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A Million Miles from Broadway -- Musical Theatre Beyond New York and London Paperback – 19 May 2015

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Musical theatre is an international form, not just an American one. It can take root anywhere. Few people would realise that such hit standards as "The Glow Worm", "Brazil", "Mack the Knife", "I Will Wait for You" and "El Condor Pasa" came from foreign language musicals. "His research is monumental. . . This is an important book on a previously undocumented area of musical theatre." -- Peter Pinne, Stage Whispers "There's never been a better book for the armchair-traveler-theatergoer." -- Peter Filichia

Product details

  • Publisher ‏ : ‎ Friendlysong Books (19 May 2015)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 298 pages
  • ISBN-10 ‏ : ‎ 0991695704
  • ISBN-13 ‏ : ‎ 978-0991695706
  • Dimensions ‏ : ‎ 21.59 x 1.73 x 27.94 cm
  • Customer reviews:
    5.0 5.0 out of 5 stars 1 rating

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Mel Atkey
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Mel Atkey has been writing musicals ever since he was in high school in his native Vancouver. He was a finalist for the Musical of the Year competition in Aarhus, Denmark, and his work has been short-listed for the Vivian Ellis Prize, the Quest for New Musicals, the Ken Hill Prize and Musical Stairs. His first musical, Shikara, was produced on radio in Canada. A single was released by singer Janice Jaud of one of the songs, "Far Away", and received airplay across Canada and the U.S.

Mel spent two years as a theatre critic in Vancouver before moving to Toronto to pursue his career as a musical theatre writer. He was commissioned to write songs for CBC Radio, and was a member of the Guild of Canadian Musical Theatre Writers' Lehman Engel Workshop. He was a director of the Cabaret and Musical Theatre Alliance until he moved to London in 1991. He made his New York debut in April 2001 with an off-off-Broadway showcase of O Pioneers! with book by Robert Sickinger. This show was then a finalist for "Stages 2002" at the New Tuners theatre in Chicago. Their second musical, A Little Princess was presented at Wings Theatre in New York in 2003, and his two character musical Perfect Timing, for which he wrote the book as well as music and lyrics, was showcased in 2005 to great acclaim as part of Greenwich Theatre (London)'s Musical Futures series. He wrote the opening number for Janie Dee's critically acclaimed one-woman show. He has also lectured internationally on the subject of musical theatre.

www.melatkey.com

Customer reviews

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Top review from United Kingdom

Reviewed in the United Kingdom on 11 July 2013
This marvellous book, annotated with real academic care, is brimming with affection for this multi-headed beast we call "musical theatre". The author's task is considerable: to round up landmark musicals most Broadway fans will never have heard of (or contemplated existed), and make the story of their creation utterly involving. Not only does Mr Atkey (our undaunted and very affable guide) take us around the world - to Australia, Singapore, Korea, Japan, Canada - so many destinations, but we travel back through time too, with histories of operetta, of French (and German) cabaret, of South African musical theatre... too much to list here. Suffice to say, this assiduously gathered mountain of research is presented in an accessible way, offering a terrific springboard from which the reader may launch his own personal investigations. But this book is much more than an encyclopedia. It is a beautifully structured discussion about where this world-wide phenomenon, MT, has sprung from, and where it might be heading. It poses many questions: how do you successfully translate a work from one culture to another; how is MT best funded; can MT thrive without democracy? So many ideas thrown up, and so many examples to illustrate. The oft-lengthy development process of selected musicals, such as Canada's The Drowsy Chaperone, are described in great detail, and make for fascinating reading. Throughout the book, Mr Atkey's handling of quotations is always apposite, always thought-provoking. It's like being at a global symposium of elite MT creatives! And the chapter on the rock'n'roll influence on MT is very well-observed and very funny. Although Mr Atkey writes as a Canadian, I could relate entirely to what he was saying here. Which illustrates the central theme (so clearly set out in the superb preface), which is: writers function best when they speak from the heart, working from their own experience, from within their own culture. With talent and integrity (and nurturing from outside) universal truths may then emerge from which others can benefit. Even if they live a million miles away.