Featured Video
-
Popular on Variety
‘Love Life’ Season 2 Stars William Jackson Harper and Jessica Williams on Challenging Rom-Com Norms and Depicting an Intricate Romance
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
Yoshiki Explains How He Brought Together Musicans From Around the World In ‘Yoshiki: Under the Sky’
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
‘UnPrisoned’: Kerry Washington and Delroy Lindo on Capturing Creator Tracy McMillan’s Relationship with Her Late Father and Breaking the Stigma Around Incarceration
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
Short Film Directors on Creating Big Things in a Short Amount of Time and the Challenges of Limited Attention Span
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
Ron Howard and ‘Thirteen Lives’ Crew on Creating the Underwater Environment of the Tham Luang Cave
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
‘The Man Who Fell to Earth’ Stars Chiwetel Ejiofor and Naomie Harris on David Bowie and Playing an Alien
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
Sean Bean, Stephen Graham Discuss Shooting Britbox’s ‘Time’ in a Real-Life Prison
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
-
Popular on Variety
‘Ghosts’ Stars and Creators Discuss Pulling Off the Show’s Complicated Shots and What’s Next in Season 2
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
For Season 2 of the HBO Max anthology series “Love Life,” the obvious challenge was creating a believable love story that could stand up to the show’s first season. But that challenge was made simple by the undeniable chemistry of its leads, William Jackson Harper, who plays book editor Marcus Watkins, and Jessica Williams, as the object of his desire, Mia Hines.
In conversation with Variety senior entertainment writer Angelique Jackson for the Variety Streaming Room, the actors joined Season 2 narrator Keith David, creator-showrunner-director Sam Boyd and showrunners and writers Bridget Bedard and Rachelle Williams-BenAry to discuss the challenges of crafting an authentic romance. In particular, Bedard said that one scene near the end of the season, where the two co-stars walk through the streets of New York, was one of the most obvious signs to her that the story was believable.
“That was something that the network kept saying, ‘This is so boring. Cut that, cut that, cut that.’ And I just kept saying, ‘It’s gonna be fine. I’m not worried at all,'” Bedard said. “It’s one of my favorite sequences because of the chemistry; you just want to watch them. The story doesn’t even need to move forward because the story is there, falling in love.”
Williams-BenAry also praised the work of Harper and Williams, saying that she gathered inspiration for her script from their performances in the filming of the first episode, at which point only half the season had been written.
“I’m just glad we waited to see that, because I think writers can sometimes [say], ‘All our 10 episodes are written. Let’s go shoot it, and I don’t want to change anything because everything’s mapped out and planned out,” Williams-BenAry explained. “But you find richer material when you get to see the actors do their thing.”
Harper, who is also an executive producer on the series, saluted the work of the show’s writers, saying that he had never seen a script that created a character as multi-faceted as Marcus, who is exploring his identity as a Black man while simultaneously searching for love. “Love Life” introduces Marcus by dropping into the intricacies of his Blackness and how his identity influences how he moves in certain situations and relationships, without over-explaining them.
“To jump right into the things that I’m thinking about and the way that I feel about things and to just trust that the audience is gonna come along and understand it and identify was really unique to me,” Harper said. “That’s something that this writers’ room really accentuated beautifully.”
Williams was likewise attracted to the nuance with which this Black woman’s story was presented, noting the complexity and depth that she saw in the scripts.
“I liked that from the first episode you see that she’s this person that you know on a surface level,” she said. “I was really interested in her growth and exploring her depth as the season changed and that shift in how we understood Mia.”
Williams said that it was a “no-brainer” to sign on for the part because of what the series adds to the romcom genre canon as a whole.
“It’s really important to me to play women of color that can also be objects of desire and romantic interest,” she added. “It’s really important to change the narrative and perspective about the way that we see Black women and people of color, to see us in something that traditionally would’ve been a part originally considered more for a white woman.”
Watch the full conversation in the video above.
More From Our Brands
-
Rolling Stone
MTV Movie & TV Awards Nixed for 2024
-
Robb Report
This New 400-Foot Gigayacht Has 3 Pools and an Underwater Lounge
-
Sportico
Greg Olsen’s Youth Sports Platform Reels in $4.5M in Seed Money
-
SPY
The Best Loofahs and Body Scrubbers, According to Dermatologists
-
TVLine
Tracker Recap: What We Learned About Russell in Jensen Ackles’ Debut — Plus, a Supernatural Easter Egg!
Verify it's you
Please log in
For assistance, contact your corporate administrator.