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2 Plus 2 Compositions

CD-R

4.5 4.5 out of 5 stars 3 ratings

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Audio CD, May 23, 2005

Track Listings

1 Scaffolding
2 Composition No.324b
3 Dots
4 Composition No.327c

Editorial Reviews

Product Description

2 + 2 Compositions unites the prolific Braxton with the members of the longstanding improv trio Memorize the Sky, as they perform two innovative graphic score-based pieces from each co-leader. Bauder's works are based on various classes of sound and the inspiration of Braxton and John Cage respectively, and Braxton's pieces come from his new Falling River Musics series, which in his words, "seeks to explore image logic construct 'paintings' as the score's extract music notation."

About the Artist

"The multi-reedist/composer might very well be jazz's last bona fide genius," reads the All Music Guide's entry for Anthony Braxton. "The best of his work is on a level with any art music of the late 20th century, jazz or classical." Fellow multi-reedist/composer, and former Braxton student, Matt Bauder has been an active member of the Berlin, Chicago and New York scenes where he performed and recorded with a long list of today's most prominent improvisers. His 2003 debut, Weary Already of the Way, was a Top 10 of 2004 pick in Coda and led Cadence reviewer Michael Rosenstein to call him "a talent to keep an eye on."

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Product Dimensions ‏ : ‎ 5.59 x 0.39 x 4.92 inches; 3.53 ounces
  • Manufacturer ‏ : ‎ CD Baby
  • Original Release Date ‏ : ‎ 2005
  • Date First Available ‏ : ‎ January 20, 2007
  • Label ‏ : ‎ CD Baby
  • ASIN ‏ : ‎ B0009NZL7U
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.5 4.5 out of 5 stars 3 ratings

Customer reviews

4.5 out of 5 stars
4.5 out of 5
3 global ratings

Top reviews from the United States

Reviewed in the United States on June 22, 2005
That's "electroacoustic improv", aka "lowercase", aka a dozen other nicknames--the burgeoning subgenre of minimalist post-AMM free improvisation. Anyway, the young trio on here clearly has been paying attention to that area of the music; I don't know if Braxton's strongly interested in it or not (probably he is, he seems to have an endless appetite for music of all kinds) but on the first track in particular, "Scaffolding" (a Matt Bauder composition) there's a strong eai tinge. Listeners may be divided on whether this works--a guitarist/critic I know found this disc awkward & uneventful, but for me this is one of the most enjoyable of Braxton's various outings with the young crop of Wesleyan students. It's quite beautiful (in part because Braxton and Bauder play clarinets for most of the album), & if you're in the mood even the longest tracks flow by quite smoothly & quickly. Braxton's more usual style of swirling, knotted playing is barely present on here--this is note-to-note playing, with barely a lick in sight, & I think it suits him. Check it out.
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Reviewed in the United States on December 4, 2011
To correct some serious historical errors floating down here in the review section, one should realize that Braxton entered the electronic foray, or even eai style, as far back as the early 70s. In particular you can hear him exchanging notes with Richard Teitelbaum who was a member of the pioneering electronic group musica elettronica viva. You could also look to music with Derek Bailey or others that also really resemble the style of this recording acousticesque recording. This is a pretty good recording and a step away from Teitelbaum, George Lewis, or Wolf Eyes collaborations. Here he scurries in and out of Braxton style compositions to playful interludes with Bauder. This is certainly a welcome change of direction for Braxton fans though not a stunning one.
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