santa Cruz Sea Otter Is Back and Ready to Snack (on Surfboards)","publishDate":1717009487,"format":"standard","headTitle":"The Infamous Santa Cruz Sea Otter Is Back and Ready to Snack (on Surfboards) | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Just when you thought it was safe to to go back in the the water, she’s returned!\u003c/p>\n\u003cp>Otter 841, the subversive sea mama with a surfboard vendetta has been spotted again in the waters of Santa Cruz after a five-month hiatus. In a move that was entirely on brand, she reemerged on Saturday afternoon during a surf competition. One minute, Karl Anderle was sitting on his board, quietly keeping recreational surfers out of the competition zone. The next, 841 was behind him, lurking on the back of his board and visibly plotting her next move.\u003c/p>\n\u003cp>[aside postid='arts_13955125']“I’m going over in my mind what I should do,” \u003ca href=\"https://www.mercurynews.com/2024/05/28/elusive-surfboard-stealing-otter-841-back-in-santa-cruz-up-to-her-old-tricks/\">Anderle, 69, told \u003cem>The Mercury News\u003c/em>\u003c/a>. “I didn’t really want her to bite me. I didn’t want to be that guy fighting an otter in the middle of a surf contest.”\u003c/p>\n\u003cp>As 841 began indulging in her favorite pastime — using the nearest surfboard as a chew toy — Anderle opted to slide into the water and wait it out. Despite attempts to tip 841 back off his board and into the water, the six-year-old sea menace stayed put for a full 15 minutes.\u003c/p>\n\u003cfigure id=\"attachment_13958780\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958780\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1546732755-scaled-e1717006000497.jpg\" alt=\"A man in a wetsuit sits on a white surfboard facing a large sea otter floating on its back.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Otter 841 facing off with a surfer at Steamer Lane along the Santa Cruz coastline in July 2023, when she first rose to fame. \u003ccite>(Gary Coronado/Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Otter 841 achieved worldwide notoriety last summer after attacking surfers, stealing surfboards and generally seeking revenge against all aquaphiles. The still-extremely-cute marine mammal evaded repeated attempts to capture her, having learned how to outwit humanity while being reared, first, at the UC Santa Cruz Research Center and then at the Monterey Bay Aquarium, from whence she was released.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After 841 \u003ca href=\"https://www.youtube.com/watch?v=QIKzAHYwfp8\">showed up in October with a tiny pup in tow\u003c/a>, it was hypothesized that maybe her prior bad acts were simply the result of raging pregnancy hormones. (Relatable!) Her reappearance, however, suggests she’s still keen to snack on surfboards, or at the very least steal a seat on them. Otter 841 can be identified by her blue tracking tag. She should be considered armed (with tiny teeth) and likely to embarrass any humans in her vicinity.\u003c/p>\n\n","blocks":[],"excerpt":"Just when you thought it was safe to go back in the water, Santa Cruz’s most maniacal marine mammal has returned.","status":"publish","parent":0,"modified":1717013945,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":381},"headData":{"title":"Lock Up Your Surfboards — Otter 841 Is Back | KQED","description":"Just when you thought it was safe to go back in the water, Santa Cruz’s most maniacal marine mammal has returned.","ogTitle":"The Infamous Santa Cruz Otter Is Back — and Ready to Snack on Your Surfboards","ogDescription":"","ogImgId":"","twTitle":"The Infamous Santa Cruz Otter Is Back — and Ready to Snack on Your Surfboards","twDescription":"","twImgId":"","socialTitle":"Lock Up Your Surfboards — Otter 841 Is Back%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Infamous Santa Cruz Sea Otter Is Back and Ready to Snack (on Surfboards)","datePublished":"2024-05-29T12:04:47-07:00","dateModified":"2024-05-29T13:19:05-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13958776","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13958776/santa-cruz-attack-otter-841-is-back-steamer-lane-surfboard","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just when you thought it was safe to to go back in the the water, she’s returned!\u003c/p>\n\u003cp>Otter 841, the subversive sea mama with a surfboard vendetta has been spotted again in the waters of Santa Cruz after a five-month hiatus. In a move that was entirely on brand, she reemerged on Saturday afternoon during a surf competition. One minute, Karl Anderle was sitting on his board, quietly keeping recreational surfers out of the competition zone. The next, 841 was behind him, lurking on the back of his board and visibly plotting her next move.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955125","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I’m going over in my mind what I should do,” \u003ca href=\"https://www.mercurynews.com/2024/05/28/elusive-surfboard-stealing-otter-841-back-in-santa-cruz-up-to-her-old-tricks/\">Anderle, 69, told \u003cem>The Mercury News\u003c/em>\u003c/a>. “I didn’t really want her to bite me. I didn’t want to be that guy fighting an otter in the middle of a surf contest.”\u003c/p>\n\u003cp>As 841 began indulging in her favorite pastime — using the nearest surfboard as a chew toy — Anderle opted to slide into the water and wait it out. Despite attempts to tip 841 back off his board and into the water, the six-year-old sea menace stayed put for a full 15 minutes.\u003c/p>\n\u003cfigure id=\"attachment_13958780\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958780\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-1546732755-scaled-e1717006000497.jpg\" alt=\"A man in a wetsuit sits on a white surfboard facing a large sea otter floating on its back.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Otter 841 facing off with a surfer at Steamer Lane along the Santa Cruz coastline in July 2023, when she first rose to fame. \u003ccite>(Gary Coronado/Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Otter 841 achieved worldwide notoriety last summer after attacking surfers, stealing surfboards and generally seeking revenge against all aquaphiles. The still-extremely-cute marine mammal evaded repeated attempts to capture her, having learned how to outwit humanity while being reared, first, at the UC Santa Cruz Research Center and then at the Monterey Bay Aquarium, from whence she was released.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After 841 \u003ca href=\"https://www.youtube.com/watch?v=QIKzAHYwfp8\">showed up in October with a tiny pup in tow\u003c/a>, it was hypothesized that maybe her prior bad acts were simply the result of raging pregnancy hormones. (Relatable!) Her reappearance, however, suggests she’s still keen to snack on surfboards, or at the very least steal a seat on them. Otter 841 can be identified by her blue tracking tag. She should be considered armed (with tiny teeth) and likely to embarrass any humans in her vicinity.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958776/santa-cruz-attack-otter-841-is-back-steamer-lane-surfboard","authors":["11242"],"categories":["arts_1","arts_75"],"tags":["arts_9124","arts_10278","arts_1028"],"featImg":"arts_13958825","label":"arts"},"arts_13958926":{"type":"posts","id":"arts_13958926","meta":{"index":"posts_1716263798","site":"arts","id":"13958926","found":true},"guestAuthors":[],"slug":"nations-burgers-pies-late-night-diner-san-pablo","title":"This 24-Hour Burger Chain Is a Late-Night Landmark in the Bay","publishDate":1717182913,"format":"aside","headTitle":"This 24-Hour Burger Chain Is a Late-Night Landmark in the Bay | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13958934\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958934\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1.jpg\" alt=\"Illustration: Two men eating a spread of diner food (burger, onion rings, bacon, strawberry pie) while a woman approaches the table carrying more food on a tray.\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nation’s hefty cheeseburgers and glistening strawberry pies are classic Bay Area diner food. \u003ccite>(Briana Loewinsohn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/the-midnight-diners\">\u003ci>The Midnight Diners\u003c/i>\u003c/a>\u003ci> is a regular collaboration between KQED food editor Luke Tsai and graphic novelist \u003c/i>\u003ca href=\"https://www.instagram.com/thiendog/?hl=en\">\u003ci>Thien Pham\u003c/i>\u003c/a>\u003ci>. Follow them each week as they explore the hot pot restaurants, taco carts and 24-hour casino buffets that make up the Bay Area’s after-hours dining scene. This week, they were joined by guest artist — and longtime Nation’s enthusiast — Briana Loewinsohn. \u003c/i>\u003c/p>\n\u003cp>\u003ca href=\"https://nationsrestaurants.com\">Nation’s Giant Hamburgers and Great Pies\u003c/a> probably doesn’t need much of an introduction.\u003c/p>\n\u003cp>Particularly if you grew up in the East Bay, chances are there was one of these fast food diners in or near your hometown. Maybe it was where your family went to grab a quick dinner when no one felt like cooking, or where the Little League coach would bring the team for post-game burgers and shakes. In high school, you might have spent hours there after school, multiple times a week, just shooting the shit with friends.\u003c/p>\n\u003cp>And for a wide swath of the Bay, the local Nation’s was almost certainly one of the only places in town where you could order a slice of pie or a full breakfast plate at 1 or 2 o’clock in the morning.\u003c/p>\n\u003cp>So when we saw that the chain’s original location in San Pablo is still open 24/7, we knew we had to pay a visit. The restaurant opened in 1952 as a tiny, \u003ca href=\"https://nationsrestaurants.com/our-story\">six-stool hot dog counter\u003c/a> (originally called “\u003ca href=\"https://www.sfgate.com/food/article/Nations-Giant-Hamburgers-East-Bay-16211282.php\">Harvey’s\u003c/a>”). The current, and much larger, iteration of the building sits across the street from the (also 24-hour) San Pablo Lytton Casino, and when you pull up after dark, it looks very much like the image of the quintessential diner that I hold in my mind’s eye: a squat, brick-faced beacon in the night, all aglow with red and white neon.\u003c/p>\n\u003cfigure id=\"attachment_13958936\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958936\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2.jpg\" alt=\"Illustration: The exterior of a Nation's fast food burger restaurant, lit up in neon at night.\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The original San Pablo location of Nation’s is still open 24/7. \u003ccite>(Briana Loewinsohn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a recent Thursday night, the crowd inside was about 40% young families out late with their kids, 40% chatty high schoolers and 20% very hungry middle-aged men (salute to my people), with their diner breakfast plates \u003ci>and\u003c/i> chili con carne \u003ci>and\u003c/i> banana cream pie spread out on the table like some midcentury still life.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>More than anything, it seemed to be a strictly locals kind of place – Nation’s, as a rule, is not much of a destination restaurant. “I guess you guys are from out of town,” the woman next to us in line said, laughing, not unkindly, when she saw us taking photos of the pie case and gawking at the menu with a little bit too much excitement.\u003c/p>\n\u003cp>If in doubt, you’ll probably just want to order a cheeseburger. So many Bay Area people talk up In-N-Out, our most celebrated SoCal import, that it’s easy to forget that Nation’s is the Bay’s own homegrown — and arguably superior — fast food burger chain.\u003c/p>\n\u003cp>A Nation’s cheeseburger has its own particular architecture. It has a surprising heft, mostly attributable to the thick, 5-ounce patty, but the main points of distinction are 1) the massive dollop of mayonnaise slathered underneath the patty and 2) the thick rounds of crunchy raw onion that provide a sharp counterpoint to the salty, fatty beef and cheese. (Ignore the wrongheaded people who try to convince you that it’s “too much onion.”) It’s a tasty, well-constructed burger — and if you’re feeling decadent, the fried egg and the uncommonly crispy bacon are both excellent add-ons.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13958466,arts_13954597,arts_13956683']\u003c/span>\u003c/span>We found the rest of the menu to be a little bit hit or miss. The fries were mediocre. The onion rings, while piping hot, were crumbly and underseasoned, and fell apart when we tried to eat them. The Oreo milkshake, on the other hand, was fantastic, with the ideal, slurpable thickness. And the classic breakfast plates — available in One-Egger, Two-Egger and Three-Egger permutations — are as solid as they come for an after-midnight breakfast option, with properly runny fried eggs and more of that good bacon (even if the hash browns were a bit pale and limp).\u003c/p>\n\u003cp>Our apologies, though, that we’ve gone this far without talking about Nation’s second biggest claim to fame: its pies.To be more specific, the strawberry pies, which the chain sells each spring and early summer as part of a big seasonal promotion that also features strawberry pancakes, strawberry French toast, strawberry cheesecake and straight-up bowls of strawberries (the quaintest, and most Bay Area, option).\u003c/p>\n\u003cp>The stunner, though, is the individual-size strawberry tart: a fairly standard pie shell with a mound of whole, fresh strawberries piled probably six inches high, ringed with spray-can whipped cream and coated in goopy red glaze — a pleasing juxtaposition in the way it’s both natural \u003ci>and \u003c/i>unnatural. Despite the glop, the luxuriousness of this Nation’s pie is that you’re essentially just eating a whole pint’s worth of surprisingly sweet, ripe strawberries.\u003c/p>\n\u003cp>I suppose that’s Bay Area diner culture, in a nutshell. And to be able to eat such a pie, and such a burger, at 3 o’clock in the morning? It’s what makes Nation’s a Bay Area classic.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://nationsrestaurants.com/\">\u003ci>Nation’s\u003c/i>\u003c/a>\u003ci> has 28 locations in Northern California, mostly concentrated in the East Bay (plus two in Texas). The original San Pablo location at 13296 San Pablo Dam Rd. is open 24/7.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Nation’s Giant Hamburgers has been a classic after-hours hangout spot for more than 70 years.","status":"publish","parent":0,"modified":1717182913,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":982},"headData":{"title":"Nation's 24-Hour Burger Restaurant Is a Late-Night East Bay Landmark | KQED","description":"Nation’s Giant Hamburgers has been a classic after-hours hangout spot for more than 70 years.","ogTitle":"This 24-Hour Burger Chain Is a Late-Night Landmark in the Bay","ogDescription":"","ogImgId":"","twTitle":"This 24-Hour Burger Chain Is a Late-Night Landmark in the Bay","twDescription":"","twImgId":"","socialTitle":"Nation's 24-Hour Burger Restaurant Is a Late-Night East Bay Landmark %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"This 24-Hour Burger Chain Is a Late-Night Landmark in the Bay","datePublished":"2024-05-31T12:15:13-07:00","dateModified":"2024-05-31T12:15:13-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"The Midnight Diners","sourceUrl":"https://www.kqed.org/arts/tag/the-midnight-diners","sticky":false,"nprStoryId":"kqed-13958926","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13958926/nations-burgers-pies-late-night-diner-san-pablo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13958934\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958934\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1.jpg\" alt=\"Illustration: Two men eating a spread of diner food (burger, onion rings, bacon, strawberry pie) while a woman approaches the table carrying more food on a tray.\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_1-1-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nation’s hefty cheeseburgers and glistening strawberry pies are classic Bay Area diner food. \u003ccite>(Briana Loewinsohn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/the-midnight-diners\">\u003ci>The Midnight Diners\u003c/i>\u003c/a>\u003ci> is a regular collaboration between KQED food editor Luke Tsai and graphic novelist \u003c/i>\u003ca href=\"https://www.instagram.com/thiendog/?hl=en\">\u003ci>Thien Pham\u003c/i>\u003c/a>\u003ci>. Follow them each week as they explore the hot pot restaurants, taco carts and 24-hour casino buffets that make up the Bay Area’s after-hours dining scene. This week, they were joined by guest artist — and longtime Nation’s enthusiast — Briana Loewinsohn. \u003c/i>\u003c/p>\n\u003cp>\u003ca href=\"https://nationsrestaurants.com\">Nation’s Giant Hamburgers and Great Pies\u003c/a> probably doesn’t need much of an introduction.\u003c/p>\n\u003cp>Particularly if you grew up in the East Bay, chances are there was one of these fast food diners in or near your hometown. Maybe it was where your family went to grab a quick dinner when no one felt like cooking, or where the Little League coach would bring the team for post-game burgers and shakes. In high school, you might have spent hours there after school, multiple times a week, just shooting the shit with friends.\u003c/p>\n\u003cp>And for a wide swath of the Bay, the local Nation’s was almost certainly one of the only places in town where you could order a slice of pie or a full breakfast plate at 1 or 2 o’clock in the morning.\u003c/p>\n\u003cp>So when we saw that the chain’s original location in San Pablo is still open 24/7, we knew we had to pay a visit. The restaurant opened in 1952 as a tiny, \u003ca href=\"https://nationsrestaurants.com/our-story\">six-stool hot dog counter\u003c/a> (originally called “\u003ca href=\"https://www.sfgate.com/food/article/Nations-Giant-Hamburgers-East-Bay-16211282.php\">Harvey’s\u003c/a>”). The current, and much larger, iteration of the building sits across the street from the (also 24-hour) San Pablo Lytton Casino, and when you pull up after dark, it looks very much like the image of the quintessential diner that I hold in my mind’s eye: a squat, brick-faced beacon in the night, all aglow with red and white neon.\u003c/p>\n\u003cfigure id=\"attachment_13958936\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958936\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2.jpg\" alt=\"Illustration: The exterior of a Nation's fast food burger restaurant, lit up in neon at night.\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/Nations_2-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The original San Pablo location of Nation’s is still open 24/7. \u003ccite>(Briana Loewinsohn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a recent Thursday night, the crowd inside was about 40% young families out late with their kids, 40% chatty high schoolers and 20% very hungry middle-aged men (salute to my people), with their diner breakfast plates \u003ci>and\u003c/i> chili con carne \u003ci>and\u003c/i> banana cream pie spread out on the table like some midcentury still life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>More than anything, it seemed to be a strictly locals kind of place – Nation’s, as a rule, is not much of a destination restaurant. “I guess you guys are from out of town,” the woman next to us in line said, laughing, not unkindly, when she saw us taking photos of the pie case and gawking at the menu with a little bit too much excitement.\u003c/p>\n\u003cp>If in doubt, you’ll probably just want to order a cheeseburger. So many Bay Area people talk up In-N-Out, our most celebrated SoCal import, that it’s easy to forget that Nation’s is the Bay’s own homegrown — and arguably superior — fast food burger chain.\u003c/p>\n\u003cp>A Nation’s cheeseburger has its own particular architecture. It has a surprising heft, mostly attributable to the thick, 5-ounce patty, but the main points of distinction are 1) the massive dollop of mayonnaise slathered underneath the patty and 2) the thick rounds of crunchy raw onion that provide a sharp counterpoint to the salty, fatty beef and cheese. (Ignore the wrongheaded people who try to convince you that it’s “too much onion.”) It’s a tasty, well-constructed burger — and if you’re feeling decadent, the fried egg and the uncommonly crispy bacon are both excellent add-ons.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13958466,arts_13954597,arts_13956683","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>We found the rest of the menu to be a little bit hit or miss. The fries were mediocre. The onion rings, while piping hot, were crumbly and underseasoned, and fell apart when we tried to eat them. The Oreo milkshake, on the other hand, was fantastic, with the ideal, slurpable thickness. And the classic breakfast plates — available in One-Egger, Two-Egger and Three-Egger permutations — are as solid as they come for an after-midnight breakfast option, with properly runny fried eggs and more of that good bacon (even if the hash browns were a bit pale and limp).\u003c/p>\n\u003cp>Our apologies, though, that we’ve gone this far without talking about Nation’s second biggest claim to fame: its pies.To be more specific, the strawberry pies, which the chain sells each spring and early summer as part of a big seasonal promotion that also features strawberry pancakes, strawberry French toast, strawberry cheesecake and straight-up bowls of strawberries (the quaintest, and most Bay Area, option).\u003c/p>\n\u003cp>The stunner, though, is the individual-size strawberry tart: a fairly standard pie shell with a mound of whole, fresh strawberries piled probably six inches high, ringed with spray-can whipped cream and coated in goopy red glaze — a pleasing juxtaposition in the way it’s both natural \u003ci>and \u003c/i>unnatural. Despite the glop, the luxuriousness of this Nation’s pie is that you’re essentially just eating a whole pint’s worth of surprisingly sweet, ripe strawberries.\u003c/p>\n\u003cp>I suppose that’s Bay Area diner culture, in a nutshell. And to be able to eat such a pie, and such a burger, at 3 o’clock in the morning? It’s what makes Nation’s a Bay Area classic.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://nationsrestaurants.com/\">\u003ci>Nation’s\u003c/i>\u003c/a>\u003ci> has 28 locations in Northern California, mostly concentrated in the East Bay (plus two in Texas). The original San Pablo location at 13296 San Pablo Dam Rd. is open 24/7.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958926/nations-burgers-pies-late-night-diner-san-pablo","authors":["11743","11904"],"categories":["arts_1","arts_12276"],"tags":["arts_21946","arts_22144","arts_5569","arts_10278","arts_1297","arts_8805","arts_22169","arts_21928"],"featImg":"arts_13958940","label":"source_arts_13958926"},"arts_13958713":{"type":"posts","id":"arts_13958713","meta":{"index":"posts_1716263798","site":"arts","id":"13958713","found":true},"guestAuthors":[],"slug":"san-jose-foos-chris-villa-tacos-music-festival","title":"This Wildly Popular IG Account Is Throwing a Huge Latin Music Festival in San Jose","publishDate":1717513227,"format":"standard","headTitle":"This Wildly Popular IG Account Is Throwing a Huge Latin Music Festival in San Jose | KQED","labelTerm":{},"content":"\u003cp>\u003cstrong>\u003ci>\u003ca href=\"https://www.kqed.org/hellahungry\">¡Hella Hungry!\u003c/a> is a series of interviews with Bay Area foodmakers exploring the region’s culinary innovations through the mouth of a first-generation local.\u003c/i>\u003c/strong>\u003c/p>\n\u003cp>South Almaden Avenue is a long stretch of pavement that runs through a scrappy, historic neighborhood on the southern edge of San Jose’s downtown. It’s the kind of barrio you can visit at any hour to find some of the Bay Area’s most homey tacos while vatos circle the block on bicycles and inside minivans. It’s also where you’ll find\u003ca href=\"https://www.instagram.com/rosarios_tacos/?hl=en\"> Rosario’s Tacos\u003c/a>, a no-frills taqueria that started inside a garage before moving to its current brick-and-mortar location in 2022.\u003c/p>\n\u003cp>The gregarious owner, Joe, is an embodiment of San Jose’s low-riding Chicano spirit — a proud father with a full-bellied laugh and cynical sense of humor who refuses to give up on his community. The restaurant is named after his late mother, Rosario, whose recipes Joe has adapted to create the restaurant’s beloved quesabirria — a red-drenched behemoth of a taco, dripping with consomme, birria, cheese and (if desired) plump, succulent shrimp.\u003c/p>\n\u003cp>Rosario’s generous portion sizes and undiluted hometown pride are what attract one of Shark City’s biggest foodies:\u003ca href=\"https://www.instagram.com/chrisillmatic/?hl=en\"> Chris Villa\u003c/a>. As the face of\u003ca href=\"https://www.instagram.com/sanjosefoos/?hl=en\"> San Jose Foos\u003c/a> — the 408’s most culturally influential social media empire, with over 226,000 followers on Instagram — Villa has been going to Rosario’s for years and chose it as our rendezvous point on a sunny South Bay afternoon.\u003c/p>\n\u003cfigure id=\"attachment_13958803\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-scaled.jpg\" alt=\"a table of tacos and flyers for a music festival\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">San Jose Foos is helping to coordinate the city’s first-ever Latin house music festival at Discovery Meadow Park on June 15. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though not food-specific, the page — which Villa co-facilitates with \u003ca href=\"https://www.metrosiliconvalley.com/san-jose-foos-become-a-much-needed-voice-for-san-jose-culture/\">San Jose Foos founder, Jorge Anthony Gomez\u003c/a> — uplifts a variety of San Jose-owned businesses like Rosario’s. Their popular, insider-y memes and videos highlight small, family-run, genuinely under-appreciated and off-the-radar locales that otherwise go unnoticed by the Bay Area mainstream. Villa has been involved with the account for four years and recently left his job at Apple to pursue his creativity full-time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In their biggest effort to continue building the city’s cultural profile, San Jose Foos are launching a new music festival: \u003ca href=\"https://www.instagram.com/p/C7AhHO0Pucw/?hl=en\">Taraka\u003c/a>. Headlined by\u003ca href=\"https://www.instagram.com/gordoszn/?hl=en\"> Nicaraguan super producer and DJ, Gordo\u003c/a>, and featuring a cast of eleven Latin American house music DJs, the festival will be the only one of its kind in the region (\u003ca href=\"https://www.kqed.org/arts/13865311/how-sonido-clash-music-fest-became-a-hub-for-forward-thinking-latinx-sounds\">Sonido Clash, the alternative Latinx music festival\u003c/a> that was once held in San Jose, has been discontinued since the pandemic).\u003c/p>\n\u003cp>After ordering close to 20 tacos — which we divvied up, each taking home leftovers — Villa and I ate ourselves into a peaceful state of higher consciousness while chatting about Silicon Valley’s joys, complexities and upcoming food and music takeover.\u003c/p>\n\u003cp>\u003ci>This interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ci>********\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13958806\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958806\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-scaled.jpg\" alt=\"birria tacos on a grill at a taqueria\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The quesabirria tacos are a main attraction at Rosario’s. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Alan Chazaro: You chose this spot as our meeting point. What does Rosario’s Tacos mean to you? [mariachi music blares in the background]\u003c/b>\u003c/p>\n\u003cp>\u003cb>Chris Villa: \u003c/b>I’ve known about this spot for the longest. It’s a San Jose staple. It’s one of those spots that everyone in San Jose goes to. I’ve built a rapport with Joe [the owner] because of what he does and what he has contributed to the community. He has a presence here. And the food is delicious. This isn’t a gentrified spot, but you’ll still see every culture here. A group of Indian foodies recently made a video. That’s really cool to see. And Joe doesn’t want to go anywhere. He wants to stay right here in San Jose. That gives people a sense of pride. You can’t hate on that, you know?\u003c/p>\n\u003cp>\u003cb>I feel that. Have you eaten the Godzilla Taco here? The menu says it’s a 14-inch quesabirria taco. It crossed my mind.\u003c/b>\u003c/p>\n\u003cp>Yeah, I have. I can’t finish it [laughs].\u003c/p>\n\u003cfigure id=\"attachment_13958804\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958804\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-scaled.jpg\" alt=\"a kitchen cook prepares meat for birria tacos\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Rosario’s Tacos uses family recipes from the owner’s late mother, Rosario, to make some of the best quesabirria in San Jose. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>There are a lot of solid taquerias in this area. I remember eating around here when I was a teenager, and a group of gang members got out of their car and approached the people I was with because of some of the colors they were wearing. But the tacos were so damn good that I kept coming back. Did you grow up in this part of the city?\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13958336,arts_13958466,arts_13920483']\u003c/span>I grew up on the south side of San Jose. We used to stay away from this area growing up because of what it is, you know [laughs]. Where I lived was like the opposite gang, but I wasn’t affiliated or anything like that. Before all the Instagram stuff, I’ve always been cool with everyone. Just going out and saying what’s up to all the homies. That’s just the Bay.\u003c/p>\n\u003cp>\u003cb>How did you start working with San Jose Foos, and what’s your involvement?\u003c/b>\u003c/p>\n\u003cp>I partnered with my homie, Anthony [Gomez]. He’s the one who started it; I’m considered the face of it, and I’m in some of the videos. I also help with scheduling, shooting, editing and stuff like that as much as needed. I started a few years ago right after COVID [emerged] in 2020. After all that was going on, that’s when I jumped on board, and I was like, hey, you know, it’s a lot of fighting hate with hate. We wanted to make it a love thing. Support our community. Support local businesses however we can. We were at maybe 10,000 followers at the time, and it still made a difference. And from then it blew up from just telling people to check out this spot, go look at this artist, sharing San Jose staples that you got to know. It became more about that. Local history, culture.\u003c/p>\n\u003cfigure id=\"attachment_13958805\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958805\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-scaled.jpg\" alt=\"a mural that reads "Rosario's Tacos San Jose" inside a taqueria\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A mural inside the taqueria reflects the owner’s hometown Chicano pride. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Is that cultural representation something you think San Jose was lacking at the time — or is maybe still lacking?\u003c/b>\u003c/p>\n\u003cp>It was missing for the longest. San Jose hasn’t always been shown the same love as San Francisco and Oakland. We wanted to pivot and put San Jose on the map in different ways. That was the goal. We want to make people laugh, too [laughs]. This is my favorite horchata in San Jose, by the way [sips horchata].\u003c/p>\n\u003cp>\u003cb>You’re helping launch a new festival in San Jose. That’s a big deal. How’s that going?\u003c/b>\u003c/p>\n\u003cp>It’s huge. The first of its kind here in San Jose. They’re going to start building the stage. We’ve always wanted to do something big, festival wise. We’ve been mapping things out. Gordo is a dope artist. I’ve always been a fan of his, so when I heard we’re bringing him out I was like yo, that’s crazy.\u003c/p>\n\u003cfigure id=\"attachment_13958808\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958808\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-scaled.jpg\" alt=\"a journalist eating a taco\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">KQED food journalist Alan Chazaro listens in as Chris Villa talks about San Jose’s cultural riches. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>What’s your role in the festival?\u003c/b>\u003c/p>\n\u003cp>I’m helping facilitate, mainly with the vendors. Making sure everyone’s good. I’ve been running around, wearing a few hats. It’ll all be at Discovery Meadows [the park outside the Children’s Discovery Museum of San Jose]. We have a friend who organizes events, and they’re really good at putting things together and getting the permits and things like that, so they took care of all that. We’ve done events before, but not this size. It’s gonna be good. It’s a large event being held in San Jose at a venue that not many people know about. The last big event that happened there was with Logic. He held a free event there. Hella random.\u003c/p>\n\u003cp>\u003cb>Who’s going to be there?\u003c/b>\u003c/p>\n\u003cp>Live DJs will be going on from 2 to 9 on one stage. Gordo, Lee Foss, Malóne, Maneki. Nico Crespo from San Jose. He’s actually my best friend’s cousin and he’s been doing it big in the house and techno scene. It’s 11 Latin American house music DJs in total.\u003ca href=\"https://www.instagram.com/brownnproudla/?hl=en\"> Brown N Proud\u003c/a> LA is doing an SJ collab. He’s a clothing guy; [the clothing brand] Foos Gone Wild has partnered up with him before. But it’s mostly San Jose people:\u003ca href=\"https://www.instagram.com/shrimpn_aint_eazy/?hl=en\"> Shrimpin Ain’t Eazy\u003c/a>, \u003ca href=\"https://www.instagram.com/popupsj/?hl=en\">Pop Up SJ\u003c/a>, \u003ca href=\"https://www.instagram.com/mrshrimpsj/\">Mr. Shrimp\u003c/a>. Food trucks, thrifters, clothing brands. Our own stuff.\u003c/p>\n\u003cfigure id=\"attachment_13958809\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958809\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-scaled.jpg\" alt=\"three people sit in front of a taqueria during lunch\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Chris Vilal (left), Alan Chazaro (center) and Rosario’s Tacos owner, Joe (right), discuss San Jose’s artistic community. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>What’s your philosophy on what San Jose could be doing better moving forward?\u003c/b>\u003c/p>\n\u003cp>The biggest thing I see in San Jose is people fighting against each other, making everything a competition. [San Jose Foos] never saw it that way. We want to partner up with whoever wants to make a difference, big or small. Artists, photographers, any of that. One of the organizations we help out is\u003ca href=\"https://www.instagram.com/adopt_my_block/?hl=en\"> Adopt My Block\u003c/a>. They’re about adopting dogs, sheltering dogs. We reached out to them. It’s run by\u003ca href=\"https://www.kqed.org/arts/13839650/on-3rtys-veteran-san-jose-battle-rapper-dirtbag-dan-reveals-his-introspective-side\"> Dirtbag Dan\u003c/a>, one of [San Jose’s] old school battle rappers. We want to show that love to our city.\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘Taraka with Gordo’ will take place at Discovery Meadow Park (180 Woz Way, San Jose) on Sat., June 15 from 2 to 9 p.m. Tickets available \u003ca href=\"https://www.eventbrite.com/e/taraka-san-jose-w-gordo-more-tba-tickets-891379388747?aff=aff0bandsintown&comeFrom=2500&artist_event_id=1031776474&bit_userid=%24%7Buser_id%7D&appId=onaqfvagbja_jro\">here\u003c/a>. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"San Jose Foos’ Chris Villa breaks down Silicon Valley’s upcoming Latin American electronic music festival and where he goes to get his favorite tacos.\r\n","status":"publish","parent":0,"modified":1717616965,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":1698},"headData":{"title":"San Jose Foos Is Throwing a Huge New Latin Music Festival | KQED","description":"San Jose Foos’ Chris Villa breaks down Silicon Valley’s upcoming Latin American electronic music festival and where he goes to get his favorite tacos.\r\n","ogTitle":"This Wildly Popular IG Account Is Throwing a Huge Latin Music Festival in San Jose","ogDescription":"","ogImgId":"","twTitle":"This Wildly Popular IG Account Is Throwing a Huge Latin Music Festival in San Jose","twDescription":"","twImgId":"","socialTitle":"San Jose Foos Is Throwing a Huge New Latin Music Festival %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"This Wildly Popular IG Account Is Throwing a Huge Latin Music Festival in San Jose","datePublished":"2024-06-04T08:00:27-07:00","dateModified":"2024-06-05T12:49:25-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"¡HELLA HUNGRY!","sourceUrl":"https://www.kqed.org/hellahungry","sticky":false,"nprStoryId":"kqed-13958713","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13958713/san-jose-foos-chris-villa-tacos-music-festival","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003ci>\u003ca href=\"https://www.kqed.org/hellahungry\">¡Hella Hungry!\u003c/a> is a series of interviews with Bay Area foodmakers exploring the region’s culinary innovations through the mouth of a first-generation local.\u003c/i>\u003c/strong>\u003c/p>\n\u003cp>South Almaden Avenue is a long stretch of pavement that runs through a scrappy, historic neighborhood on the southern edge of San Jose’s downtown. It’s the kind of barrio you can visit at any hour to find some of the Bay Area’s most homey tacos while vatos circle the block on bicycles and inside minivans. It’s also where you’ll find\u003ca href=\"https://www.instagram.com/rosarios_tacos/?hl=en\"> Rosario’s Tacos\u003c/a>, a no-frills taqueria that started inside a garage before moving to its current brick-and-mortar location in 2022.\u003c/p>\n\u003cp>The gregarious owner, Joe, is an embodiment of San Jose’s low-riding Chicano spirit — a proud father with a full-bellied laugh and cynical sense of humor who refuses to give up on his community. The restaurant is named after his late mother, Rosario, whose recipes Joe has adapted to create the restaurant’s beloved quesabirria — a red-drenched behemoth of a taco, dripping with consomme, birria, cheese and (if desired) plump, succulent shrimp.\u003c/p>\n\u003cp>Rosario’s generous portion sizes and undiluted hometown pride are what attract one of Shark City’s biggest foodies:\u003ca href=\"https://www.instagram.com/chrisillmatic/?hl=en\"> Chris Villa\u003c/a>. As the face of\u003ca href=\"https://www.instagram.com/sanjosefoos/?hl=en\"> San Jose Foos\u003c/a> — the 408’s most culturally influential social media empire, with over 226,000 followers on Instagram — Villa has been going to Rosario’s for years and chose it as our rendezvous point on a sunny South Bay afternoon.\u003c/p>\n\u003cfigure id=\"attachment_13958803\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958803\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-scaled.jpg\" alt=\"a table of tacos and flyers for a music festival\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-35-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">San Jose Foos is helping to coordinate the city’s first-ever Latin house music festival at Discovery Meadow Park on June 15. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though not food-specific, the page — which Villa co-facilitates with \u003ca href=\"https://www.metrosiliconvalley.com/san-jose-foos-become-a-much-needed-voice-for-san-jose-culture/\">San Jose Foos founder, Jorge Anthony Gomez\u003c/a> — uplifts a variety of San Jose-owned businesses like Rosario’s. Their popular, insider-y memes and videos highlight small, family-run, genuinely under-appreciated and off-the-radar locales that otherwise go unnoticed by the Bay Area mainstream. Villa has been involved with the account for four years and recently left his job at Apple to pursue his creativity full-time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In their biggest effort to continue building the city’s cultural profile, San Jose Foos are launching a new music festival: \u003ca href=\"https://www.instagram.com/p/C7AhHO0Pucw/?hl=en\">Taraka\u003c/a>. Headlined by\u003ca href=\"https://www.instagram.com/gordoszn/?hl=en\"> Nicaraguan super producer and DJ, Gordo\u003c/a>, and featuring a cast of eleven Latin American house music DJs, the festival will be the only one of its kind in the region (\u003ca href=\"https://www.kqed.org/arts/13865311/how-sonido-clash-music-fest-became-a-hub-for-forward-thinking-latinx-sounds\">Sonido Clash, the alternative Latinx music festival\u003c/a> that was once held in San Jose, has been discontinued since the pandemic).\u003c/p>\n\u003cp>After ordering close to 20 tacos — which we divvied up, each taking home leftovers — Villa and I ate ourselves into a peaceful state of higher consciousness while chatting about Silicon Valley’s joys, complexities and upcoming food and music takeover.\u003c/p>\n\u003cp>\u003ci>This interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ci>********\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13958806\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958806\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-scaled.jpg\" alt=\"birria tacos on a grill at a taqueria\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-14-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The quesabirria tacos are a main attraction at Rosario’s. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Alan Chazaro: You chose this spot as our meeting point. What does Rosario’s Tacos mean to you? [mariachi music blares in the background]\u003c/b>\u003c/p>\n\u003cp>\u003cb>Chris Villa: \u003c/b>I’ve known about this spot for the longest. It’s a San Jose staple. It’s one of those spots that everyone in San Jose goes to. I’ve built a rapport with Joe [the owner] because of what he does and what he has contributed to the community. He has a presence here. And the food is delicious. This isn’t a gentrified spot, but you’ll still see every culture here. A group of Indian foodies recently made a video. That’s really cool to see. And Joe doesn’t want to go anywhere. He wants to stay right here in San Jose. That gives people a sense of pride. You can’t hate on that, you know?\u003c/p>\n\u003cp>\u003cb>I feel that. Have you eaten the Godzilla Taco here? The menu says it’s a 14-inch quesabirria taco. It crossed my mind.\u003c/b>\u003c/p>\n\u003cp>Yeah, I have. I can’t finish it [laughs].\u003c/p>\n\u003cfigure id=\"attachment_13958804\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958804\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-scaled.jpg\" alt=\"a kitchen cook prepares meat for birria tacos\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-4-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Rosario’s Tacos uses family recipes from the owner’s late mother, Rosario, to make some of the best quesabirria in San Jose. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>There are a lot of solid taquerias in this area. I remember eating around here when I was a teenager, and a group of gang members got out of their car and approached the people I was with because of some of the colors they were wearing. But the tacos were so damn good that I kept coming back. Did you grow up in this part of the city?\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13958336,arts_13958466,arts_13920483","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>I grew up on the south side of San Jose. We used to stay away from this area growing up because of what it is, you know [laughs]. Where I lived was like the opposite gang, but I wasn’t affiliated or anything like that. Before all the Instagram stuff, I’ve always been cool with everyone. Just going out and saying what’s up to all the homies. That’s just the Bay.\u003c/p>\n\u003cp>\u003cb>How did you start working with San Jose Foos, and what’s your involvement?\u003c/b>\u003c/p>\n\u003cp>I partnered with my homie, Anthony [Gomez]. He’s the one who started it; I’m considered the face of it, and I’m in some of the videos. I also help with scheduling, shooting, editing and stuff like that as much as needed. I started a few years ago right after COVID [emerged] in 2020. After all that was going on, that’s when I jumped on board, and I was like, hey, you know, it’s a lot of fighting hate with hate. We wanted to make it a love thing. Support our community. Support local businesses however we can. We were at maybe 10,000 followers at the time, and it still made a difference. And from then it blew up from just telling people to check out this spot, go look at this artist, sharing San Jose staples that you got to know. It became more about that. Local history, culture.\u003c/p>\n\u003cfigure id=\"attachment_13958805\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958805\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-scaled.jpg\" alt=\"a mural that reads "Rosario's Tacos San Jose" inside a taqueria\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-2-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A mural inside the taqueria reflects the owner’s hometown Chicano pride. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Is that cultural representation something you think San Jose was lacking at the time — or is maybe still lacking?\u003c/b>\u003c/p>\n\u003cp>It was missing for the longest. San Jose hasn’t always been shown the same love as San Francisco and Oakland. We wanted to pivot and put San Jose on the map in different ways. That was the goal. We want to make people laugh, too [laughs]. This is my favorite horchata in San Jose, by the way [sips horchata].\u003c/p>\n\u003cp>\u003cb>You’re helping launch a new festival in San Jose. That’s a big deal. How’s that going?\u003c/b>\u003c/p>\n\u003cp>It’s huge. The first of its kind here in San Jose. They’re going to start building the stage. We’ve always wanted to do something big, festival wise. We’ve been mapping things out. Gordo is a dope artist. I’ve always been a fan of his, so when I heard we’re bringing him out I was like yo, that’s crazy.\u003c/p>\n\u003cfigure id=\"attachment_13958808\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958808\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-scaled.jpg\" alt=\"a journalist eating a taco\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-26-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">KQED food journalist Alan Chazaro listens in as Chris Villa talks about San Jose’s cultural riches. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>What’s your role in the festival?\u003c/b>\u003c/p>\n\u003cp>I’m helping facilitate, mainly with the vendors. Making sure everyone’s good. I’ve been running around, wearing a few hats. It’ll all be at Discovery Meadows [the park outside the Children’s Discovery Museum of San Jose]. We have a friend who organizes events, and they’re really good at putting things together and getting the permits and things like that, so they took care of all that. We’ve done events before, but not this size. It’s gonna be good. It’s a large event being held in San Jose at a venue that not many people know about. The last big event that happened there was with Logic. He held a free event there. Hella random.\u003c/p>\n\u003cp>\u003cb>Who’s going to be there?\u003c/b>\u003c/p>\n\u003cp>Live DJs will be going on from 2 to 9 on one stage. Gordo, Lee Foss, Malóne, Maneki. Nico Crespo from San Jose. He’s actually my best friend’s cousin and he’s been doing it big in the house and techno scene. It’s 11 Latin American house music DJs in total.\u003ca href=\"https://www.instagram.com/brownnproudla/?hl=en\"> Brown N Proud\u003c/a> LA is doing an SJ collab. He’s a clothing guy; [the clothing brand] Foos Gone Wild has partnered up with him before. But it’s mostly San Jose people:\u003ca href=\"https://www.instagram.com/shrimpn_aint_eazy/?hl=en\"> Shrimpin Ain’t Eazy\u003c/a>, \u003ca href=\"https://www.instagram.com/popupsj/?hl=en\">Pop Up SJ\u003c/a>, \u003ca href=\"https://www.instagram.com/mrshrimpsj/\">Mr. Shrimp\u003c/a>. Food trucks, thrifters, clothing brands. Our own stuff.\u003c/p>\n\u003cfigure id=\"attachment_13958809\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958809\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-scaled.jpg\" alt=\"three people sit in front of a taqueria during lunch\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/TacoTalkWAlanChris-37-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Chris Vilal (left), Alan Chazaro (center) and Rosario’s Tacos owner, Joe (right), discuss San Jose’s artistic community. \u003ccite>(@alexknowbody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>What’s your philosophy on what San Jose could be doing better moving forward?\u003c/b>\u003c/p>\n\u003cp>The biggest thing I see in San Jose is people fighting against each other, making everything a competition. [San Jose Foos] never saw it that way. We want to partner up with whoever wants to make a difference, big or small. Artists, photographers, any of that. One of the organizations we help out is\u003ca href=\"https://www.instagram.com/adopt_my_block/?hl=en\"> Adopt My Block\u003c/a>. They’re about adopting dogs, sheltering dogs. We reached out to them. It’s run by\u003ca href=\"https://www.kqed.org/arts/13839650/on-3rtys-veteran-san-jose-battle-rapper-dirtbag-dan-reveals-his-introspective-side\"> Dirtbag Dan\u003c/a>, one of [San Jose’s] old school battle rappers. We want to show that love to our city.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Taraka with Gordo’ will take place at Discovery Meadow Park (180 Woz Way, San Jose) on Sat., June 15 from 2 to 9 p.m. Tickets available \u003ca href=\"https://www.eventbrite.com/e/taraka-san-jose-w-gordo-more-tba-tickets-891379388747?aff=aff0bandsintown&comeFrom=2500&artist_event_id=1031776474&bit_userid=%24%7Buser_id%7D&appId=onaqfvagbja_jro\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958713/san-jose-foos-chris-villa-tacos-music-festival","authors":["11748"],"categories":["arts_1","arts_12276","arts_69"],"tags":["arts_10278","arts_17573","arts_14985","arts_1694","arts_14062","arts_1084","arts_3001","arts_2137","arts_14984"],"featImg":"arts_13958859","label":"source_arts_13958713"},"arts_13958896":{"type":"posts","id":"arts_13958896","meta":{"index":"posts_1716263798","site":"arts","id":"13958896","found":true},"guestAuthors":[],"slug":"solespace-lab-oakland-sneakers-sustainability","title":"A Popular Oakland Sneaker Shop Returns — With a Twist","publishDate":1717524265,"format":"standard","headTitle":"A Popular Oakland Sneaker Shop Returns — With a Twist | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>For seven years, from 2012–2019, \u003ca href=\"https://www.instagram.com/solespacelab\">SoleSpace\u003c/a> — sneaker shop by day, community activation hub by night — served Oakland’s most community-minded sneakerheads, art lovers and streetwear addicts. The Telegraph Avenue storefront hosted \u003ca href=\"https://www.kqed.org/arts/13840766/advice-from-a-former-graffiti-writer-to-oaklands-new-generation\">workshops and events\u003c/a> (like a \u003ca href=\"https://www.instagram.com/solespace.lab/reel/Btgz3ddn4th/\">Lauryn Hill in-store signing\u003c/a>) that drew crowds so large you’d have to peer through the window to see the action inside.\u003c/p>\n\u003cp>Sadly, after a series of unexpected health issues, frequent break-ins, rising rent and a declining retail environment, SoleSpace shuttered in 2019.\u003c/p>\n\u003cp>[aside postID='arts_13840766']Now, after a five-year hiatus, cofounder Jeff Perlstein and biotech fashion designer \u003ca href=\"https://www.instagram.com/olivia__cueva/\">Olivia Cueva\u003c/a> are resurrecting the footwear store as an eco-friendly sneaker workshop. At SoleSpace Lab, a pilot project this summer on 12th Street in downtown Oakland, green-leaning sneakerheads and designers alike will be able to take classes on upcycling, shoe repair and more. The shop will pivot away from commercial retail — no new sneakers will be for sale — and instead focus on rethinking fashion’s role in the global climate crisis through education and community engagement, with an emphasis on youth development, sustainability and equity.\u003c/p>\n\u003cp>“I didn’t think I would touch [sneakers] again,” Perlstein says. “But I reflected on the excitement and joy I’d seen around shoes. Part of this is making peace with my critiques of the sneaker industry’s impact on the planet and bringing sustainability to sneakers.”\u003c/p>\n\u003cp>“It’s not about retail and selling some corporate-approved design, but how can we better take care of products that already exist?” he continues. “Those sneakers you already own, how can we dust them off and repair them, make them spicier to match a certain fit? This is about harnessing people’s creativity in Oakland and seeing how we can change things and give them a new life.”\u003c/p>\n\u003cfigure id=\"attachment_13959116\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959116\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-scaled.jpg\" alt=\"two shoe designers hold up their custom made pair of shoes\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Perlstein (left) spent a year taking sneaker upcycling workshops with professional cobblers, including Brooklyn’s Sung Me (right), who will visit SoulSpace Lab this summer to lead a workshop. \u003ccite>(Courtesy SoleSpace Lab)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Perlstein’s recommitment to sneakers began during the pandemic, when his teenage son, Joaquin, enrolled into the Oakland School of the Arts’ fashion design pathway. Eventually, Perlstein teamed up with a village of local makers, fashion experts and artisans, including Cueva — who has more than a decade’s worth of education and community work under her belt, most recently as the director of the \u003ca href=\"https://www.instagram.com/theglovercenter/\">David E. Glover Emerging Technology Center\u003c/a> in deep East Oakland — to form what would become the \u003ca href=\"https://www.instagram.com/oaklandstylelab/?hl=en\">Oakland Style Lab\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With Cueva’s background in sustainable fashion technology (she attended \u003ca href=\"https://fablabbcn.org/education/in-house-programs/fabricademy-barcelona\">Fabricademy\u003c/a> in Barcelona), her work with Oakland Style Lab for the past four years has focused on mitigating fashion’s often wasteful practices. She’s found that by using bioplastics and biodegradable materials, such as hemp, cactus and pineapple “leathers,” goji berries and echinacea, it’s possible to design sneakers that are both eco-friendly and popular.\u003c/p>\n\u003cp>“I was basically looking at what’s going on in our culture, being heavily influenced by celebrities and Instagram to have new things all the time,” Cueva explains. “The problem is we’re dumping stuff out that doesn’t go away. These materials are bad for the earth. I wanted to create things that will go back into the earth and feed it, nurture it.”\u003c/p>\n\u003cp>[aside postID='arts_13954364']In July, Cueva will lead a four-day intensive class at SoleSpace Lab, teaching how to craft a pair of biodegradable Air Jordan 1s from scratch.  Makers like Cueva and \u003ca href=\"https://www.instagram.com/thehoodcobbler/?hl=en\">The Hood Cobbler\u003c/a> — a popular East Oakland sneaker repair expert — will providing courses, seminars and mentorship to Oakland’s next generation of designers, creatives and problem-solvers.\u003c/p>\n\u003cp>Other guests will include \u003ca href=\"https://www.instagram.com/stepkicks510/?hl=en\">Stepkicks510\u003c/a>, the Buenos Aires-born DJ-turned-sneakerhead who personally gifted Argentina’s Lionel Messi a pair of custom-made Adidas Sambas; \u003ca href=\"https://www.instagram.com/cobbler_bushwick_co/\">Sung Roh\u003c/a>, a Korean master cobbler residing in Brooklyn who Perlstein took a class from last year; and a \u003ca href=\"https://www.sneakermuseumoakland.org/\">Sneaker Museum Oakland\u003c/a> pop-up.\u003c/p>\n\u003cfigure id=\"attachment_13959113\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959113\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-scaled.jpeg\" alt=\"a local designer showcases her biodegradable Nike sneaker\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-scaled.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-800x1067.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-1020x1360.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-768x1024.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-1152x1536.jpeg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-1536x2048.jpeg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Cueva of Oakland Style Lab showcases her customized biodegradable Jordan 1 sneakers. Cueva will run an intensive four-day sneaker design workshop in July. \u003ccite>(Courtesy Olivia Cuevas)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Currently, SoleSpace Lab is crowdsourcing funds for their pilot program. Offerings will include drop-in shoe cleaning and repair, a six-week externship for Oakland Unified School District students, and public events like the \u003ca href=\"https://www.instagram.com/p/C7aVpwztTr1/?img_index=1\">Converse and Birkenstock upcycling class\u003c/a>.\u003c/p>\n\u003cp>Perlstein, who gets visibly fired up about it all, is adamant about wanting to create the world’s greenest sneaker outlet with a commitment to exchanging communal knowledge.\u003c/p>\n\u003cp>“When I was a kid,  sneaker shops were a place where old heads would hang and you could soak up game and history,” he says. “But sneaker shops and the industry have changed so much with online raffles … You get your shoe and leave, or it gets delivered to your home. So how can we make a space for people to come together with joy and sustainability as the focus?”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>SoleSpace Lab is \u003ca href=\"https://www.indiegogo.com/projects/solespace-lab-customize-design-repair-sneakers#/\">currently raising funds\u003c/a> for their summer pilot program. The grand opening takes place on Friday, June 14, at 302 12th St. (formerly Lucky Duck Bicycle Cafe) in Oakland. \u003cspan style=\"font-weight: 400\">Information\u003c/span>\u003cspan style=\"font-weight: 400\"> about tickets, classes and services available \u003ca href=\"https://www.indiegogo.com/projects/solespace-lab-customize-design-repair-sneakers#/\">here\u003c/a>.\u003c/span>\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"SoleSpace is set to reopen as a sneaker lab focused on upcycling, youth development and sustainability.","status":"publish","parent":0,"modified":1717612399,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":918},"headData":{"title":"Oakland Sneaker Shop SoleSpace Returns – With a Twist | KQED","description":"SoleSpace is set to reopen as a sneaker lab focused on upcycling, youth development and sustainability.","ogTitle":"A Popular Oakland Sneaker Shop Returns — With a Twist","ogDescription":"","ogImgId":"","twTitle":"A Popular Oakland Sneaker Shop Returns — With a Twist","twDescription":"","twImgId":"","socialTitle":"Oakland Sneaker Shop SoleSpace Returns – With a Twist %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Popular Oakland Sneaker Shop Returns — With a Twist","datePublished":"2024-06-04T11:04:25-07:00","dateModified":"2024-06-05T11:33:19-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"a-popular-oakland-sneaker-shop-returns","nprStoryId":"kqed-13958896","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13958896/solespace-lab-oakland-sneakers-sustainability","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>For seven years, from 2012–2019, \u003ca href=\"https://www.instagram.com/solespacelab\">SoleSpace\u003c/a> — sneaker shop by day, community activation hub by night — served Oakland’s most community-minded sneakerheads, art lovers and streetwear addicts. The Telegraph Avenue storefront hosted \u003ca href=\"https://www.kqed.org/arts/13840766/advice-from-a-former-graffiti-writer-to-oaklands-new-generation\">workshops and events\u003c/a> (like a \u003ca href=\"https://www.instagram.com/solespace.lab/reel/Btgz3ddn4th/\">Lauryn Hill in-store signing\u003c/a>) that drew crowds so large you’d have to peer through the window to see the action inside.\u003c/p>\n\u003cp>Sadly, after a series of unexpected health issues, frequent break-ins, rising rent and a declining retail environment, SoleSpace shuttered in 2019.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13840766","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Now, after a five-year hiatus, cofounder Jeff Perlstein and biotech fashion designer \u003ca href=\"https://www.instagram.com/olivia__cueva/\">Olivia Cueva\u003c/a> are resurrecting the footwear store as an eco-friendly sneaker workshop. At SoleSpace Lab, a pilot project this summer on 12th Street in downtown Oakland, green-leaning sneakerheads and designers alike will be able to take classes on upcycling, shoe repair and more. The shop will pivot away from commercial retail — no new sneakers will be for sale — and instead focus on rethinking fashion’s role in the global climate crisis through education and community engagement, with an emphasis on youth development, sustainability and equity.\u003c/p>\n\u003cp>“I didn’t think I would touch [sneakers] again,” Perlstein says. “But I reflected on the excitement and joy I’d seen around shoes. Part of this is making peace with my critiques of the sneaker industry’s impact on the planet and bringing sustainability to sneakers.”\u003c/p>\n\u003cp>“It’s not about retail and selling some corporate-approved design, but how can we better take care of products that already exist?” he continues. “Those sneakers you already own, how can we dust them off and repair them, make them spicier to match a certain fit? This is about harnessing people’s creativity in Oakland and seeing how we can change things and give them a new life.”\u003c/p>\n\u003cfigure id=\"attachment_13959116\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959116\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-scaled.jpg\" alt=\"two shoe designers hold up their custom made pair of shoes\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Sung-Me-Brooklyn-Upcycle-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Perlstein (left) spent a year taking sneaker upcycling workshops with professional cobblers, including Brooklyn’s Sung Me (right), who will visit SoulSpace Lab this summer to lead a workshop. \u003ccite>(Courtesy SoleSpace Lab)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Perlstein’s recommitment to sneakers began during the pandemic, when his teenage son, Joaquin, enrolled into the Oakland School of the Arts’ fashion design pathway. Eventually, Perlstein teamed up with a village of local makers, fashion experts and artisans, including Cueva — who has more than a decade’s worth of education and community work under her belt, most recently as the director of the \u003ca href=\"https://www.instagram.com/theglovercenter/\">David E. Glover Emerging Technology Center\u003c/a> in deep East Oakland — to form what would become the \u003ca href=\"https://www.instagram.com/oaklandstylelab/?hl=en\">Oakland Style Lab\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With Cueva’s background in sustainable fashion technology (she attended \u003ca href=\"https://fablabbcn.org/education/in-house-programs/fabricademy-barcelona\">Fabricademy\u003c/a> in Barcelona), her work with Oakland Style Lab for the past four years has focused on mitigating fashion’s often wasteful practices. She’s found that by using bioplastics and biodegradable materials, such as hemp, cactus and pineapple “leathers,” goji berries and echinacea, it’s possible to design sneakers that are both eco-friendly and popular.\u003c/p>\n\u003cp>“I was basically looking at what’s going on in our culture, being heavily influenced by celebrities and Instagram to have new things all the time,” Cueva explains. “The problem is we’re dumping stuff out that doesn’t go away. These materials are bad for the earth. I wanted to create things that will go back into the earth and feed it, nurture it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954364","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In July, Cueva will lead a four-day intensive class at SoleSpace Lab, teaching how to craft a pair of biodegradable Air Jordan 1s from scratch.  Makers like Cueva and \u003ca href=\"https://www.instagram.com/thehoodcobbler/?hl=en\">The Hood Cobbler\u003c/a> — a popular East Oakland sneaker repair expert — will providing courses, seminars and mentorship to Oakland’s next generation of designers, creatives and problem-solvers.\u003c/p>\n\u003cp>Other guests will include \u003ca href=\"https://www.instagram.com/stepkicks510/?hl=en\">Stepkicks510\u003c/a>, the Buenos Aires-born DJ-turned-sneakerhead who personally gifted Argentina’s Lionel Messi a pair of custom-made Adidas Sambas; \u003ca href=\"https://www.instagram.com/cobbler_bushwick_co/\">Sung Roh\u003c/a>, a Korean master cobbler residing in Brooklyn who Perlstein took a class from last year; and a \u003ca href=\"https://www.sneakermuseumoakland.org/\">Sneaker Museum Oakland\u003c/a> pop-up.\u003c/p>\n\u003cfigure id=\"attachment_13959113\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959113\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-scaled.jpeg\" alt=\"a local designer showcases her biodegradable Nike sneaker\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-scaled.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-800x1067.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-1020x1360.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-768x1024.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-1152x1536.jpeg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/CUEVA_DIY_AirJordan_1-1536x2048.jpeg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Cueva of Oakland Style Lab showcases her customized biodegradable Jordan 1 sneakers. Cueva will run an intensive four-day sneaker design workshop in July. \u003ccite>(Courtesy Olivia Cuevas)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Currently, SoleSpace Lab is crowdsourcing funds for their pilot program. Offerings will include drop-in shoe cleaning and repair, a six-week externship for Oakland Unified School District students, and public events like the \u003ca href=\"https://www.instagram.com/p/C7aVpwztTr1/?img_index=1\">Converse and Birkenstock upcycling class\u003c/a>.\u003c/p>\n\u003cp>Perlstein, who gets visibly fired up about it all, is adamant about wanting to create the world’s greenest sneaker outlet with a commitment to exchanging communal knowledge.\u003c/p>\n\u003cp>“When I was a kid,  sneaker shops were a place where old heads would hang and you could soak up game and history,” he says. “But sneaker shops and the industry have changed so much with online raffles … You get your shoe and leave, or it gets delivered to your home. So how can we make a space for people to come together with joy and sustainability as the focus?”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>SoleSpace Lab is \u003ca href=\"https://www.indiegogo.com/projects/solespace-lab-customize-design-repair-sneakers#/\">currently raising funds\u003c/a> for their summer pilot program. The grand opening takes place on Friday, June 14, at 302 12th St. (formerly Lucky Duck Bicycle Cafe) in Oakland. \u003cspan style=\"font-weight: 400\">Information\u003c/span>\u003cspan style=\"font-weight: 400\"> about tickets, classes and services available \u003ca href=\"https://www.indiegogo.com/projects/solespace-lab-customize-design-repair-sneakers#/\">here\u003c/a>.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958896/solespace-lab-oakland-sneakers-sustainability","authors":["11748"],"categories":["arts_1","arts_835","arts_76"],"tags":["arts_8700","arts_1696","arts_1143","arts_4693"],"featImg":"arts_13959114","label":"arts"},"arts_13959259":{"type":"posts","id":"arts_13959259","meta":{"index":"posts_1716263798","site":"arts","id":"13959259","found":true},"guestAuthors":[],"slug":"taiwanese-cookbook-clarissa-wei-interview-sf-bay-area","title":"Clarissa’s Wei’s ‘Made in Taiwan’ Is the Taiwanese Cookbook I’ve Always Wanted","publishDate":1717615700,"format":"aside","headTitle":"Clarissa’s Wei’s ‘Made in Taiwan’ Is the Taiwanese Cookbook I’ve Always Wanted | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13959272\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959272\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11.jpg\" alt=\"A spread of homestyle Taiwanese dishes laid out on a pink and white checked tablecloth.\" width=\"1920\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-1536x1056.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A spread of family-style Taiwanese dishes from Clarissa Wei’s cookbook, ‘Made in Taiwan.’ \u003ccite>(Ryan Chen and Yen Wei)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a homesick Taiwanese American, \u003ca href=\"https://www.kqed.org/arts/13897272/bay-area-taiwanese-food-scene-nostalgia\">I spent years\u003c/a> scouring the Asian strip malls of Fremont and Milpitas for passable versions of my \u003ca href=\"https://www.kqed.org/eatingtaiwanese\">favorite Taiwanese dishes\u003c/a> — beef noodle soup and fat-slicked \u003ca href=\"https://www.kqed.org/arts/13897498/mama-liu-lu-rou-fan-taiwanese-food-comic\">lu rou fan\u003c/a> — before I came to what might seem like an obvious realization: I could just try cooking the dishes myself.\u003c/p>\n\u003cp>And in the eight months since I started cooking my way through Clarissa Wei’s wonderful, \u003ca href=\"https://www.jamesbeard.org/blog/2024-media-award-nominees\">James Beard Award–nominated\u003c/a> cookbook, \u003ca href=\"https://clarissawei.com/madeintaiwan\">\u003ci>Made in Taiwan: Recipes and Stories from the Island Nation\u003c/i>\u003c/a>, which was published this past September, I’ve been eating nostalgic dishes from my childhood more frequently than ever. Thanks to the careful and precise instruction from Wei and her co-author, the Taiwanese cooking instructor \u003ca href=\"https://kitchenivy.com/i\">Ivy Chen\u003c/a>, I’ve been frying up pork chops that taste just like the \u003ca href=\"https://www.eater.com/2019/3/6/18241749/bento-box-best-food-train-stations-taiwan\">bento boxes\u003c/a> I remember buying at the train station in Taipei. I cooked a plate of wok-kissed clams and basil that reminded me of seaside day trips on the island.\u003c/p>\n\u003cp>And in the process, I’ve learned so many things I never knew about my native country’s cuisine — about the vast differences between Chinese and Taiwanese soy sauces, and the island’s rich culture of beer-friendly outdoor “rechao” restaurants I’d always walked past but felt too out of my depth to patronize.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-13959274\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1020x1268.jpg\" alt=\"The green cover of the cookbook 'Made in Taiwan,' which shows a spread of beer-friendly dishes \" width=\"430\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1020x1268.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-800x994.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-768x954.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1236x1536.jpg 1236w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1648x2048.jpg 1648w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr.jpg 1920w\" sizes=\"(max-width: 430px) 100vw, 430px\">This came as no surprise. Over the past decade, Wei, who grew up in Southern California’s San Gabriel Valley, has built a reputation as one of English-language media’s foremost experts on Taiwanese food — someone who, in her writing about the cuisine, has always expanded the conversation beyond the most obvious handful of dishes.\u003c/p>\n\u003cp>Since moving to Taipei in 2020, Wei says her first-hand experience with the island’s highly globalized, ever-evolving food scene has dispelled any notion she had that there’s such a thing as “authentic” Taiwanese cuisine. At the same time, \u003ci>Made in Taiwan \u003c/i>reads differently from the current wave of Asian American cookbooks that lean into a more diasporic, Americanized point of view. In addition to enlisting Chen, an ace local chef, as her co-author, Wei recruited an all-local team of Taiwanese researchers, food stylists and photographers. She often traveled to distant corners of the island to track down a chef’s authoritative, regionally specific recipe for a dish.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And at this political moment, when the Chinese government’s refusal to recognize Taiwanese sovereignty and cultural identity makes \u003ca href=\"https://newbloommag.net/2024/06/02/taiwanese-entertainers-post-lai/\">daily\u003c/a> \u003ca href=\"https://www.nytimes.com/2024/05/22/world/asia/china-taiwan-drills.html\">headlines\u003c/a>, \u003ci>Made in Taiwan\u003c/i> makes an eloquent \u003ca href=\"https://foreignpolicy.com/2024/05/19/taiwan-lai-ching-te-president-inauguration-banquet-food-china-culture-democracy/?tpcc=recirc_latest062921\">“soft power” argument\u003c/a> by elucidating, from cover to cover, the breadth and beauty of Taiwan’s own distinct cuisine — a cuisine shaped by centuries of colonization, migration and cultural intermingling that isn’t “just another provincial expression of Chinese food at large.”\u003c/p>\n\u003cp>“All I can do is celebrate our humanity through the lens of food,” Wei writes in the book’s introduction. “I hope the world can see Taiwan as more than just a geopolitical chess piece or a controversial island near China with great night markets.”\u003c/p>\n\u003cp>Ahead of Wei’s two in-person Bay Area appearances on June 10 and 11, in \u003ca href=\"https://www.eventbrite.com/e/liangs-village-made-in-taiwan-happy-hour-with-clarissa-wei-tickets-902012783517?aff=oddtdtcreator\">Cupertino\u003c/a> and \u003ca href=\"https://www.eventbrite.com/e/liangs-village-made-in-taiwan-happy-hour-with-clarissa-wei-tickets-902012783517?aff=oddtdtcreator\">Emeryville\u003c/a> respectively, I chatted with her about cookbook diplomacy, Taiwan’s distinct “kou wei,” and the next step in the evolution of Taiwanese restaurants in the U.S.\u003c/p>\n\u003cp>\u003ci>The following interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp style=\"text-align: center\">***\u003c/p>\n\u003cp>\u003cb>Luke Tsai: It seems like something every Taiwanese cookbook for a U.S. audience needs to do is to delineate what Taiwanese food is and how it’s distinct from Chinese food. How much of a political act do you feel it is to write a book like \u003c/b>\u003cb>\u003ci>Made in Taiwan\u003c/i>\u003c/b>\u003cb> that, at this particular moment, essentially argues, “Taiwanese food is its own separate thing.”\u003c/b>\u003c/p>\n\u003cp>\u003cb>Clarissa Wei:\u003c/b> I think if one is subscribing to the China narrative, anything that talks about Taiwanese identity is inherently political. Because I had to write the book for an international audience, and because Taiwan’s standing on the international stage is murky, I have to inhabit that stance.\u003c/p>\n\u003cp>But as a Taiwanese person living here in Taiwan, talking about how these different strains or influences are what makes up Taiwanese cuisine is completely normal and not a political thing.\u003c/p>\n\u003cp>For the average person here, it’s just reality.\u003c/p>\n\u003cp>So it is kind of fascinating when I’m talking about my book to people here versus when I have to present it to the outside world. It’s a very different tone.\u003c/p>\n\u003cfigure id=\"attachment_13959302\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13959302 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px.jpg\" alt=\"Headshot portrait of food writer Clarissa Wei, in her kitchen wearing a yellow apron.\" width=\"1920\" height=\"2160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-800x900.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-1020x1148.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-768x864.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-1365x1536.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-1820x2048.jpg 1820w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Wei, who has lived in Taipei since 2020, wrote ‘Made in Taiwan’ in collaboration with an all-local Taiwanese team. \u003ccite>(Ryan Chen and Yen Wei)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>How \u003c/b>\u003cb>\u003ci>has \u003c/i>\u003c/b>\u003cb>the book been received in Taiwan?\u003c/b>\u003c/p>\n\u003cp>It has surprisingly been received really well. I didn’t think people here would read it or care because, again, this isn’t news here — and it’s obviously not written in Chinese. But there are food writers and food influencers here who will recommend it, and some restaurants will have it in their store. Anyone here who’s trying to promote Taiwanese cuisine on the international stage seems to be aware of the book.\u003c/p>\n\u003cp>I was just at the \u003ca href=\"https://foreignpolicy.com/2024/05/19/taiwan-lai-ching-te-president-inauguration-banquet-food-china-culture-democracy/?tpcc=recirc_latest062921\">Taiwanese presidential inauguration\u003c/a>, and one of the staffers for the Democratic Progressive Party [which won the presidential election] told me that the Vice President, Hsiao Bi-khim, really likes my book and that she’s been showing it to foreign dignitaries and giving it to them as a gift.\u003c/p>\n\u003cp>\u003cb>One of the big themes in your work is how there is so much more to Taiwanese food than just the most obvious things — more than beef noodle soup and boba and soymilk breakfasts. Why is that important to you, and how did that affect the way you approached the cookbook? \u003c/b>\u003c/p>\n\u003cp>I think it’s important to have the greatest hits because if I didn’t include tapioca pearls or beef noodle soup or xiaolongbao, I think the average person would be confused. But I also tried to push the conversation a little bit more by including dishes that I think are much more influential here in Taiwan. For example, I do a lot of rice-based pastries, or kueh, and the braised pork belly over rice, which I guess now that’s pretty common in the States.\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003cb>\u003cstrong>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13897936,arts_13956218,arts_13897498']\u003c/span>\u003c/strong>\u003c/b>\u003c/span>One thing I didn’t include in the book is the Southeast Asian influences on modern Taiwanese cuisine, which has been prevalent since the ’90s but hasn’t made it abroad yet. Southeast Asian immigrants make up 80% of our foreign population, and they’ve opened a lot of restaurants. So there are dishes like a sweet-and-sour cold-poached chicken or a Thai-style shrimp cake that’s served at every single Thai restaurant here, but that they don’t really have in Thailand. It’s very special and just as Taiwanese as any other dish.\u003c/p>\n\u003cp>In Taiwan, people will alter their dishes so it caters to the tastes here. Things become sweeter or less spicy, or ingredients change a little bit, so everything has a Taiwan “kou wei,” or Taiwanese flavor.\u003c/p>\n\u003cp>\u003cb>How do you see the cuisine evolving in the Bay Area or more broadly in the U.S.? Are there places that are starting to serve more regional things, or things that are more in line with what’s new and popular in Taiwan right now? \u003c/b>\u003c/p>\n\u003cp>If anything, people are better at storytelling or identifying the origins of their food. \u003ca href=\"https://www.kqed.org/arts/13932035/taiwanese-barbecue-grilling-good-to-eat-dumplings-emeryville\">Good to Eat\u003c/a> in Emeryville, where I’m doing one of my events, is such a good example. It’s so fascinating how the owners moved over from Taiwan, and now they’re specializing in bando. Bando is a very niche subset of Taiwanese cuisine — a style of \u003ca href=\"https://nspp.mofa.gov.tw/nsppe/news.php?post=238127&unit=410&unitname=Stories&postname=Banquet-Time!-P%C4%81n-toh-Culture-in-Taiwan\">outdoor banquet food\u003c/a> that’s been around for hundreds of years. Chef Tony will come to Taiwan, she’ll study with these bando chefs, and then she’ll bring that spirit to the Bay Area and do these \u003ca href=\"https://www.goodtoeatdumplings.com/ja-ban-bae-tasting-menu\">tasting menus\u003c/a>.\u003c/p>\n\u003cp>So I think they’re really good at telling the story of Taiwan. Because I think when people think about Taiwanese food as a whole, they default to street food, or cheap eats, or big hearty bowls of things. But this style of bando is very refined. When people got married, they would shut down their streets and have a block party, and these banquet chefs would whip up these multicourse meals, completely outdoors. It’s so crazy to me that there’s a restaurant in the Bay Area that does this. You don’t even have restaurants in Taipei that specialize in this very esoteric but specialized type of dining.\u003c/p>\n\u003cfigure id=\"attachment_13921979\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13921979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq.jpg\" alt=\"Small bowl of lu rou fan next to a plate of grilled chicken.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lu rou fan and Taiwanese-style grilled chicken served at a Taiwanese barbecue event on Good to Eat’s outdoor patio in Emeryville. \u003ccite>(Luke Tsai)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In terms of storytelling, places like Liang’s Village in Cupertino, they’ve been around for a long time. But now the second generation, when they tell their story, they say, “We’re military village cuisine,” or cuisine that came over to Taiwan post-1949. Because Taiwan is a nation of immigrants, and depending on when people came over [from China], they brought very different styles of food. So Liang’s Village is talking about how their family’s food is post-1949 cuisine. No one did this when I was growing up in California.\u003c/p>\n\u003cp>In Chicago, now there’s a place that just specializes in this \u003ca href=\"https://chicago.eater.com/2024/2/28/24085676/minyoli-taiwanese-restaurant-beef-noodle-soup-juan-cun-andersonville-chicago\">military cuisine\u003c/a>. In New York, there’s \u003ca href=\"https://www.eighteightsix.com/\">886\u003c/a>, which does rechao food, which is stir-fried food that’s cooked in large woks and usually eaten outdoors.\u003c/p>\n\u003cp>The marketing for a lot of these restaurants might not outright say what they are, but if you talk to the chefs, they’re able to tell you which facet of Taiwanese cuisine they were the most inspired by. And I think that’s so special and something that’s only been apparent in the last decade.\u003c/p>\n\u003cfigure id=\"attachment_13959307\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13959307 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup.jpg\" alt=\"\" width=\"1920\" height=\"2160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-800x900.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-1020x1148.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-768x864.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-1365x1536.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-1820x2048.jpg 1820w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Wei’s Taiwanese-style daikon and pork soup, from ‘Made in Taiwan.’ \u003ccite>(Ryan Chen and Yen Wei)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>My favorite recipes in \u003c/b>\u003cb>\u003ci>Made in Taiwan\u003c/i>\u003c/b>\u003cb> that I keep coming back to all fall into the comfort food category — fried pork chops over rice, which I make along with your Taiwanese pickled cabbage. Or your daikon and pork rib soup, which got me through the winter. Do you have a favorite recipe, or a recipe that’s especially meaningful to you in the book?\u003c/b>\u003c/p>\n\u003cp>I always do the rou zao fan or lu rou fan [braised minced pork belly over rice], which is so easy to do. You can just put it in the Instant Pot. Growing up in Los Angeles, when I went to restaurants that served this dish, it seemed too complicated. People put too much stuff in it. When I was developing the recipe for the cookbook, I really wanted to channel that sort of flavor profile from the south of Taiwan, where this braise is just very simple: sugar, soy sauce, garlic, maybe a little bit of rice wine, and of course the main ingredient is pork belly. I feel like I figured it out because I went down south and found a chef that just specializes in this dish and, like, stared at him for a very long time and tried to figure out the proportions.\u003c/p>\n\u003cp>That’s a very comforting dish to me. I have really complicated recipes in the book that take a very long time or can be technically quite difficult. But I think the dishes that people will come back to are the comfort dishes their parents made for them, or their Taiwanese friend made, because that’s what you want. I just did the complicated dishes because I felt like if I didn’t document them, they might not ever be recorded in the English language.\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Wei will host a meet-and-greet at Liang’s Village on Monday, June 10, 5:30–7:30 p.m. (A \u003c/i>\u003ca href=\"https://www.eventbrite.com/e/liangs-village-made-in-taiwan-happy-hour-with-clarissa-wei-tickets-902012783517?aff=oddtdtcreator\">\u003ci>$25 meal set inspired by ‘Made in Taiwan\u003c/i>\u003c/a>\u003ci>’ is already sold out, but the restaurant will still be open for regular dinner service.) On Tuesday, June 11, 7:30–9 p.m., Wei will participate in a free — but already fully sold out — \u003c/i>\u003ca href=\"https://www.exploretock.com/good-to-eat/event/private/efdd4ae3-1275-453b-9ae3-ccc2677e9ac0\">\u003ci>panel discussion\u003c/i>\u003c/a>\u003ci> that addresses the question, “What is Taiwanese cuisine?” at Good to Eat (1298 65th St., Emeryville). \u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The Taipei-based food writer’s book tour has two Bay Area stops.","status":"publish","parent":0,"modified":1717624819,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":33,"wordCount":2193},"headData":{"title":"Clarissa’s Wei’s ‘Made in Taiwan’ Book Tour Comes to the Bay Area | KQED","description":"The Taipei-based food writer’s book tour has two Bay Area stops.","ogTitle":"Clarissa’s Wei’s ‘Made in Taiwan’ Is the Taiwanese Cookbook I’ve Always Wanted","ogDescription":"","ogImgId":"","twTitle":"Clarissa’s Wei’s ‘Made in Taiwan’ Is the Taiwanese Cookbook I’ve Always Wanted","twDescription":"","twImgId":"","socialTitle":"Clarissa’s Wei’s ‘Made in Taiwan’ Book Tour Comes to the Bay Area%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Clarissa’s Wei’s ‘Made in Taiwan’ Is the Taiwanese Cookbook I’ve Always Wanted","datePublished":"2024-06-05T12:28:20-07:00","dateModified":"2024-06-05T15:00:19-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"nprStoryId":"kqed-13959259","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13959259/taiwanese-cookbook-clarissa-wei-interview-sf-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13959272\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959272\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11.jpg\" alt=\"A spread of homestyle Taiwanese dishes laid out on a pink and white checked tablecloth.\" width=\"1920\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Coverphotooption11_16x11-1536x1056.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A spread of family-style Taiwanese dishes from Clarissa Wei’s cookbook, ‘Made in Taiwan.’ \u003ccite>(Ryan Chen and Yen Wei)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a homesick Taiwanese American, \u003ca href=\"https://www.kqed.org/arts/13897272/bay-area-taiwanese-food-scene-nostalgia\">I spent years\u003c/a> scouring the Asian strip malls of Fremont and Milpitas for passable versions of my \u003ca href=\"https://www.kqed.org/eatingtaiwanese\">favorite Taiwanese dishes\u003c/a> — beef noodle soup and fat-slicked \u003ca href=\"https://www.kqed.org/arts/13897498/mama-liu-lu-rou-fan-taiwanese-food-comic\">lu rou fan\u003c/a> — before I came to what might seem like an obvious realization: I could just try cooking the dishes myself.\u003c/p>\n\u003cp>And in the eight months since I started cooking my way through Clarissa Wei’s wonderful, \u003ca href=\"https://www.jamesbeard.org/blog/2024-media-award-nominees\">James Beard Award–nominated\u003c/a> cookbook, \u003ca href=\"https://clarissawei.com/madeintaiwan\">\u003ci>Made in Taiwan: Recipes and Stories from the Island Nation\u003c/i>\u003c/a>, which was published this past September, I’ve been eating nostalgic dishes from my childhood more frequently than ever. Thanks to the careful and precise instruction from Wei and her co-author, the Taiwanese cooking instructor \u003ca href=\"https://kitchenivy.com/i\">Ivy Chen\u003c/a>, I’ve been frying up pork chops that taste just like the \u003ca href=\"https://www.eater.com/2019/3/6/18241749/bento-box-best-food-train-stations-taiwan\">bento boxes\u003c/a> I remember buying at the train station in Taipei. I cooked a plate of wok-kissed clams and basil that reminded me of seaside day trips on the island.\u003c/p>\n\u003cp>And in the process, I’ve learned so many things I never knew about my native country’s cuisine — about the vast differences between Chinese and Taiwanese soy sauces, and the island’s rich culture of beer-friendly outdoor “rechao” restaurants I’d always walked past but felt too out of my depth to patronize.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-13959274\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1020x1268.jpg\" alt=\"The green cover of the cookbook 'Made in Taiwan,' which shows a spread of beer-friendly dishes \" width=\"430\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1020x1268.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-800x994.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-768x954.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1236x1536.jpg 1236w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr-1648x2048.jpg 1648w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/made-in-taiwan-9781982198978_hr.jpg 1920w\" sizes=\"(max-width: 430px) 100vw, 430px\">This came as no surprise. Over the past decade, Wei, who grew up in Southern California’s San Gabriel Valley, has built a reputation as one of English-language media’s foremost experts on Taiwanese food — someone who, in her writing about the cuisine, has always expanded the conversation beyond the most obvious handful of dishes.\u003c/p>\n\u003cp>Since moving to Taipei in 2020, Wei says her first-hand experience with the island’s highly globalized, ever-evolving food scene has dispelled any notion she had that there’s such a thing as “authentic” Taiwanese cuisine. At the same time, \u003ci>Made in Taiwan \u003c/i>reads differently from the current wave of Asian American cookbooks that lean into a more diasporic, Americanized point of view. In addition to enlisting Chen, an ace local chef, as her co-author, Wei recruited an all-local team of Taiwanese researchers, food stylists and photographers. She often traveled to distant corners of the island to track down a chef’s authoritative, regionally specific recipe for a dish.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And at this political moment, when the Chinese government’s refusal to recognize Taiwanese sovereignty and cultural identity makes \u003ca href=\"https://newbloommag.net/2024/06/02/taiwanese-entertainers-post-lai/\">daily\u003c/a> \u003ca href=\"https://www.nytimes.com/2024/05/22/world/asia/china-taiwan-drills.html\">headlines\u003c/a>, \u003ci>Made in Taiwan\u003c/i> makes an eloquent \u003ca href=\"https://foreignpolicy.com/2024/05/19/taiwan-lai-ching-te-president-inauguration-banquet-food-china-culture-democracy/?tpcc=recirc_latest062921\">“soft power” argument\u003c/a> by elucidating, from cover to cover, the breadth and beauty of Taiwan’s own distinct cuisine — a cuisine shaped by centuries of colonization, migration and cultural intermingling that isn’t “just another provincial expression of Chinese food at large.”\u003c/p>\n\u003cp>“All I can do is celebrate our humanity through the lens of food,” Wei writes in the book’s introduction. “I hope the world can see Taiwan as more than just a geopolitical chess piece or a controversial island near China with great night markets.”\u003c/p>\n\u003cp>Ahead of Wei’s two in-person Bay Area appearances on June 10 and 11, in \u003ca href=\"https://www.eventbrite.com/e/liangs-village-made-in-taiwan-happy-hour-with-clarissa-wei-tickets-902012783517?aff=oddtdtcreator\">Cupertino\u003c/a> and \u003ca href=\"https://www.eventbrite.com/e/liangs-village-made-in-taiwan-happy-hour-with-clarissa-wei-tickets-902012783517?aff=oddtdtcreator\">Emeryville\u003c/a> respectively, I chatted with her about cookbook diplomacy, Taiwan’s distinct “kou wei,” and the next step in the evolution of Taiwanese restaurants in the U.S.\u003c/p>\n\u003cp>\u003ci>The following interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp style=\"text-align: center\">***\u003c/p>\n\u003cp>\u003cb>Luke Tsai: It seems like something every Taiwanese cookbook for a U.S. audience needs to do is to delineate what Taiwanese food is and how it’s distinct from Chinese food. How much of a political act do you feel it is to write a book like \u003c/b>\u003cb>\u003ci>Made in Taiwan\u003c/i>\u003c/b>\u003cb> that, at this particular moment, essentially argues, “Taiwanese food is its own separate thing.”\u003c/b>\u003c/p>\n\u003cp>\u003cb>Clarissa Wei:\u003c/b> I think if one is subscribing to the China narrative, anything that talks about Taiwanese identity is inherently political. Because I had to write the book for an international audience, and because Taiwan’s standing on the international stage is murky, I have to inhabit that stance.\u003c/p>\n\u003cp>But as a Taiwanese person living here in Taiwan, talking about how these different strains or influences are what makes up Taiwanese cuisine is completely normal and not a political thing.\u003c/p>\n\u003cp>For the average person here, it’s just reality.\u003c/p>\n\u003cp>So it is kind of fascinating when I’m talking about my book to people here versus when I have to present it to the outside world. It’s a very different tone.\u003c/p>\n\u003cfigure id=\"attachment_13959302\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13959302 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px.jpg\" alt=\"Headshot portrait of food writer Clarissa Wei, in her kitchen wearing a yellow apron.\" width=\"1920\" height=\"2160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-800x900.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-1020x1148.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-768x864.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-1365x1536.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/189188230_hr_1920px-1820x2048.jpg 1820w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Wei, who has lived in Taipei since 2020, wrote ‘Made in Taiwan’ in collaboration with an all-local Taiwanese team. \u003ccite>(Ryan Chen and Yen Wei)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>How \u003c/b>\u003cb>\u003ci>has \u003c/i>\u003c/b>\u003cb>the book been received in Taiwan?\u003c/b>\u003c/p>\n\u003cp>It has surprisingly been received really well. I didn’t think people here would read it or care because, again, this isn’t news here — and it’s obviously not written in Chinese. But there are food writers and food influencers here who will recommend it, and some restaurants will have it in their store. Anyone here who’s trying to promote Taiwanese cuisine on the international stage seems to be aware of the book.\u003c/p>\n\u003cp>I was just at the \u003ca href=\"https://foreignpolicy.com/2024/05/19/taiwan-lai-ching-te-president-inauguration-banquet-food-china-culture-democracy/?tpcc=recirc_latest062921\">Taiwanese presidential inauguration\u003c/a>, and one of the staffers for the Democratic Progressive Party [which won the presidential election] told me that the Vice President, Hsiao Bi-khim, really likes my book and that she’s been showing it to foreign dignitaries and giving it to them as a gift.\u003c/p>\n\u003cp>\u003cb>One of the big themes in your work is how there is so much more to Taiwanese food than just the most obvious things — more than beef noodle soup and boba and soymilk breakfasts. Why is that important to you, and how did that affect the way you approached the cookbook? \u003c/b>\u003c/p>\n\u003cp>I think it’s important to have the greatest hits because if I didn’t include tapioca pearls or beef noodle soup or xiaolongbao, I think the average person would be confused. But I also tried to push the conversation a little bit more by including dishes that I think are much more influential here in Taiwan. For example, I do a lot of rice-based pastries, or kueh, and the braised pork belly over rice, which I guess now that’s pretty common in the States.\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003cb>\u003cstrong>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13897936,arts_13956218,arts_13897498","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/strong>\u003c/b>\u003c/span>One thing I didn’t include in the book is the Southeast Asian influences on modern Taiwanese cuisine, which has been prevalent since the ’90s but hasn’t made it abroad yet. Southeast Asian immigrants make up 80% of our foreign population, and they’ve opened a lot of restaurants. So there are dishes like a sweet-and-sour cold-poached chicken or a Thai-style shrimp cake that’s served at every single Thai restaurant here, but that they don’t really have in Thailand. It’s very special and just as Taiwanese as any other dish.\u003c/p>\n\u003cp>In Taiwan, people will alter their dishes so it caters to the tastes here. Things become sweeter or less spicy, or ingredients change a little bit, so everything has a Taiwan “kou wei,” or Taiwanese flavor.\u003c/p>\n\u003cp>\u003cb>How do you see the cuisine evolving in the Bay Area or more broadly in the U.S.? Are there places that are starting to serve more regional things, or things that are more in line with what’s new and popular in Taiwan right now? \u003c/b>\u003c/p>\n\u003cp>If anything, people are better at storytelling or identifying the origins of their food. \u003ca href=\"https://www.kqed.org/arts/13932035/taiwanese-barbecue-grilling-good-to-eat-dumplings-emeryville\">Good to Eat\u003c/a> in Emeryville, where I’m doing one of my events, is such a good example. It’s so fascinating how the owners moved over from Taiwan, and now they’re specializing in bando. Bando is a very niche subset of Taiwanese cuisine — a style of \u003ca href=\"https://nspp.mofa.gov.tw/nsppe/news.php?post=238127&unit=410&unitname=Stories&postname=Banquet-Time!-P%C4%81n-toh-Culture-in-Taiwan\">outdoor banquet food\u003c/a> that’s been around for hundreds of years. Chef Tony will come to Taiwan, she’ll study with these bando chefs, and then she’ll bring that spirit to the Bay Area and do these \u003ca href=\"https://www.goodtoeatdumplings.com/ja-ban-bae-tasting-menu\">tasting menus\u003c/a>.\u003c/p>\n\u003cp>So I think they’re really good at telling the story of Taiwan. Because I think when people think about Taiwanese food as a whole, they default to street food, or cheap eats, or big hearty bowls of things. But this style of bando is very refined. When people got married, they would shut down their streets and have a block party, and these banquet chefs would whip up these multicourse meals, completely outdoors. It’s so crazy to me that there’s a restaurant in the Bay Area that does this. You don’t even have restaurants in Taipei that specialize in this very esoteric but specialized type of dining.\u003c/p>\n\u003cfigure id=\"attachment_13921979\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13921979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq.jpg\" alt=\"Small bowl of lu rou fan next to a plate of grilled chicken.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/good-to-eat_bbq-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lu rou fan and Taiwanese-style grilled chicken served at a Taiwanese barbecue event on Good to Eat’s outdoor patio in Emeryville. \u003ccite>(Luke Tsai)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In terms of storytelling, places like Liang’s Village in Cupertino, they’ve been around for a long time. But now the second generation, when they tell their story, they say, “We’re military village cuisine,” or cuisine that came over to Taiwan post-1949. Because Taiwan is a nation of immigrants, and depending on when people came over [from China], they brought very different styles of food. So Liang’s Village is talking about how their family’s food is post-1949 cuisine. No one did this when I was growing up in California.\u003c/p>\n\u003cp>In Chicago, now there’s a place that just specializes in this \u003ca href=\"https://chicago.eater.com/2024/2/28/24085676/minyoli-taiwanese-restaurant-beef-noodle-soup-juan-cun-andersonville-chicago\">military cuisine\u003c/a>. In New York, there’s \u003ca href=\"https://www.eighteightsix.com/\">886\u003c/a>, which does rechao food, which is stir-fried food that’s cooked in large woks and usually eaten outdoors.\u003c/p>\n\u003cp>The marketing for a lot of these restaurants might not outright say what they are, but if you talk to the chefs, they’re able to tell you which facet of Taiwanese cuisine they were the most inspired by. And I think that’s so special and something that’s only been apparent in the last decade.\u003c/p>\n\u003cfigure id=\"attachment_13959307\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13959307 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup.jpg\" alt=\"\" width=\"1920\" height=\"2160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-800x900.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-1020x1148.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-768x864.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-1365x1536.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Daikon-And-Pork-Soup-1820x2048.jpg 1820w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Wei’s Taiwanese-style daikon and pork soup, from ‘Made in Taiwan.’ \u003ccite>(Ryan Chen and Yen Wei)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>My favorite recipes in \u003c/b>\u003cb>\u003ci>Made in Taiwan\u003c/i>\u003c/b>\u003cb> that I keep coming back to all fall into the comfort food category — fried pork chops over rice, which I make along with your Taiwanese pickled cabbage. Or your daikon and pork rib soup, which got me through the winter. Do you have a favorite recipe, or a recipe that’s especially meaningful to you in the book?\u003c/b>\u003c/p>\n\u003cp>I always do the rou zao fan or lu rou fan [braised minced pork belly over rice], which is so easy to do. You can just put it in the Instant Pot. Growing up in Los Angeles, when I went to restaurants that served this dish, it seemed too complicated. People put too much stuff in it. When I was developing the recipe for the cookbook, I really wanted to channel that sort of flavor profile from the south of Taiwan, where this braise is just very simple: sugar, soy sauce, garlic, maybe a little bit of rice wine, and of course the main ingredient is pork belly. I feel like I figured it out because I went down south and found a chef that just specializes in this dish and, like, stared at him for a very long time and tried to figure out the proportions.\u003c/p>\n\u003cp>That’s a very comforting dish to me. I have really complicated recipes in the book that take a very long time or can be technically quite difficult. But I think the dishes that people will come back to are the comfort dishes their parents made for them, or their Taiwanese friend made, because that’s what you want. I just did the complicated dishes because I felt like if I didn’t document them, they might not ever be recorded in the English language.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Wei will host a meet-and-greet at Liang’s Village on Monday, June 10, 5:30–7:30 p.m. (A \u003c/i>\u003ca href=\"https://www.eventbrite.com/e/liangs-village-made-in-taiwan-happy-hour-with-clarissa-wei-tickets-902012783517?aff=oddtdtcreator\">\u003ci>$25 meal set inspired by ‘Made in Taiwan\u003c/i>\u003c/a>\u003ci>’ is already sold out, but the restaurant will still be open for regular dinner service.) On Tuesday, June 11, 7:30–9 p.m., Wei will participate in a free — but already fully sold out — \u003c/i>\u003ca href=\"https://www.exploretock.com/good-to-eat/event/private/efdd4ae3-1275-453b-9ae3-ccc2677e9ac0\">\u003ci>panel discussion\u003c/i>\u003c/a>\u003ci> that addresses the question, “What is Taiwanese cuisine?” at Good to Eat (1298 65th St., Emeryville). \u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13959259/taiwanese-cookbook-clarissa-wei-interview-sf-bay-area","authors":["11743"],"programs":["arts_140"],"categories":["arts_1","arts_12276"],"tags":["arts_14125","arts_5391","arts_16106","arts_10278","arts_1297","arts_1050","arts_14398","arts_989","arts_11460","arts_14396","arts_15151","arts_585"],"featImg":"arts_13959265","label":"source_arts_13959259"},"arts_13958706":{"type":"posts","id":"arts_13958706","meta":{"index":"posts_1716263798","site":"arts","id":"13958706","found":true},"guestAuthors":[],"slug":"juneteenth-2024-events-list-san-francisco-bay-area","title":"Juneteenth Celebrations in San Francisco and Around the Bay","publishDate":1717607294,"format":"standard","headTitle":"Juneteenth Celebrations in San Francisco and Around the Bay | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>When San Francisco hosted its first official city-supported Juneteenth parade down Market Street last year, Dr. Sheryl Davis witnessed its significance firsthand.\u003c/p>\n\u003cp>Davis is the executive director of the city’s Human Rights Commission, which puts on the parade, and she knew what it meant to those in San Francisco’s African-American community who’ve organized independent community Juneteenth celebrations for years.\u003c/p>\n\u003cp>“For them it was huge,” said Davis. “The parade was legitimizing. They felt like all of the sudden they were welcome — even with everything that was happening and all of the different challenges, now that Black people could have a parade down Market Street, it’s a symbol of freedom.”\u003c/p>\n\u003cp>This year, the celebration of Black culture is back — and the lineup is stacked.\u003c/p>\n\u003cp>This weekend’s parade kicks off from Market and Spear Streets at 11 a.m. on Saturday, June 8, ending at the Civic Center Plaza at noon for a festival headlined by Larry June, Rapsody and Goapele. The lineup also includes the Fillmore Jazz Ambassadors, San Francisco’s poet laureate Tongo Eisen-Martin, Frisco’s own DJ Red Corvette, Martin Luther and more.\u003c/p>\n\u003cfigure id=\"attachment_13959246\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13959246\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-800x683.jpg\" alt=\"African American woman in black attire standing behind a microphone at a podium during an indoor event in San Francisco.\" width=\"800\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-800x683.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-1020x871.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-768x656.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Sheryl Davis speaking at a convening in San Francisco, discussing Historically Black Colleges and Universities in February of 2024. \u003ccite>(Courtesy of the San Francisco Human Rights Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>We Still Here\u003c/h2>\n\u003cp>Davis says the event’s goal is to both bring people back to San Francisco and celebrate the folks who still call the city home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Celebrating Black culture in a city where the \u003ca href=\"https://www.sfexaminer.com/news/the-city/how-black-san-francisco-has-dwindled-since-harlem-west-days/article_42b6f538-d5a4-11ee-85ea-df19cc90bd0d.html\" target=\"_blank\" rel=\"noopener\">African-American population\u003c/a> has dropped 50% in the past 50 years presents a conflict, Davis says.\u003c/p>\n\u003cp>“When you have a diminishing population of people and you hold an event to celebrate that culture, if people don’t turn out like they do for a Warriors parade, does the city then say it’s not worth it?” asks Davis. “What is our end goal for holding this parade?”\u003c/p>\n\u003cp>To some, Davis says, that answer might be financial. To others, the answer might be a matter of “enough” people showing up. Davis doesn’t see it that way.\u003c/p>\n\u003cp>“The people in the parade are grateful to be seen, whether it’s by one person or one thousand. And to know the streets were shut down to celebrate their culture — in a town where people often talk about how many Black folks have left the city, but they don’t mention the people who still live here.”\u003c/p>\n\u003cfigure id=\"attachment_13958715\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13958715 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-800x533.jpg\" alt=\"People hop aboard a cable car during last year's San Francisco Juneteenth parade. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People hop aboard a cable car during last year’s San Francisco Juneteenth parade. \u003ccite>(Courtesy of the San Francisco Human Rights Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘How It’s Really Done’\u003c/h2>\n\u003cp>Juneteenth became a federal holiday three years ago, but the history of its celebration in San Francisco goes back to the 1940s.\u003c/p>\n\u003cp>In June of 1945, Wesley Johnson, Sr. wore a white cowboy hat as he rode through the Fillmore on a white horse. It was his way of bringing the celebration of Juneteenth — a day commemorating the delayed notification to western states that enslaved Africans in America had become legally free — to the city.\u003c/p>\n\u003cp>Like many African Americans involved in the Great Migration, Johnson Sr. was born in Texas and moved to San Francisco in the early 1900s for work. Along with his labor, he brought culture.\u003c/p>\n\u003cp>“I want to bring my corner of Texas to San Francisco and show them how it’s really done,” reads a quote from Johnson Sr. on the city’s \u003ca href=\"https://www.sfcjuneteenth.org/\" target=\"_blank\" rel=\"noopener\">Juneteenth page\u003c/a>.\u003c/p>\n\u003ch2>Juneteenth Events Around the Bay\u003c/h2>\n\u003cp>The San Francisco Human Rights Commission is backing a handful of events to commemorate Juneteenth. The list includes \u003ca href=\"https://www.sfcjuneteenth.org/events/mayor-london-breeds-official-juneteenth-kickoff\" target=\"_blank\" rel=\"noopener\">Mayor London Breed’s Official Juneteenth Kickoff\u003c/a> event on June 14, the SF Black Wall Street Gala on June 14 and the Juneteenth Festival in the Bayview on June 16.\u003c/p>\n\u003cp>In addition to the City of San Francisco’s Juneteenth events there will be a number of happenings around town, including the Juneteenth celebration on \u003ca href=\"https://www.onetreasureisland.org/events/juneteenth-celebration\">Treasure Island\u003c/a> on June 15 and SF \u003ca href=\"https://www.sfjazz.org/juneteenth/?gad_source=1&gclid=CjwKCAjwgdayBhBQEiwAXhMxtqbGxzmhjodiAjAt29DeAGMxB7BzNghfnh7LNCll-mnj--2Xbs2hjxoCdp0QAvD_BwE\">Jazz’s Juneteenth event \u003c/a>on June 19.\u003c/p>\n\u003cfigure id=\"attachment_13958721\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13958721 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stunnaman02 will be big steppin’ at San Francisco’s 2024 Juneteenth parade and festival. \u003ccite>(Courtesy of the San Francisco Human Rights Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.moadsf.org/event/free-admission-day-kp-thrive-moad-celebrate-juneteenth\" target=\"_blank\" rel=\"noopener\">The MoAd will host a free admission day\u003c/a> and a series of events during the month of June, including Drag Story Hour with \u003ca href=\"https://www.kqed.org/news/1765/the-california-report-magazine\">Black Benetar\u003c/a>, a film screening of \u003ca href=\"https://www.moadsf.org/event/film-screening-discussion-city-of-a-million-dreams-parading-for-the-dead-in-new-orleans\">City of a Million Dreams: Parading for the Dead in New Orleans\u003c/a> and a tour of oil pastel landscapes by the artist Rachel Jones. Free admission day is Saturday, June 8.\u003c/p>\n\u003cp>\u003ca href=\"https://www.oigc.org/cal/2nd-freight-juneteenth\" target=\"_blank\" rel=\"noopener\">The Oakland Interfaith Gospel Choir\u003c/a> will celebrate Juneteenth for the second year in a row with a special performance. Founded in 1986 to honor Black gospel tradition, the choir brings together over 300 singers whose ages range from five to 100. The performance will take place Saturday, June 15 at \u003ca href=\"https://thefreight.org/\">Freight and Salvage\u003c/a> in Berkeley.\u003c/p>\n\u003cp>Eight blocks of the Fillmore District will feature music, carnival games, a hair and fashion show and more for the annual \u003ca href=\"https://juneteenth-sf.org/\" target=\"_blank\" rel=\"noopener\">Juneteenth SF Freedom Celebration\u003c/a>. On Saturday, June 15, over 50 food and retail vendors, classic cars and the L.A. R&B group The Whispers will come together for the holiday.\u003c/p>\n\u003cp>\u003ca href=\"https://vallejojuneteenth.com/\" target=\"_blank\" rel=\"noopener\">The 34th annual Juneteenth celebration in Vallejo\u003c/a> will include a parade, a youth art contest and a paint party. The festival and parade is on June 15 at the Barbara Kondylis Waterfront Green.\u003c/p>\n\u003cp>The \u003ca href=\"https://healdsburgjazz.org/festival-schedule/june-15/\" target=\"_blank\" rel=\"noopener\">Healdsburg Jazz Festival\u003c/a> is honoring Juneteenth on June 15 with a quintet, a sextet, drum workshops and drinks from the Nubian Cafe Collective at Healdsburg Plaza. Performers include Houston Person and Steve Turre.\u003c/p>\n\u003cp>On June 15 renowned vocalist Marsha Ambrosius is set to headline \u003ca href=\"https://www.sjaacsa.org/juneteenth/home\" target=\"_blank\" rel=\"noopener\">the 43rd annual Juneteenth Festival in downtown San Jose\u003c/a>, as the event will also feature the marching bands of Florida A&M University and Alabama State University.\u003c/p>\n\u003cfigure id=\"attachment_13959247\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13959247 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-800x534.jpg\" alt='A set of balloons reads \"JUNETEENTH\" in golden lettering overhead, as two event attendees pose for a photo in the foreground. ' width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Sheryl Davis and Shakirah Simleye, executive director of Booker T. Washington Community Service Center in San Francisco, pose for a photo during a Juneteenth event in 2022. \u003ccite>(Courtesy of the San Francisco Human Rights Commission )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://berkeleyjuneteenth.org/\" target=\"_blank\" rel=\"noopener\">The Berkeley Juneteenth Festival\u003c/a> on June 16 at Adeline St. and Alcatraz Ave is bringing live music on two stages, a zone for kids to do STEM activities and face painting and food vendors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.antiochca.gov/juneteenth/\" target=\"_blank\" rel=\"noopener\">During the Antioch Juneteenth\u003c/a> event there will be carnival games, live performances by Nzuri Soul and the Ariel Marin Band and a rock climbing wall at Williamson Ranch Park on Sunday, June 16.\u003c/p>\n\u003cp>The Oakland Museum of California is hosting a \u003ca href=\"https://museumca.org/event/hella-juneteenth-the-cookout/\" target=\"_blank\" rel=\"noopener\">Hella Juneteenth “The Cookout,”\u003c/a> which will feature sets from DJs \u003ca href=\"https://www.instagram.com/fattonyrap/\">Fat Tony\u003c/a>, \u003ca href=\"https://www.instagram.com/djdarlingcool/\">Darling Cool\u003c/a> and \u003ca href=\"https://www.instagram.com/djken_z_o/\">DJ Kenzo\u003c/a>. Cookout goers will enjoy music in the OMCA garden and food from chef Michele McQueen of the museum’s cafe Town Fare. Tickets for the event on June 19 will include access to all of OMCA’s galleries.\u003c/p>\n\u003cp>\u003ca href=\"https://juneteenthcommunityfestival.info/about\" target=\"_blank\" rel=\"noopener\">The family-friendly Marin City Juneteenth Festival\u003c/a> will host an African Marketplace featuring apparel, jewelry and art from small businesses, will crown a community kind and queen and will provide supervised childcare for the kiddos at Rocky Graham Park on Saturday, June 22.\u003c/p>\n\u003cp>In Richmond, community members are holding a \u003ca href=\"https://www.ci.richmond.ca.us/4665/Richmond-Juneteenth-Festival\" target=\"_blank\" rel=\"noopener\">Juneteenth Family Day Parade and Festival\u003c/a> to uplift peace and unity in their neighborhoods on Saturday, June 22 at Nicholl Park.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Juneteenth events compiled by Olivia Cruz Mayeda.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"An official parade down Market Street, a giant outdoor concert and more Juneteenth events in the Bay Area.","status":"publish","parent":0,"modified":1717696548,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1259},"headData":{"title":"Juneteenth Celebrations in San Francisco and Around the Bay | KQED","description":"An official parade down Market Street, a giant outdoor concert and more Juneteenth events in the Bay Area.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Juneteenth Celebrations in San Francisco and Around the Bay","datePublished":"2024-06-05T10:08:14-07:00","dateModified":"2024-06-06T10:55:48-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13958706","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13958706/juneteenth-2024-events-list-san-francisco-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When San Francisco hosted its first official city-supported Juneteenth parade down Market Street last year, Dr. Sheryl Davis witnessed its significance firsthand.\u003c/p>\n\u003cp>Davis is the executive director of the city’s Human Rights Commission, which puts on the parade, and she knew what it meant to those in San Francisco’s African-American community who’ve organized independent community Juneteenth celebrations for years.\u003c/p>\n\u003cp>“For them it was huge,” said Davis. “The parade was legitimizing. They felt like all of the sudden they were welcome — even with everything that was happening and all of the different challenges, now that Black people could have a parade down Market Street, it’s a symbol of freedom.”\u003c/p>\n\u003cp>This year, the celebration of Black culture is back — and the lineup is stacked.\u003c/p>\n\u003cp>This weekend’s parade kicks off from Market and Spear Streets at 11 a.m. on Saturday, June 8, ending at the Civic Center Plaza at noon for a festival headlined by Larry June, Rapsody and Goapele. The lineup also includes the Fillmore Jazz Ambassadors, San Francisco’s poet laureate Tongo Eisen-Martin, Frisco’s own DJ Red Corvette, Martin Luther and more.\u003c/p>\n\u003cfigure id=\"attachment_13959246\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13959246\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-800x683.jpg\" alt=\"African American woman in black attire standing behind a microphone at a podium during an indoor event in San Francisco.\" width=\"800\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-800x683.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-1020x871.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1-768x656.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Sheryl Davis speaking at a convening in San Francisco, discussing Historically Black Colleges and Universities in February of 2024. \u003ccite>(Courtesy of the San Francisco Human Rights Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>We Still Here\u003c/h2>\n\u003cp>Davis says the event’s goal is to both bring people back to San Francisco and celebrate the folks who still call the city home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Celebrating Black culture in a city where the \u003ca href=\"https://www.sfexaminer.com/news/the-city/how-black-san-francisco-has-dwindled-since-harlem-west-days/article_42b6f538-d5a4-11ee-85ea-df19cc90bd0d.html\" target=\"_blank\" rel=\"noopener\">African-American population\u003c/a> has dropped 50% in the past 50 years presents a conflict, Davis says.\u003c/p>\n\u003cp>“When you have a diminishing population of people and you hold an event to celebrate that culture, if people don’t turn out like they do for a Warriors parade, does the city then say it’s not worth it?” asks Davis. “What is our end goal for holding this parade?”\u003c/p>\n\u003cp>To some, Davis says, that answer might be financial. To others, the answer might be a matter of “enough” people showing up. Davis doesn’t see it that way.\u003c/p>\n\u003cp>“The people in the parade are grateful to be seen, whether it’s by one person or one thousand. And to know the streets were shut down to celebrate their culture — in a town where people often talk about how many Black folks have left the city, but they don’t mention the people who still live here.”\u003c/p>\n\u003cfigure id=\"attachment_13958715\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13958715 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-800x533.jpg\" alt=\"People hop aboard a cable car during last year's San Francisco Juneteenth parade. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/ratio3x2_960.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People hop aboard a cable car during last year’s San Francisco Juneteenth parade. \u003ccite>(Courtesy of the San Francisco Human Rights Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘How It’s Really Done’\u003c/h2>\n\u003cp>Juneteenth became a federal holiday three years ago, but the history of its celebration in San Francisco goes back to the 1940s.\u003c/p>\n\u003cp>In June of 1945, Wesley Johnson, Sr. wore a white cowboy hat as he rode through the Fillmore on a white horse. It was his way of bringing the celebration of Juneteenth — a day commemorating the delayed notification to western states that enslaved Africans in America had become legally free — to the city.\u003c/p>\n\u003cp>Like many African Americans involved in the Great Migration, Johnson Sr. was born in Texas and moved to San Francisco in the early 1900s for work. Along with his labor, he brought culture.\u003c/p>\n\u003cp>“I want to bring my corner of Texas to San Francisco and show them how it’s really done,” reads a quote from Johnson Sr. on the city’s \u003ca href=\"https://www.sfcjuneteenth.org/\" target=\"_blank\" rel=\"noopener\">Juneteenth page\u003c/a>.\u003c/p>\n\u003ch2>Juneteenth Events Around the Bay\u003c/h2>\n\u003cp>The San Francisco Human Rights Commission is backing a handful of events to commemorate Juneteenth. The list includes \u003ca href=\"https://www.sfcjuneteenth.org/events/mayor-london-breeds-official-juneteenth-kickoff\" target=\"_blank\" rel=\"noopener\">Mayor London Breed’s Official Juneteenth Kickoff\u003c/a> event on June 14, the SF Black Wall Street Gala on June 14 and the Juneteenth Festival in the Bayview on June 16.\u003c/p>\n\u003cp>In addition to the City of San Francisco’s Juneteenth events there will be a number of happenings around town, including the Juneteenth celebration on \u003ca href=\"https://www.onetreasureisland.org/events/juneteenth-celebration\">Treasure Island\u003c/a> on June 15 and SF \u003ca href=\"https://www.sfjazz.org/juneteenth/?gad_source=1&gclid=CjwKCAjwgdayBhBQEiwAXhMxtqbGxzmhjodiAjAt29DeAGMxB7BzNghfnh7LNCll-mnj--2Xbs2hjxoCdp0QAvD_BwE\">Jazz’s Juneteenth event \u003c/a>on June 19.\u003c/p>\n\u003cfigure id=\"attachment_13958721\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13958721 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/JuneteenthDay32023-08038.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stunnaman02 will be big steppin’ at San Francisco’s 2024 Juneteenth parade and festival. \u003ccite>(Courtesy of the San Francisco Human Rights Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.moadsf.org/event/free-admission-day-kp-thrive-moad-celebrate-juneteenth\" target=\"_blank\" rel=\"noopener\">The MoAd will host a free admission day\u003c/a> and a series of events during the month of June, including Drag Story Hour with \u003ca href=\"https://www.kqed.org/news/1765/the-california-report-magazine\">Black Benetar\u003c/a>, a film screening of \u003ca href=\"https://www.moadsf.org/event/film-screening-discussion-city-of-a-million-dreams-parading-for-the-dead-in-new-orleans\">City of a Million Dreams: Parading for the Dead in New Orleans\u003c/a> and a tour of oil pastel landscapes by the artist Rachel Jones. Free admission day is Saturday, June 8.\u003c/p>\n\u003cp>\u003ca href=\"https://www.oigc.org/cal/2nd-freight-juneteenth\" target=\"_blank\" rel=\"noopener\">The Oakland Interfaith Gospel Choir\u003c/a> will celebrate Juneteenth for the second year in a row with a special performance. Founded in 1986 to honor Black gospel tradition, the choir brings together over 300 singers whose ages range from five to 100. The performance will take place Saturday, June 15 at \u003ca href=\"https://thefreight.org/\">Freight and Salvage\u003c/a> in Berkeley.\u003c/p>\n\u003cp>Eight blocks of the Fillmore District will feature music, carnival games, a hair and fashion show and more for the annual \u003ca href=\"https://juneteenth-sf.org/\" target=\"_blank\" rel=\"noopener\">Juneteenth SF Freedom Celebration\u003c/a>. On Saturday, June 15, over 50 food and retail vendors, classic cars and the L.A. R&B group The Whispers will come together for the holiday.\u003c/p>\n\u003cp>\u003ca href=\"https://vallejojuneteenth.com/\" target=\"_blank\" rel=\"noopener\">The 34th annual Juneteenth celebration in Vallejo\u003c/a> will include a parade, a youth art contest and a paint party. The festival and parade is on June 15 at the Barbara Kondylis Waterfront Green.\u003c/p>\n\u003cp>The \u003ca href=\"https://healdsburgjazz.org/festival-schedule/june-15/\" target=\"_blank\" rel=\"noopener\">Healdsburg Jazz Festival\u003c/a> is honoring Juneteenth on June 15 with a quintet, a sextet, drum workshops and drinks from the Nubian Cafe Collective at Healdsburg Plaza. Performers include Houston Person and Steve Turre.\u003c/p>\n\u003cp>On June 15 renowned vocalist Marsha Ambrosius is set to headline \u003ca href=\"https://www.sjaacsa.org/juneteenth/home\" target=\"_blank\" rel=\"noopener\">the 43rd annual Juneteenth Festival in downtown San Jose\u003c/a>, as the event will also feature the marching bands of Florida A&M University and Alabama State University.\u003c/p>\n\u003cfigure id=\"attachment_13959247\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13959247 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-800x534.jpg\" alt='A set of balloons reads \"JUNETEENTH\" in golden lettering overhead, as two event attendees pose for a photo in the foreground. ' width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Sheryl Davis and Shakirah Simleye, executive director of Booker T. Washington Community Service Center in San Francisco, pose for a photo during a Juneteenth event in 2022. \u003ccite>(Courtesy of the San Francisco Human Rights Commission )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://berkeleyjuneteenth.org/\" target=\"_blank\" rel=\"noopener\">The Berkeley Juneteenth Festival\u003c/a> on June 16 at Adeline St. and Alcatraz Ave is bringing live music on two stages, a zone for kids to do STEM activities and face painting and food vendors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.antiochca.gov/juneteenth/\" target=\"_blank\" rel=\"noopener\">During the Antioch Juneteenth\u003c/a> event there will be carnival games, live performances by Nzuri Soul and the Ariel Marin Band and a rock climbing wall at Williamson Ranch Park on Sunday, June 16.\u003c/p>\n\u003cp>The Oakland Museum of California is hosting a \u003ca href=\"https://museumca.org/event/hella-juneteenth-the-cookout/\" target=\"_blank\" rel=\"noopener\">Hella Juneteenth “The Cookout,”\u003c/a> which will feature sets from DJs \u003ca href=\"https://www.instagram.com/fattonyrap/\">Fat Tony\u003c/a>, \u003ca href=\"https://www.instagram.com/djdarlingcool/\">Darling Cool\u003c/a> and \u003ca href=\"https://www.instagram.com/djken_z_o/\">DJ Kenzo\u003c/a>. Cookout goers will enjoy music in the OMCA garden and food from chef Michele McQueen of the museum’s cafe Town Fare. Tickets for the event on June 19 will include access to all of OMCA’s galleries.\u003c/p>\n\u003cp>\u003ca href=\"https://juneteenthcommunityfestival.info/about\" target=\"_blank\" rel=\"noopener\">The family-friendly Marin City Juneteenth Festival\u003c/a> will host an African Marketplace featuring apparel, jewelry and art from small businesses, will crown a community kind and queen and will provide supervised childcare for the kiddos at Rocky Graham Park on Saturday, June 22.\u003c/p>\n\u003cp>In Richmond, community members are holding a \u003ca href=\"https://www.ci.richmond.ca.us/4665/Richmond-Juneteenth-Festival\" target=\"_blank\" rel=\"noopener\">Juneteenth Family Day Parade and Festival\u003c/a> to uplift peace and unity in their neighborhoods on Saturday, June 22 at Nicholl Park.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Juneteenth events compiled by Olivia Cruz Mayeda.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13958706/juneteenth-2024-events-list-san-francisco-bay-area","authors":["11491"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69","arts_235"],"tags":["arts_10278","arts_1828","arts_7465","arts_9337","arts_1146","arts_585"],"featImg":"arts_13958714","label":"arts_140"},"arts_13959079":{"type":"posts","id":"arts_13959079","meta":{"index":"posts_1716263798","site":"arts","id":"13959079","found":true},"guestAuthors":[],"slug":"photos-la-onda-festival-recap-napa","title":"PHOTOS: Festival La Onda Made a Star-Studded Debut in Napa","publishDate":1717441015,"format":"standard","headTitle":"PHOTOS: Festival La Onda Made a Star-Studded Debut in Napa | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>For decades, Los Ángeles Azules have opened their live performances with the refrain “de Iztapalapa para el mundo” (“from Iztapalapa to the world”), a message that reflects how their flavor of cumbia from Iztapalapa, Mexico City has become a global institution.\u003c/p>\n\u003cp>But at their Sunday performance at the first-ever Festival La Onda at the Napa Valley Expo, the group shared with the audience of thousands a slightly different message: “de Iztapalapa para Napa” — “from Iztapalapa to Napa.”\u003c/p>\n\u003cp>Indeed, Iztapalapa had reached Napa. And so had the Latin American diaspora. On June 1-2, La Onda filled Napa Valley with a star-studded lineup of Spanish-speaking artists. The creators of the event — the same team that produced \u003ca href=\"https://www.kqed.org/arts/13958567/bottlerock-2024-photo-highlights-recap\">BottleRock\u003c/a> just a week before — wanted to create a major music festival dedicated to the Latino community of the Bay Area.\u003c/p>\n\u003cp>And they succeeded.\u003c/p>\n\u003cfigure id=\"attachment_13959000\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959000\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Farruko performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Reggaetón star Farruko had the crowd jumping on Saturday with hits like “Pepas” and “La Tóxica.” Chilean indie artist Mon Laferte had fans in tears when she performed “Tu Falta de Querer” and “Si tú me quisieras.” Danna Paola — who began her career at just four years old on Mexican television and reached global fame after joining Netflix’s \u003cem>Élite\u003c/em> in 2018 — proclaimed the start of Pride month with “TQ Y YA,” a queer love anthem that proclaims in its chorus “amor es amor y que nadie se meta” (“love is love and nobody else needs to get involved”).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The festival was truly blessed with its lineup of superstars from both rock en español and regional mexicano. Never has the Bay Area seen these two worlds come together so seamlessly. Rockero icons like Café Tacvba, Maná and Maldita Vecindad blasted timeless hits only a few couple hundred feet from where regional artists like Eslabón Armado, Junior H, Yahritza y su Esencia and La Arrolladora performed.\u003c/p>\n\u003cfigure id=\"attachment_13959059\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959059\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Maná performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fans at the festival were just as diverse as the genres represented on stage. Thousands of Latinos from all over the West Coast filled the Napa Valley Expo grounds. Perhaps only at \u003ca href=\"https://www.kqed.org/news/11987764/carnaval-san-francisco-celebrates-46-years-with-spectacular-mission-street-parade\">Carnaval San Francisco\u003c/a> do you see so many young Latinos and families together in one place. Rancheros, rockeros, bichotas, bellacos, homegirls, chavorrucos and more were all in the house.\u003c/p>\n\u003cp>While the majority of the crowd could be spotted with vaqueras and waving Mexican flags, there definitely were fans rocking Colombian vueltiao sombreros, Salvadoran jerseys and bandanas with Nicaraguan flags.\u003c/p>\n\u003cfigure id=\"attachment_13959058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959058\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch Fuerza Regida perform at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s no doubt now that a festival featuring only Latino artists — playing music essentially only in Spanish — can succeed in the Bay Area.\u003c/p>\n\u003cp>And most importantly, the Latino community of the North Bay was very well represented. Over a third of Napa County’s population identifies as Latino and the region’s world famous wine industry, which brings billions of dollars in investment and tourism, depends on the labor of tens of thousands of Latino and Indigenous workers.\u003c/p>\n\u003cp>Natalie Arana, who lives in Napa County and came with her husband, says she immediately signed up for the ticket presale when she heard a Latino music festival was coming. “It made me very happy that they’re finally doing something for us because there’s so many of us here,” she said, and added that her whole family works in the wine industry. “We are honestly the ones that make this place run.”\u003c/p>\n\u003cp>Will she be coming back next year?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Of course! ¡Claro que sí!”\u003c/p>\n\u003cfigure id=\"attachment_13958997\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958997\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Danna Paola perform at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13958994\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958994\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Danna Paola performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13958991\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958991\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mauricio Castro (center) dances with his friend at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959003\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959003\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Los Ángeles Azules perform at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959007\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959007\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Esmeralda Figueroa (left) and her husband Jose Hurtado dance in front of the Verizon Stage as Los Ángeles Azules perform at La Onda festival on Saturday, June 1, 2024. The two live in Napa splurged on tickets to the festival to see Los Ángeles Azules. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959011\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959011\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Junior H performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959019\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959019\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alejandro Fernández performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959021\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959021\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival-goers cheer exuberantly at the Verizon Stage as Alejandro Fernández delivers a captivating performance at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959022\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959022\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans at the Verizon Stage sing along passionately as Alejandro Fernández performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959023\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959023\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees wear ponchos as temperatures drop at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959063\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959063\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Maná performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959068\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959068\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather at the La Onda stage as Maná headlines La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959069\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959069\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lourdes Diaz Mota (center) enjoys Maná’s performance late into the night at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959071\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959071\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd sways to the beat as Maná performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959038\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959038\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dancers perform a traditional Aztec ceremony at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959039\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959039\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sara Velez (left) and her sister Bianett Velez proudly flaunt matching Maná shirts at La Onda festival on Sunday, June 2, 2024. The siblings traveled from Stockton to see Maná and attend their first festival together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959040\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959040\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch a lucha libre match during La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959043\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959043\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Napa resident Manuel De la Pena shouts with delight as he watches a lucha libre match at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959044\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959044\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees walk past Catrina sculptures, among the vibrant decorations honoring Latinx culture at La Onda festival on Sunday, June 2, 2024 at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959045\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959045\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eslabon Armado performs at La Onda festival on Sunday, June 2, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959048\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959048\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Enthusiastic fans in the front row of the Verizon Stage wave roses as Eslabon Armado performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959051\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Café Tacvba performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959056\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959056\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959064\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather at the Verizon Stage as Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959065\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959065\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees dance as Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"Latinos from all over the West Coast came to Napa to see Maná, Junior H, Los Ángeles Azules and more.","status":"publish","parent":0,"modified":1717442650,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":1261},"headData":{"title":"PHOTOS: Festival La Onda Made a Star-Studded Debut in Napa | KQED","description":"Latinos from all over the West Coast came to Napa to see Maná, Junior H, Los Ángeles Azules and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"PHOTOS: Festival La Onda Made a Star-Studded Debut in Napa","datePublished":"2024-06-03T11:56:55-07:00","dateModified":"2024-06-03T12:24:10-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13959079","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13959079/photos-la-onda-festival-recap-napa","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>For decades, Los Ángeles Azules have opened their live performances with the refrain “de Iztapalapa para el mundo” (“from Iztapalapa to the world”), a message that reflects how their flavor of cumbia from Iztapalapa, Mexico City has become a global institution.\u003c/p>\n\u003cp>But at their Sunday performance at the first-ever Festival La Onda at the Napa Valley Expo, the group shared with the audience of thousands a slightly different message: “de Iztapalapa para Napa” — “from Iztapalapa to Napa.”\u003c/p>\n\u003cp>Indeed, Iztapalapa had reached Napa. And so had the Latin American diaspora. On June 1-2, La Onda filled Napa Valley with a star-studded lineup of Spanish-speaking artists. The creators of the event — the same team that produced \u003ca href=\"https://www.kqed.org/arts/13958567/bottlerock-2024-photo-highlights-recap\">BottleRock\u003c/a> just a week before — wanted to create a major music festival dedicated to the Latino community of the Bay Area.\u003c/p>\n\u003cp>And they succeeded.\u003c/p>\n\u003cfigure id=\"attachment_13959000\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959000\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_11-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Farruko performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Reggaetón star Farruko had the crowd jumping on Saturday with hits like “Pepas” and “La Tóxica.” Chilean indie artist Mon Laferte had fans in tears when she performed “Tu Falta de Querer” and “Si tú me quisieras.” Danna Paola — who began her career at just four years old on Mexican television and reached global fame after joining Netflix’s \u003cem>Élite\u003c/em> in 2018 — proclaimed the start of Pride month with “TQ Y YA,” a queer love anthem that proclaims in its chorus “amor es amor y que nadie se meta” (“love is love and nobody else needs to get involved”).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The festival was truly blessed with its lineup of superstars from both rock en español and regional mexicano. Never has the Bay Area seen these two worlds come together so seamlessly. Rockero icons like Café Tacvba, Maná and Maldita Vecindad blasted timeless hits only a few couple hundred feet from where regional artists like Eslabón Armado, Junior H, Yahritza y su Esencia and La Arrolladora performed.\u003c/p>\n\u003cfigure id=\"attachment_13959059\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959059\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_62-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Maná performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fans at the festival were just as diverse as the genres represented on stage. Thousands of Latinos from all over the West Coast filled the Napa Valley Expo grounds. Perhaps only at \u003ca href=\"https://www.kqed.org/news/11987764/carnaval-san-francisco-celebrates-46-years-with-spectacular-mission-street-parade\">Carnaval San Francisco\u003c/a> do you see so many young Latinos and families together in one place. Rancheros, rockeros, bichotas, bellacos, homegirls, chavorrucos and more were all in the house.\u003c/p>\n\u003cp>While the majority of the crowd could be spotted with vaqueras and waving Mexican flags, there definitely were fans rocking Colombian vueltiao sombreros, Salvadoran jerseys and bandanas with Nicaraguan flags.\u003c/p>\n\u003cfigure id=\"attachment_13959058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959058\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_61-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch Fuerza Regida perform at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s no doubt now that a festival featuring only Latino artists — playing music essentially only in Spanish — can succeed in the Bay Area.\u003c/p>\n\u003cp>And most importantly, the Latino community of the North Bay was very well represented. Over a third of Napa County’s population identifies as Latino and the region’s world famous wine industry, which brings billions of dollars in investment and tourism, depends on the labor of tens of thousands of Latino and Indigenous workers.\u003c/p>\n\u003cp>Natalie Arana, who lives in Napa County and came with her husband, says she immediately signed up for the ticket presale when she heard a Latino music festival was coming. “It made me very happy that they’re finally doing something for us because there’s so many of us here,” she said, and added that her whole family works in the wine industry. “We are honestly the ones that make this place run.”\u003c/p>\n\u003cp>Will she be coming back next year?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Of course! ¡Claro que sí!”\u003c/p>\n\u003cfigure id=\"attachment_13958997\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958997\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_08-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees watch Danna Paola perform at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13958994\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958994\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_05-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Danna Paola performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13958991\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958991\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_02-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mauricio Castro (center) dances with his friend at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959003\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959003\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_14-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Los Ángeles Azules perform at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959007\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959007\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_18-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Esmeralda Figueroa (left) and her husband Jose Hurtado dance in front of the Verizon Stage as Los Ángeles Azules perform at La Onda festival on Saturday, June 1, 2024. The two live in Napa splurged on tickets to the festival to see Los Ángeles Azules. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959011\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959011\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22.jpg\" alt=\"\" width=\"853\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_22-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Junior H performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959019\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959019\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_30-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alejandro Fernández performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959021\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959021\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_32-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival-goers cheer exuberantly at the Verizon Stage as Alejandro Fernández delivers a captivating performance at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959022\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959022\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_33-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans at the Verizon Stage sing along passionately as Alejandro Fernández performs at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959023\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959023\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_34-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees wear ponchos as temperatures drop at La Onda festival on Saturday, June 1, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959063\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959063\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_66-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Maná performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959068\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959068\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_71-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather at the La Onda stage as Maná headlines La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959069\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959069\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_72-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lourdes Diaz Mota (center) enjoys Maná’s performance late into the night at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959071\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959071\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_74-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd sways to the beat as Maná performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959038\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959038\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_41-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dancers perform a traditional Aztec ceremony at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959039\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959039\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_42-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sara Velez (left) and her sister Bianett Velez proudly flaunt matching Maná shirts at La Onda festival on Sunday, June 2, 2024. The siblings traveled from Stockton to see Maná and attend their first festival together. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959040\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959040\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_43-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans watch a lucha libre match during La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959043\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959043\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_46-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Napa resident Manuel De la Pena shouts with delight as he watches a lucha libre match at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959044\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959044\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_47-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees walk past Catrina sculptures, among the vibrant decorations honoring Latinx culture at La Onda festival on Sunday, June 2, 2024 at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959045\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959045\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_48-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eslabon Armado performs at La Onda festival on Sunday, June 2, 2024.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959048\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959048\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_51-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Enthusiastic fans in the front row of the Verizon Stage wave roses as Eslabon Armado performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959051\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_54-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Café Tacvba performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959056\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959056\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_59-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959064\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_67-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather at the Verizon Stage as Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13959065\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13959065\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240501_LaOnda_68-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees dance as Fuerza Regida performs at La Onda festival on Sunday, June 2, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13959079/photos-la-onda-festival-recap-napa","authors":["11708"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_21763","arts_1855","arts_769"],"featImg":"arts_13959013","label":"arts"},"arts_13959254":{"type":"posts","id":"arts_13959254","meta":{"index":"posts_1716263798","site":"arts","id":"13959254","found":true},"guestAuthors":[],"slug":"at-the-contemporary-jewish-museum-a-protest-and-an-opening","title":"At the Contemporary Jewish Museum, a Protest and an Opening","publishDate":1717624969,"format":"standard","headTitle":"At the Contemporary Jewish Museum, a Protest and an Opening | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>San Francisco’s \u003ca href=\"https://www.thecjm.org/\">Contemporary Jewish Museum\u003c/a> (CJM) promises to be well attended on Thursday night. During the museum’s free June 6 opening reception of the group show \u003ca href=\"https://www.thecjm.org/programs/1354\">\u003ci>California Jewish Open\u003c/i>\u003c/a>, activists from \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">California Jewish Artists for Palestine\u003c/a> and \u003ca href=\"https://www.jewishvoiceforpeace.org/\">Jewish Voice for Peace\u003c/a> will hold a demonstration outside, drawing attention to Israel’s ongoing bombardment of Gaza.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest\u003c/a> includes live music, performances, poster-making and speakers from Bay Area Artists Against Genocide, who were at the center of a \u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">recent boycott of Yerba Buena Center for the Arts\u003c/a>. \u003ca href=\"https://www.kqed.org/arts/13956575/sfmoma-workers-open-letter-palestinians-gaza-pacbi\">Pro-Palestinian workers from the San Francisco Museum of Modern Art\u003c/a> will also participate.\u003c/p>\n\u003cp>[aside postid='arts_13955613']“This family-friendly action led by local Jewish artists has been organized to pressure the Contemporary Jewish Museum to disclose funding sources, divest from Israeli apartheid and focus attention on the genocide of Palestinians,” reads a statement from California Jewish Artists for Palestine.\u003c/p>\n\u003cp>“No one will be blocked from entering the museum or the exhibition, nor are any of the artists in the exhibition being targeted,” the artists added.\u003c/p>\n\u003cp>The \u003ci>California Jewish Open\u003c/i> is a juried exhibition of nearly 50 artists centered around the theme of connection, the result of an open call for submissions from Jewish artists across the state. The works chosen for \u003cem>California Jewish Open\u003c/em> by guest curator Elissa Strauss reflect a variety of artistic approaches and political viewpoints, some of which are sympathetic to Israel. From members of California Jewish Artists for Palestine, Strauss selected five works which had pro-Palestinian, anti-war themes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In April, however, California Jewish Artists for Palestine \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">withdrew their work from the show\u003c/a> in an act of protest. (Another artist, Liat Berdugo, withdrew her piece — which is also critical of Israel — out of concern for how her work would be contextualized.)\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A piece artist Kate Laster withdrew from the ‘California Jewish Open’ at the Contemporary Jewish Museum. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The coalition of artists sent CJM leaders several demands, one of which was to divest from Israeli government funding sources and “pro-Israel philanthropic organizations, funders and board members.” Later, the artists asked the museum to join the \u003ca href=\"https://bdsmovement.net/pacbi\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI). PACBI calls for international institutions to refrain from collaborating with Israeli institutions until the country ends its siege and occupation of Gaza and the West Bank.\u003c/p>\n\u003cp>[aside postid='arts_13956575']Museum leaders told artists that they couldn’t meet this demand, nor give artists full control over the wall text that would be displayed next to their works. In a \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">previous interview with KQED\u003c/a>, Senior Curator Heidi Rabben said she respects the artists’ decision to pull out of the show, but denied that the CJM had censored anyone.\u003c/p>\n\u003cp>The museum decided to leave blank spaces for each withdrawn work in \u003ci>California Jewish Open\u003c/i> to symbolize the artists’ missing perspectives.\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The California Jewish Artists for Palestine logo by Kate Laster. 8″ x 8″, papercut and spray paint on paper, 2024. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, in their \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">May 10 open letter\u003c/a>, California Jewish Artists for Palestine urged the public to refocus on Palestinians in Gaza, over \u003ca href=\"https://www.npr.org/2024/05/28/g-s1-1361/rafah-gaza-israel\">36,000 of whom\u003c/a> have been killed by Israeli forces since Oct. 7, according to the health ministry in Gaza. Eighty-five percent of Gaza’s population has been displaced, and the United Nations has warned that 1.1 million people are facing catastrophic levels of hunger.\u003c/p>\n\u003cp>The California Jewish Artists for Palestine and Jewish Voice for Peace will begin their \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest outside the Contemporary Jewish Museum\u003c/a> at 5:30 p.m. on June 6.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The Contemporary Jewish Museum’s \u003ca href=\"https://www.thecjm.org/programs/1354\">opening for ‘California Jewish Open’\u003c/a> takes place June 6, 6:30-8:30 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to accurately reflect the California Jewish Artists for Palestine’s initial demands of the Contemporary Jewish Museum. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Pro-Palestinian Jewish artists will gather outside a reception for the California Jewish Open group show. ","status":"publish","parent":0,"modified":1717710856,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":675},"headData":{"title":"At the Contemporary Jewish Museum, a Protest and an Opening | KQED","description":"Pro-Palestinian Jewish artists will gather outside a reception for the California Jewish Open group show. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"At the Contemporary Jewish Museum, a Protest and an Opening","datePublished":"2024-06-05T15:02:49-07:00","dateModified":"2024-06-06T14:54:16-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13959254","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13959254/at-the-contemporary-jewish-museum-a-protest-and-an-opening","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco’s \u003ca href=\"https://www.thecjm.org/\">Contemporary Jewish Museum\u003c/a> (CJM) promises to be well attended on Thursday night. During the museum’s free June 6 opening reception of the group show \u003ca href=\"https://www.thecjm.org/programs/1354\">\u003ci>California Jewish Open\u003c/i>\u003c/a>, activists from \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">California Jewish Artists for Palestine\u003c/a> and \u003ca href=\"https://www.jewishvoiceforpeace.org/\">Jewish Voice for Peace\u003c/a> will hold a demonstration outside, drawing attention to Israel’s ongoing bombardment of Gaza.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest\u003c/a> includes live music, performances, poster-making and speakers from Bay Area Artists Against Genocide, who were at the center of a \u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">recent boycott of Yerba Buena Center for the Arts\u003c/a>. \u003ca href=\"https://www.kqed.org/arts/13956575/sfmoma-workers-open-letter-palestinians-gaza-pacbi\">Pro-Palestinian workers from the San Francisco Museum of Modern Art\u003c/a> will also participate.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955613","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“This family-friendly action led by local Jewish artists has been organized to pressure the Contemporary Jewish Museum to disclose funding sources, divest from Israeli apartheid and focus attention on the genocide of Palestinians,” reads a statement from California Jewish Artists for Palestine.\u003c/p>\n\u003cp>“No one will be blocked from entering the museum or the exhibition, nor are any of the artists in the exhibition being targeted,” the artists added.\u003c/p>\n\u003cp>The \u003ci>California Jewish Open\u003c/i> is a juried exhibition of nearly 50 artists centered around the theme of connection, the result of an open call for submissions from Jewish artists across the state. The works chosen for \u003cem>California Jewish Open\u003c/em> by guest curator Elissa Strauss reflect a variety of artistic approaches and political viewpoints, some of which are sympathetic to Israel. From members of California Jewish Artists for Palestine, Strauss selected five works which had pro-Palestinian, anti-war themes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In April, however, California Jewish Artists for Palestine \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">withdrew their work from the show\u003c/a> in an act of protest. (Another artist, Liat Berdugo, withdrew her piece — which is also critical of Israel — out of concern for how her work would be contextualized.)\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A piece artist Kate Laster withdrew from the ‘California Jewish Open’ at the Contemporary Jewish Museum. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The coalition of artists sent CJM leaders several demands, one of which was to divest from Israeli government funding sources and “pro-Israel philanthropic organizations, funders and board members.” Later, the artists asked the museum to join the \u003ca href=\"https://bdsmovement.net/pacbi\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI). PACBI calls for international institutions to refrain from collaborating with Israeli institutions until the country ends its siege and occupation of Gaza and the West Bank.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956575","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Museum leaders told artists that they couldn’t meet this demand, nor give artists full control over the wall text that would be displayed next to their works. In a \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">previous interview with KQED\u003c/a>, Senior Curator Heidi Rabben said she respects the artists’ decision to pull out of the show, but denied that the CJM had censored anyone.\u003c/p>\n\u003cp>The museum decided to leave blank spaces for each withdrawn work in \u003ci>California Jewish Open\u003c/i> to symbolize the artists’ missing perspectives.\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The California Jewish Artists for Palestine logo by Kate Laster. 8″ x 8″, papercut and spray paint on paper, 2024. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, in their \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">May 10 open letter\u003c/a>, California Jewish Artists for Palestine urged the public to refocus on Palestinians in Gaza, over \u003ca href=\"https://www.npr.org/2024/05/28/g-s1-1361/rafah-gaza-israel\">36,000 of whom\u003c/a> have been killed by Israeli forces since Oct. 7, according to the health ministry in Gaza. Eighty-five percent of Gaza’s population has been displaced, and the United Nations has warned that 1.1 million people are facing catastrophic levels of hunger.\u003c/p>\n\u003cp>The California Jewish Artists for Palestine and Jewish Voice for Peace will begin their \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest outside the Contemporary Jewish Museum\u003c/a> at 5:30 p.m. on June 6.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The Contemporary Jewish Museum’s \u003ca href=\"https://www.thecjm.org/programs/1354\">opening for ‘California Jewish Open’\u003c/a> takes place June 6, 6:30-8:30 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to accurately reflect the California Jewish Artists for Palestine’s initial demands of the Contemporary Jewish Museum. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13959254/at-the-contemporary-jewish-museum-a-protest-and-an-opening","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_1787","arts_10278","arts_8838"],"featImg":"arts_13959255","label":"arts"},"arts_13959026":{"type":"posts","id":"arts_13959026","meta":{"index":"posts_1716263798","site":"arts","id":"13959026","found":true},"guestAuthors":[],"slug":"innocence-sf-opera-review-san-francisco-school-shooting-kaija-saariaho","title":"‘Innocence’ at SF Opera: An Astonishing Masterwork About a School Shooting","publishDate":1717444131,"format":"standard","headTitle":"‘Innocence’ at SF Opera: An Astonishing Masterwork About a School Shooting | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The thing is, I’d started to get desensitized to school shootings. Where once I devoured every detail in the news reports, trying to make sense of the senseless, lately I have scrolled right past. Maybe this has happened to you, too. If so, you know the strange guilt of it. The \u003cem>I care, but I cannot care right now\u003c/em> of it.\u003c/p>\n\u003cp>Is this how “normalization” works? \u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfopera.com/operas/innocence/\">Innocence\u003c/a>\u003c/em>, an opera about a school shooting that made its U.S. premiere on Saturday at San Francisco Opera, does not let you look away from the horror that has, yes, become normalized in America. It does so without being preachy, or didactic. Written by the Finnish composer Kaija Saariaho, who died before its San Francisco opening, it is, hands down, the most moving contemporary opera I’ve ever seen.\u003c/p>\n\u003cfigure id=\"attachment_13959106\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920.jpg\" alt=\"\" width=\"1920\" height=\"1281\" class=\"size-full wp-image-13959106\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">Claire de Sévigné as the Mother-in-Law (Patricia), Miles Mykkanen as the Bridegroom (Tuomas), Lilian Farahani as the Bride (Stela), Ruxandra Donose as the Waitress (Tereza), and Rod Gilfry as the Father-in-Law (Henrik) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The story opens at a wedding rehearsal dinner, where the bride, Stela (played by Lilian Farahani) is thrilled to soon be married to Tuomas (Miles Mykkanen). Meanwhile, a catering waitress, Tereza (Ruxandra Donose), recognizes Tuomas as the brother of the man who committed a mass shooting at her daughter’s school, 10 years prior.\u003c/p>\n\u003cp>While Tereza, as well as the groom’s parents, wrestle with what to tell the bride, seven figures haunt the wedding. Six are students. One is a teacher. In a series of soliloquies and flashbacks, on a revolving two-story turntable set that morphs between wedding venue and school, the students and teacher contrast the joy of the upcoming nuptials with the terror of the shooting.\u003c/p>\n\u003cfigure id=\"attachment_13959124\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047.jpg\" alt=\"\" width=\"1920\" height=\"1425\" class=\"size-full wp-image-13959124\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-800x594.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-1020x757.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-768x570.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-1536x1140.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">At left, Claire de Sévigné as the Mother-in-Law (Patricia) and Rod Gilfry as the Father-in-Law (Henrik); at right, Vilma Jää as Student #1 (Markéta) and Ruxandra Donose as the Waitress (Tereza) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Director Louise Bakker spares us the shooting itself. You will, to be sure, see red streaks of blood. You will see panic, and lifeless young bodies slumped against a classroom wall. (On opening night, as these visuals multiplied, I noticed only three people walk out; the rest, rapt, couldn’t look away.)\u003c/p>\n\u003cp>Nearly as agonizing is the characters’ ongoing trauma, its complex layers fearlessly probed by librettist Sofi Oksanen. The waitress resents the shooter’s family for the audacity to carry on with a future that they don’t deserve, while the parents of the groom, and of his brother the shooter, fight incessantly.\u003c/p>\n\u003cfigure id=\"attachment_13959101\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13959101\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">Lilian Farahani as the Bride (Stela), Miles Mykkanen as the Bridegroom (Tuomas), Claire de Sévigné as the Mother-in-Law (Patricia), and Rod Gilfry as the Father-in-Law (Henrik) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The students who survived the shooting can’t stand to be in large crowds now, or sit with their back to a door. They teach themselves to stop talking about the shooting, even though it is the only thing they can think about. For the teacher (Lucy Shelton), her very purpose has evaporated. All knowledge feels useless after the shooting, she sings, in an anguished voice: “Each textbook, stupid. Each exam, superfluous.”\u003c/p>\n\u003cp>\u003cem>Innocence\u003c/em> is about this loss. Not just a loss of innocence but a loss of sense or meaning. A loss, caused by guns, of our common bonds. \u003c/p>\n\u003cfigure id=\"attachment_13959118\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_.jpg\" alt=\"\" width=\"1920\" height=\"1427\" class=\"size-full wp-image-13959118\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-800x595.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-1020x758.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-768x571.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-1536x1142.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">At left, Camilo Delgado Díaz as Student #5 (Jerónimo); at right, Julie Hega as Student #3 (Iris) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of this would be powerful enough on its own. But in the fourth act, we are forced to ask: who is really innocent? As new, shocking twists are revealed by students Iris and Markéta (Julie Hega and Vilma Jää, both mesmerizing talents), and as further context is added by the groom, his parents and even a priest (Kristinn Sigmundsson), the pain of the shooting becomes more entrenched. \u003c/p>\n\u003cp>Elevating all of this is Saariaho’s angular, modern-sounding score, matching the mood and timeliness of its subject perfectly. Jää’s usage of Finnish folk singing adds to the story’s realism, while an off-stage chorus and surround-sound effects lend further gravitas to the tension, discomfort and sorrow. Over time, the revolving set designed by Chloe Lamford transforms entirely. All together, it’s an opera that feels like a movie, both in style and length; the whole thing runs just an hour and 48 minutes. \u003c/p>\n\u003cfigure id=\"attachment_13959097\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13959097\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">Vilma Jää as Student #1 (Markéta) (center) with Lucy Shelton as the Teacher, and Rowan Kievits as Student #4 (Anton) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver / San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Innocence\u003c/em> is based on a 2008 school shooting that occurred in Saariaho’s native Finland. At the time, this was a rarity for the country, but two months ago, just outside Helsinki, a \u003ca href=\"https://www.bbc.com/news/world-europe-68724991\">12 year-old brought a gun to school and shot a classmate dead\u003c/a>. \u003c/p>\n\u003cp>Meanwhile, I can’t count the number of school shootings in America. Can you? Since Columbine in 1999, there have been \u003ca href=\"https://www.security.org/blog/a-timeline-of-school-shootings-since-columbine/\">118 active shooter incidents reported at K–12 schools in the United States\u003c/a>. A total of 1,243 have been injured, and 440 people killed. Teachers, children, all with futures. All shot down dead.\u003c/p>\n\u003cp>This was supposed to be an opera review, I know. But as a work of art, \u003cem>Innocence\u003c/em> is just that masterful, to shake you out of your complacency, to keep you thinking about it for days afterward. And to never take a school shooting for granted again. \u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘\u003ca href=\"https://www.sfopera.com/operas/innocence/\">Innocence\u003c/a>’ runs through June 21 at the War Memorial Opera House in San Francisco. \u003ca href=\"https://www.sfopera.com/operas/innocence/\">Details here\u003c/a>. SF Opera has also convened \u003ca href=\"https://www.sfopera.com/beyond-innocence\">Beyond Innocence\u003c/a>, a series of panel discussions on gun violence and its effects. \u003ca href=\"https://www.sfopera.com/beyond-innocence\">Details here\u003c/a>.\u003c/em>\u003c/p>\n","blocks":[],"excerpt":"Probing the lasting agony caused by a school shooting, ‘Innocence’ is an unforgettable triumph.","status":"publish","parent":0,"modified":1717539906,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":1010},"headData":{"title":"‘Innocence’ at SF Opera: A Masterwork About a School Shooting | KQED","description":"Probing the lasting agony caused by a school shooting, ‘Innocence’ is an unforgettable triumph.","ogTitle":"‘Innocence’ at SF Opera: An Astonishing Masterwork About a School Shooting","ogDescription":"","ogImgId":"","twTitle":"‘Innocence’ at SF Opera: An Astonishing Masterwork About a School Shooting","twDescription":"","twImgId":"","socialTitle":"‘Innocence’ at SF Opera: A Masterwork About a School Shooting %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Innocence’ at SF Opera: An Astonishing Masterwork About a School Shooting","datePublished":"2024-06-03T12:48:51-07:00","dateModified":"2024-06-04T15:25:06-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13959026","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13959026/innocence-sf-opera-review-san-francisco-school-shooting-kaija-saariaho","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The thing is, I’d started to get desensitized to school shootings. Where once I devoured every detail in the news reports, trying to make sense of the senseless, lately I have scrolled right past. Maybe this has happened to you, too. If so, you know the strange guilt of it. The \u003cem>I care, but I cannot care right now\u003c/em> of it.\u003c/p>\n\u003cp>Is this how “normalization” works? \u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfopera.com/operas/innocence/\">Innocence\u003c/a>\u003c/em>, an opera about a school shooting that made its U.S. premiere on Saturday at San Francisco Opera, does not let you look away from the horror that has, yes, become normalized in America. It does so without being preachy, or didactic. Written by the Finnish composer Kaija Saariaho, who died before its San Francisco opening, it is, hands down, the most moving contemporary opera I’ve ever seen.\u003c/p>\n\u003cfigure id=\"attachment_13959106\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920.jpg\" alt=\"\" width=\"1920\" height=\"1281\" class=\"size-full wp-image-13959106\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A0991.1920-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">Claire de Sévigné as the Mother-in-Law (Patricia), Miles Mykkanen as the Bridegroom (Tuomas), Lilian Farahani as the Bride (Stela), Ruxandra Donose as the Waitress (Tereza), and Rod Gilfry as the Father-in-Law (Henrik) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The story opens at a wedding rehearsal dinner, where the bride, Stela (played by Lilian Farahani) is thrilled to soon be married to Tuomas (Miles Mykkanen). Meanwhile, a catering waitress, Tereza (Ruxandra Donose), recognizes Tuomas as the brother of the man who committed a mass shooting at her daughter’s school, 10 years prior.\u003c/p>\n\u003cp>While Tereza, as well as the groom’s parents, wrestle with what to tell the bride, seven figures haunt the wedding. Six are students. One is a teacher. In a series of soliloquies and flashbacks, on a revolving two-story turntable set that morphs between wedding venue and school, the students and teacher contrast the joy of the upcoming nuptials with the terror of the shooting.\u003c/p>\n\u003cfigure id=\"attachment_13959124\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047.jpg\" alt=\"\" width=\"1920\" height=\"1425\" class=\"size-full wp-image-13959124\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-800x594.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-1020x757.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-768x570.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1047-1536x1140.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">At left, Claire de Sévigné as the Mother-in-Law (Patricia) and Rod Gilfry as the Father-in-Law (Henrik); at right, Vilma Jää as Student #1 (Markéta) and Ruxandra Donose as the Waitress (Tereza) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Director Louise Bakker spares us the shooting itself. You will, to be sure, see red streaks of blood. You will see panic, and lifeless young bodies slumped against a classroom wall. (On opening night, as these visuals multiplied, I noticed only three people walk out; the rest, rapt, couldn’t look away.)\u003c/p>\n\u003cp>Nearly as agonizing is the characters’ ongoing trauma, its complex layers fearlessly probed by librettist Sofi Oksanen. The waitress resents the shooter’s family for the audacity to carry on with a future that they don’t deserve, while the parents of the groom, and of his brother the shooter, fight incessantly.\u003c/p>\n\u003cfigure id=\"attachment_13959101\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13959101\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A9204-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">Lilian Farahani as the Bride (Stela), Miles Mykkanen as the Bridegroom (Tuomas), Claire de Sévigné as the Mother-in-Law (Patricia), and Rod Gilfry as the Father-in-Law (Henrik) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The students who survived the shooting can’t stand to be in large crowds now, or sit with their back to a door. They teach themselves to stop talking about the shooting, even though it is the only thing they can think about. For the teacher (Lucy Shelton), her very purpose has evaporated. All knowledge feels useless after the shooting, she sings, in an anguished voice: “Each textbook, stupid. Each exam, superfluous.”\u003c/p>\n\u003cp>\u003cem>Innocence\u003c/em> is about this loss. Not just a loss of innocence but a loss of sense or meaning. A loss, caused by guns, of our common bonds. \u003c/p>\n\u003cfigure id=\"attachment_13959118\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_.jpg\" alt=\"\" width=\"1920\" height=\"1427\" class=\"size-full wp-image-13959118\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-800x595.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-1020x758.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-768x571.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/74A1022.dip_-1536x1142.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">At left, Camilo Delgado Díaz as Student #5 (Jerónimo); at right, Julie Hega as Student #3 (Iris) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of this would be powerful enough on its own. But in the fourth act, we are forced to ask: who is really innocent? As new, shocking twists are revealed by students Iris and Markéta (Julie Hega and Vilma Jää, both mesmerizing talents), and as further context is added by the groom, his parents and even a priest (Kristinn Sigmundsson), the pain of the shooting becomes more entrenched. \u003c/p>\n\u003cp>Elevating all of this is Saariaho’s angular, modern-sounding score, matching the mood and timeliness of its subject perfectly. Jää’s usage of Finnish folk singing adds to the story’s realism, while an off-stage chorus and surround-sound effects lend further gravitas to the tension, discomfort and sorrow. Over time, the revolving set designed by Chloe Lamford transforms entirely. All together, it’s an opera that feels like a movie, both in style and length; the whole thing runs just an hour and 48 minutes. \u003c/p>\n\u003cfigure id=\"attachment_13959097\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13959097\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/75A8850-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" />\u003cfigcaption class=\"wp-caption-text\">Vilma Jää as Student #1 (Markéta) (center) with Lucy Shelton as the Teacher, and Rowan Kievits as Student #4 (Anton) in ‘Innocence’ at SF Opera. \u003ccite>(Cory Weaver / San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Innocence\u003c/em> is based on a 2008 school shooting that occurred in Saariaho’s native Finland. At the time, this was a rarity for the country, but two months ago, just outside Helsinki, a \u003ca href=\"https://www.bbc.com/news/world-europe-68724991\">12 year-old brought a gun to school and shot a classmate dead\u003c/a>. \u003c/p>\n\u003cp>Meanwhile, I can’t count the number of school shootings in America. Can you? Since Columbine in 1999, there have been \u003ca href=\"https://www.security.org/blog/a-timeline-of-school-shootings-since-columbine/\">118 active shooter incidents reported at K–12 schools in the United States\u003c/a>. A total of 1,243 have been injured, and 440 people killed. Teachers, children, all with futures. All shot down dead.\u003c/p>\n\u003cp>This was supposed to be an opera review, I know. But as a work of art, \u003cem>Innocence\u003c/em> is just that masterful, to shake you out of your complacency, to keep you thinking about it for days afterward. And to never take a school shooting for granted again. \u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘\u003ca href=\"https://www.sfopera.com/operas/innocence/\">Innocence\u003c/a>’ runs through June 21 at the War Memorial Opera House in San Francisco. \u003ca href=\"https://www.sfopera.com/operas/innocence/\">Details here\u003c/a>. SF Opera has also convened \u003ca href=\"https://www.sfopera.com/beyond-innocence\">Beyond Innocence\u003c/a>, a series of panel discussions on gun violence and its effects. \u003ca href=\"https://www.sfopera.com/beyond-innocence\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13959026/innocence-sf-opera-review-san-francisco-school-shooting-kaija-saariaho","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69","arts_967"],"tags":["arts_1312","arts_10278","arts_3081","arts_1146","arts_22172","arts_3316","arts_585","arts_22171"],"featImg":"arts_13959110","label":"arts_140"},"arts_128526":{"type":"posts","id":"arts_128526","meta":{"index":"posts_1716263798","site":"arts","id":"128526","found":true},"parent":0,"labelTerm":{"site":"arts"},"blocks":[],"publishDate":1344690019,"format":"standard","title":"11 Steps to Getting a Tattoo You Won't Regret for the Rest of Your Life","headTitle":"11 Steps to Getting a Tattoo You Won’t Regret for the Rest of Your Life | KQED","content":"\u003cp>Tattoos last forever, or at least as long as your body lasts, which is pretty much forever in human terms. For a lot of people (your boss and your grandpa), this is the main reason not to get them. For other people (you), this is what makes them so great. Your pets and your parents will die, your house will get bulldozed to build a superhighway, your friends will move to New York City. But your tattoos? Barring a full-body burning accident, they will be with you through the whole scary, sublime thing, until you are sitting in your easy chair, unable to pee without the help of an in-home care assistant. Until finally, you lose consciousness and stop existing. How comforting to know that a) your memories will be written on your body no matter how badly your brain disintegrates and b) your in-home care assistant will have something pretty to look at while he’s pulling down your pants for you.\u003c/p>\n\u003cp>I have 6 tattoos and I know an amazing tattooer, so I consider myself enough of an expert to educate you on the process of getting art permanently inscribed on your skin. To fully commit to this project, I decided to go get a tattoo and, while it was happening, interview \u003ca href=\"http://derickmontez.tumblr.com/\">Derick Montez\u003c/a>, who works at \u003ca href=\"http://sftattoo.com/\">Picture Machine Tattoo\u003c/a>. He’s the guy who has given me 3 of my tattoos and who is, in my opinion, the best tattoo artist of all time ever. Derek isn’t even 30 yet but he apprenticed with well-known graffiti and tattoo artist \u003ca href=\"http://www.mikegiant.com/index.php\">Mike Giant\u003c/a> and is a great visual artist in a bunch of different mediums, beyond being a respected tattooer. So, without further ado, your step-by-step guide to getting a tattoo you won’t regret for the rest of your life:\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/inspection2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128527\" alt=\"inspection2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/inspection2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003ci>Before your tattoo:\u003c/i>\u003c/p>\n\u003cp>\u003cb>1. Research! This is THE MOST IMPORTANT OF ALL THE STEPS.\u003c/b>\u003c/p>\n\u003cp>Getting a good tattoo requires some actual preparation. According to Derick: “The biggest mistake I think someone can make is not doing research on the artist that they get tattooed by. Tattooing has become such a popularized trend… more people are tattooing now, more than ever, but just because someone gets the idea in their head that they want to be a tattooer doesn’t mean that they have the proper training or the proper techniques. It’s just like anything else: if you have the money, you can open up a shop, but that doesn’t mean you know what you’re doing.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So look at portfolios online. Derick says: “Most reputable shops have portfolios — what you’re looking for is consistency in work… you want to make sure the photos are clear, recognizable, readable, because a lot of times people just put up garbage photos… tattoos that are still wrapped in plastic. If you can find healed photos of peoples’ tattoo work, that is a lot better.”\u003c/p>\n\u003cp>I know he’s right because this is exactly how my ex-boyfriend found Derick: obsessive internet searching to find the perfect tattoo artist for his first tattoo. I do not have this kind of patience and my first 3 tattoos are a testament to that (I still love them, but they are nothing compared to Derick’s work), so I am very grateful that someone finally did the research for me. But you shouldn’t be so lazy! Do the research yourself! You won’t regret it!\u003c/p>\n\u003cp>\u003cb>2. Don’t price shop.\u003c/b>\u003c/p>\n\u003cp>Would you look on Craigslist for the cheapest babysitter? Maybe, this isn’t a parenting lesson, but the point is, if some guy says he’ll give you a tattoo for 40 bucks, walk away. Instead, be ready to pay as much as it takes to get high quality work. Pick cheaper shoes or buy your rice in bulk if you want to save money, but when it comes to art that will be on your body until you die, don’t expect to pay less than $100 before tip, and a lot more if you are getting something large or adding color.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-shop.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-128529 alignleft\" alt=\"the-shop\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-shop.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>3. Check out the shop in person.\u003c/b>\u003c/p>\n\u003cp>When you find someone you think you like, go into the shop and meet the artist in real life before you actually get anything done. First, the shop should be clean. Check for work on display and see how you feel about the aesthetic in person. Then, go with your gut. My first tattoo, which I got when I was about 20, was the result of something halfway between a whim and a manic compulsion, when I decided I needed a tattoo and jumped on the bus that went to the part of Portland rife with tattoo parlors. The first one I went into was clean enough, but something about it gave me the heebie jeebies and I got back on the bus and got off at a smaller, friendlier place, where I ended up getting a tiny star below my left hip.\u003c/p>\n\u003cp>Derick put it this way: “Generally, if people are going to take the time to answer your questions and not be a dick, they have confidence in their work… you should never really feel pressured to get tattooed right then and there.”\u003c/p>\n\u003cp>(Side note: You can always start small and come back for something bigger when you are ready. Three years after I got that star, the same artist gave me the outline of Oregon with a heart in it. Sometimes slowly building up to a bigger piece is a good idea.)\u003c/p>\n\u003cp>If you do your research and find a really great tattooer, you are 90 percent of the way to getting an awesome tattoo. The rest of these things will become a lot easier, because a good, professional tattooer will be looking out for you — they want your tattoo to look awesome since it represents them. Remember though, this is your body and ultimately you make the decisions. So for better or worse, the end result is your responsibility.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/derickswork.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128530\" alt=\"derickswork\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/derickswork.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>4. Spend some time thinking about the design.\u003c/b>\u003c/p>\n\u003cp>Obviously, this goes without saying but I am going to say it anyway: don’t get something you really will regret. Disney princesses, \u003ca href=\"http://www.adl.org/hate_symbols/tattoo_aryan_brotherhood_clover.asp\">an Aryan Brotherhood clover\u003c/a> or anything else that might get you killed in prison, misspelled Chinese idioms, your on-again, off-again boyfriend’s name. These things ruin lives. Pick something with personal meaning or something you think is beautiful. Go in ahead of time to talk to your tattoo artist about the design. My last 3 tattoos started as just ideas and I pretty much gave Derick free reign to do what he wanted, since he knows a lot more about tattoos and making beautiful things than I do. I am very happy with the results.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-creation.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-128531\" alt=\"the-creation\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-creation.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003ci>Day of the tattoo:\u003c/i>\u003c/p>\n\u003cp>\u003cb>5. Don’t be drunk.\u003c/b>\u003c/p>\n\u003cp>I’m not going to explain this to you. You know better. Also, a good tattoo artist will not tattoo you if you are drunk.\u003c/p>\n\u003cp>\u003cb>6. Eat something before you go.\u003c/b>\u003c/p>\n\u003cp>No one wants you to pass out. Eat dinner! Bring along some candy to chew on if you are getting something big done.\u003c/p>\n\u003cp>\u003cb>7. Don’t come in with a posse.\u003c/b>\u003c/p>\n\u003cp>Derick: “I think a mistake a lot of people can make is coming into a tattoo shop with a whole plethora of friends. I’ve watched people come in, know what they want, and through the opinion of 4 or 5 other people end up getting something completely different or going against the advice of the tattoo artist.”\u003c/p>\n\u003cp>Derick has a lot of great tattoos and he says: “Whenever I’ve gotten my tattoos, I’ve done it all by myself… just so I know that whatever I’m getting is all on me.”\u003c/p>\n\u003cp>Bring a friend if you are nervous or if you just want the company. But don’t bring a pack. You did your research, remember? This is between you and the person putting it on your body. It doesn’t really matter that your friend with no tattoos thinks it would look better in orange on your left kneecap.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drawing2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-128532\" alt=\"drawing2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drawing2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>8. Make sure it is really what you want.\u003c/b>\u003c/p>\n\u003cp>The tattoo artist will put a transfer of the tattoo on your body in the place you want it before he actually starts in with the needle and ink (in this case Derick actually drew on me, but usually it starts with a transfer). Make sure you like the size and the placement. This is not the time to be passive. Listen to the tattooer (not your friends) but remember: your body, your choice.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/pain2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128533\" alt=\"pain2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/pain2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>9. Accept that this will hurt.\u003c/b>\u003c/p>\n\u003cp>Yes, it will hurt. It is needles poking your skin deeply and quickly. But if it didn’t hurt, would it mean as much? Plus, now instead of being the person asking their tatted-up friend, “Oh man, did that hurt?” you will be the person answering, “Yeah, it wasn’t so bad.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drock2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-128534\" alt=\"drock2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drock2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003ci>After the tattoo is done:\u003c/i>\u003c/p>\n\u003cp>\u003cb>10. Tip!\u003c/b>\u003c/p>\n\u003cp>You did your research and you got an awesome tattoo! So tip! At least 20 percent and always in cash. Let me repeat that: always in cash. So make sure you have enough BEFORE YOU GET TO THE TATTOO PARLOR.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/post2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128535\" alt=\"post2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/post2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>11. Follow the care instructions.\u003c/b>\u003c/p>\n\u003cp>Derick: “People should really treat their tattoo like they got a flesh wound.”\u003c/p>\n\u003cp>Me: Because they did. \u003ca href=\"http://www.sharptattoos.com/aftercare.html\">So wash it with unscented soap, don’t touch it or pick at it, use the recommended lotion, don’t soak in any water.\u003c/a>\u003c/p>\n\u003cp>True story: I played a soccer game right after I got my Oregon tattoo. Due to the stretching caused by running around and sweating, when the tattoo healed, the border of the state and the heart in the middle had dots of bare skin. I had to wait 6 months and get the whole thing redone. Not only did it hurt about 50 times worse than the original tattoo, now it is raised like a scar while the rest of my tattoos seem flush with my skin.\u003c/p>\n\u003cp>So, what more can I tell you? If you do your research and pick a tattooer whose aesthetic you like and who gives you a good feeling in your stomach and you get a tattoo that won’t force you to join a white supremacist gang in prison, and then you take care of it, you will end up with a piece of art on your body that no one can ever take away. Good luck!\u003c/p>\n\u003cp>P.S.: Do you have a tattoo artist you love or any tattoo tips at all? Write about it in the comments! Share the wealth!\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>All photos by Emmanuel Hapsis.\u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1849,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":48},"modified":1705050563,"excerpt":"Tattoos last forever. For a lot of people (your boss and your grandpa), this is the main reason not to get them. For other people (you), this is what makes them so great.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Tattoos last forever. For a lot of people (your boss and your grandpa), this is the main reason not to get them. For other people (you), this is what makes them so great.","title":"11 Steps to Getting a Tattoo You Won't Regret for the Rest of Your Life | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"11 Steps to Getting a Tattoo You Won't Regret for the Rest of Your Life","datePublished":"2012-08-11T06:00:19-07:00","dateModified":"2024-01-12T01:09:23-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","author":{"@type":"Person","name":"Lizzy Acker","jobTitle":"Journalist","url":"https://www.kqed.org/author/lacker"}},"authorsData":[{"type":"authors","id":"55","meta":{"index":"authors_1716337520","id":"55","found":true},"name":"Lizzy Acker","firstName":"Lizzy","lastName":"Acker","slug":"lacker","email":"eacker@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Lizzy Acker is a fiction writer whose first book, \u003cb>Monster Party\u003c/b>, was released in December 2010 by Small Desk Press. Her work has been published in \u003ci>Nano Fiction\u003c/i>, \u003ci>We Who Are About To Die\u003c/i> and \u003ci>Tramp Quarterly\u003c/i>, among others. She was the co-creator/curator of the San Francisco reading series Funny/Sexy/Sad. She blogs regularly at lizzyacker.com.Lizzy is from Oregon, but now lives in San Francisco where she recently received her MFA from San Francisco State University. Currently, she writes status updates and processes member donations for KQED and is a contributing blogger to KQED Arts.","avatar":"https://secure.gravatar.com/avatar/8ea0d686abaede31d5a094259db6a34f?s=600&d=blank&r=g","twitter":"lizzyacker","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","subscriber"]}],"headData":{"title":"Lizzy Acker | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/8ea0d686abaede31d5a094259db6a34f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/8ea0d686abaede31d5a094259db6a34f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/lacker"}],"imageData":{"ogImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2012/08/tattoo640.jpg","width":640,"height":360},"ogImageWidth":"640","ogImageHeight":"360","twitterImageUrl":"https://ww2.kqed.org/app/uploads/sites/2/2012/08/tattoo640.jpg","twImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2012/08/tattoo640.jpg","width":640,"height":360},"twitterCard":"summary_large_image"},"tagData":{"tags":[]}},"guestAuthors":[],"slug":"11-steps-to-getting-a-tattoo-you-wont-regret-for-the-rest-of-your-life","status":"publish","sticky":false,"path":"/arts/128526/11-steps-to-getting-a-tattoo-you-wont-regret-for-the-rest-of-your-life","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tattoos last forever, or at least as long as your body lasts, which is pretty much forever in human terms. For a lot of people (your boss and your grandpa), this is the main reason not to get them. For other people (you), this is what makes them so great. Your pets and your parents will die, your house will get bulldozed to build a superhighway, your friends will move to New York City. But your tattoos? Barring a full-body burning accident, they will be with you through the whole scary, sublime thing, until you are sitting in your easy chair, unable to pee without the help of an in-home care assistant. Until finally, you lose consciousness and stop existing. How comforting to know that a) your memories will be written on your body no matter how badly your brain disintegrates and b) your in-home care assistant will have something pretty to look at while he’s pulling down your pants for you.\u003c/p>\n\u003cp>I have 6 tattoos and I know an amazing tattooer, so I consider myself enough of an expert to educate you on the process of getting art permanently inscribed on your skin. To fully commit to this project, I decided to go get a tattoo and, while it was happening, interview \u003ca href=\"http://derickmontez.tumblr.com/\">Derick Montez\u003c/a>, who works at \u003ca href=\"http://sftattoo.com/\">Picture Machine Tattoo\u003c/a>. He’s the guy who has given me 3 of my tattoos and who is, in my opinion, the best tattoo artist of all time ever. Derek isn’t even 30 yet but he apprenticed with well-known graffiti and tattoo artist \u003ca href=\"http://www.mikegiant.com/index.php\">Mike Giant\u003c/a> and is a great visual artist in a bunch of different mediums, beyond being a respected tattooer. So, without further ado, your step-by-step guide to getting a tattoo you won’t regret for the rest of your life:\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/inspection2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128527\" alt=\"inspection2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/inspection2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/inspection2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003ci>Before your tattoo:\u003c/i>\u003c/p>\n\u003cp>\u003cb>1. Research! This is THE MOST IMPORTANT OF ALL THE STEPS.\u003c/b>\u003c/p>\n\u003cp>Getting a good tattoo requires some actual preparation. According to Derick: “The biggest mistake I think someone can make is not doing research on the artist that they get tattooed by. Tattooing has become such a popularized trend… more people are tattooing now, more than ever, but just because someone gets the idea in their head that they want to be a tattooer doesn’t mean that they have the proper training or the proper techniques. It’s just like anything else: if you have the money, you can open up a shop, but that doesn’t mean you know what you’re doing.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So look at portfolios online. Derick says: “Most reputable shops have portfolios — what you’re looking for is consistency in work… you want to make sure the photos are clear, recognizable, readable, because a lot of times people just put up garbage photos… tattoos that are still wrapped in plastic. If you can find healed photos of peoples’ tattoo work, that is a lot better.”\u003c/p>\n\u003cp>I know he’s right because this is exactly how my ex-boyfriend found Derick: obsessive internet searching to find the perfect tattoo artist for his first tattoo. I do not have this kind of patience and my first 3 tattoos are a testament to that (I still love them, but they are nothing compared to Derick’s work), so I am very grateful that someone finally did the research for me. But you shouldn’t be so lazy! Do the research yourself! You won’t regret it!\u003c/p>\n\u003cp>\u003cb>2. Don’t price shop.\u003c/b>\u003c/p>\n\u003cp>Would you look on Craigslist for the cheapest babysitter? Maybe, this isn’t a parenting lesson, but the point is, if some guy says he’ll give you a tattoo for 40 bucks, walk away. Instead, be ready to pay as much as it takes to get high quality work. Pick cheaper shoes or buy your rice in bulk if you want to save money, but when it comes to art that will be on your body until you die, don’t expect to pay less than $100 before tip, and a lot more if you are getting something large or adding color.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-shop.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-128529 alignleft\" alt=\"the-shop\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-shop.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-shop-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>3. Check out the shop in person.\u003c/b>\u003c/p>\n\u003cp>When you find someone you think you like, go into the shop and meet the artist in real life before you actually get anything done. First, the shop should be clean. Check for work on display and see how you feel about the aesthetic in person. Then, go with your gut. My first tattoo, which I got when I was about 20, was the result of something halfway between a whim and a manic compulsion, when I decided I needed a tattoo and jumped on the bus that went to the part of Portland rife with tattoo parlors. The first one I went into was clean enough, but something about it gave me the heebie jeebies and I got back on the bus and got off at a smaller, friendlier place, where I ended up getting a tiny star below my left hip.\u003c/p>\n\u003cp>Derick put it this way: “Generally, if people are going to take the time to answer your questions and not be a dick, they have confidence in their work… you should never really feel pressured to get tattooed right then and there.”\u003c/p>\n\u003cp>(Side note: You can always start small and come back for something bigger when you are ready. Three years after I got that star, the same artist gave me the outline of Oregon with a heart in it. Sometimes slowly building up to a bigger piece is a good idea.)\u003c/p>\n\u003cp>If you do your research and find a really great tattooer, you are 90 percent of the way to getting an awesome tattoo. The rest of these things will become a lot easier, because a good, professional tattooer will be looking out for you — they want your tattoo to look awesome since it represents them. Remember though, this is your body and ultimately you make the decisions. So for better or worse, the end result is your responsibility.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/derickswork.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128530\" alt=\"derickswork\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/derickswork.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/derickswork-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>4. Spend some time thinking about the design.\u003c/b>\u003c/p>\n\u003cp>Obviously, this goes without saying but I am going to say it anyway: don’t get something you really will regret. Disney princesses, \u003ca href=\"http://www.adl.org/hate_symbols/tattoo_aryan_brotherhood_clover.asp\">an Aryan Brotherhood clover\u003c/a> or anything else that might get you killed in prison, misspelled Chinese idioms, your on-again, off-again boyfriend’s name. These things ruin lives. Pick something with personal meaning or something you think is beautiful. Go in ahead of time to talk to your tattoo artist about the design. My last 3 tattoos started as just ideas and I pretty much gave Derick free reign to do what he wanted, since he knows a lot more about tattoos and making beautiful things than I do. I am very happy with the results.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-creation.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-128531\" alt=\"the-creation\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/the-creation.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/the-creation-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003ci>Day of the tattoo:\u003c/i>\u003c/p>\n\u003cp>\u003cb>5. Don’t be drunk.\u003c/b>\u003c/p>\n\u003cp>I’m not going to explain this to you. You know better. Also, a good tattoo artist will not tattoo you if you are drunk.\u003c/p>\n\u003cp>\u003cb>6. Eat something before you go.\u003c/b>\u003c/p>\n\u003cp>No one wants you to pass out. Eat dinner! Bring along some candy to chew on if you are getting something big done.\u003c/p>\n\u003cp>\u003cb>7. Don’t come in with a posse.\u003c/b>\u003c/p>\n\u003cp>Derick: “I think a mistake a lot of people can make is coming into a tattoo shop with a whole plethora of friends. I’ve watched people come in, know what they want, and through the opinion of 4 or 5 other people end up getting something completely different or going against the advice of the tattoo artist.”\u003c/p>\n\u003cp>Derick has a lot of great tattoos and he says: “Whenever I’ve gotten my tattoos, I’ve done it all by myself… just so I know that whatever I’m getting is all on me.”\u003c/p>\n\u003cp>Bring a friend if you are nervous or if you just want the company. But don’t bring a pack. You did your research, remember? This is between you and the person putting it on your body. It doesn’t really matter that your friend with no tattoos thinks it would look better in orange on your left kneecap.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drawing2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-128532\" alt=\"drawing2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drawing2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drawing2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>8. Make sure it is really what you want.\u003c/b>\u003c/p>\n\u003cp>The tattoo artist will put a transfer of the tattoo on your body in the place you want it before he actually starts in with the needle and ink (in this case Derick actually drew on me, but usually it starts with a transfer). Make sure you like the size and the placement. This is not the time to be passive. Listen to the tattooer (not your friends) but remember: your body, your choice.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/pain2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128533\" alt=\"pain2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/pain2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/pain2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>9. Accept that this will hurt.\u003c/b>\u003c/p>\n\u003cp>Yes, it will hurt. It is needles poking your skin deeply and quickly. But if it didn’t hurt, would it mean as much? Plus, now instead of being the person asking their tatted-up friend, “Oh man, did that hurt?” you will be the person answering, “Yeah, it wasn’t so bad.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drock2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-128534\" alt=\"drock2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/drock2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/drock2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003ci>After the tattoo is done:\u003c/i>\u003c/p>\n\u003cp>\u003cb>10. Tip!\u003c/b>\u003c/p>\n\u003cp>You did your research and you got an awesome tattoo! So tip! At least 20 percent and always in cash. Let me repeat that: always in cash. So make sure you have enough BEFORE YOU GET TO THE TATTOO PARLOR.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/post2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-128535\" alt=\"post2\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/post2.jpg\" width=\"500\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/post2-75x75.jpg 75w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>11. Follow the care instructions.\u003c/b>\u003c/p>\n\u003cp>Derick: “People should really treat their tattoo like they got a flesh wound.”\u003c/p>\n\u003cp>Me: Because they did. \u003ca href=\"http://www.sharptattoos.com/aftercare.html\">So wash it with unscented soap, don’t touch it or pick at it, use the recommended lotion, don’t soak in any water.\u003c/a>\u003c/p>\n\u003cp>True story: I played a soccer game right after I got my Oregon tattoo. Due to the stretching caused by running around and sweating, when the tattoo healed, the border of the state and the heart in the middle had dots of bare skin. I had to wait 6 months and get the whole thing redone. Not only did it hurt about 50 times worse than the original tattoo, now it is raised like a scar while the rest of my tattoos seem flush with my skin.\u003c/p>\n\u003cp>So, what more can I tell you? If you do your research and pick a tattooer whose aesthetic you like and who gives you a good feeling in your stomach and you get a tattoo that won’t force you to join a white supremacist gang in prison, and then you take care of it, you will end up with a piece of art on your body that no one can ever take away. Good luck!\u003c/p>\n\u003cp>P.S.: Do you have a tattoo artist you love or any tattoo tips at all? Write about it in the comments! Share the wealth!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>All photos by Emmanuel Hapsis.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/128526/11-steps-to-getting-a-tattoo-you-wont-regret-for-the-rest-of-your-life","authors":["55"],"categories":["arts_75"],"featImg":"arts_129032","label":"arts","isLoading":false,"hasAllInfo":true}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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