Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-skm99 Total loading time: 0 Render date: 2024-04-28T01:19:24.924Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  16 August 2019

Andrew Gurr
Affiliation:
University of Reading
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Henry V: Parallel Texts of the First Quarto (1600) and First Folio (1623) Editions, ed. Nicholson, B. R., with an introduction by Daniel, P. A., London: Griggs, W., 1887.Google Scholar
Berger, Thomas L.The Printing of Henry V, Q1’, The Library, 6th series, 1 (1979), 114–25.Google Scholar
Blayney, Peter W. M.“Compositor B” and the Pavier Quartos: Problems of Identification and their Implications’, The Library 27 (1972), 179206.CrossRefGoogle Scholar
Brown, Ivor. Shakespeare and the Actors, London: Bodley Head, 1970.Google Scholar
Cairncross, Andrew S.Quarto Copy for Folio Henry V’, Studies in Bibliography 8 (1956), 6793.Google Scholar
Crane, David. The Merry Wives of Windsor, Cambridge: Cambridge University Press, 1997.Google Scholar
Davison, Peter. (ed.) The First Quarto of King Richard III, Cambridge: Cambridge University Press, 1996.Google Scholar
Duthie, G. I.The Quarto of Shakespeare's Henry V’, in Papers, Mainly Shakespearian, Edinburgh: Oliver & Boyd, 1964, pp. 106–30.Google Scholar
Halio, Jay L. (ed.) The First Quarto of King Lear, Cambridge: Cambridge University Press, 1994.Google Scholar
Hart, Alfred. Stolne and Surreptitious Copies: A Comparative Study of Shakespeare's Bad Quartos, Melbourne: Melbourne University Press, 1942.Google Scholar
Ioppolo, Grace. Revising Shakespeare, Cambridge, Mass.: Harvard University Press, 1991.CrossRefGoogle Scholar
Irace, Kathleen. ‘Reconstruction and Adaptation in Q Henry V’, Studies in Bibliography 44 (1991), 228–53.Google Scholar
Irace, Kathleen. Reforming the ‘Bad’ Quartos: Performance and Provenance of Six Shakespearean First Editions, Newark, NJ: University of Delaware Press, 1994.Google Scholar
Irace, Kathleen. (ed.) The First Quarto of Hamlet, Cambridge: Cambridge University Press, 1998.Google Scholar
Loehlin, James N. Shakespeare in Performance: ‘Henry V’, Manchester: Manchester University Press, 1996.Google Scholar
McMillin, Scott. ‘Casting the Hamlet Quartoes: The Limit of Eleven’, in The ‘Hamlet’ First Published (Q1, 1603): Origins, Form, Intertextualities, ed. Clayton, Thomas, Newark, NJ: University of Delaware Press, 1992, pp. 179–94.Google Scholar
Maguire, Laurie E. Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts, Cambridge: Cambridge University Press, 1996.CrossRefGoogle Scholar
Simison, Barbara Damon. ‘A Source for the First Quarto of Henry V’, MLN 46 (1931), 514–15.Google Scholar
Smith, Robert A. H.Thomas Creede, Henry V Q1, and The Famous Victories of Henrie the Fifth’, Review of English Studies 49 (1998), 60–4.CrossRefGoogle Scholar
Taylor, Gary. ‘Shakespeare's Leno: Henry V IV.v.14’, NQ 224 (1979), 117–18.Google Scholar
Teague, Frances. Shakespeare's Speaking Properties, Toronto: Bucknell University Press, 1991.Google Scholar
Walker, Alice. ‘Some Editorial Principles (with special reference to Henry V)’, Studies in Bibliography 8 (1956), 95111.Google Scholar
Walter, J. H. (ed.) Henry V, London: Methuen (New Arden Shakespeare), second edn, 1960.Google Scholar
Wells, Stanley, and Taylor, Gary. Modernising Shakespeare's Spelling, with Three Studies in the Text of ‘Henry V’, Oxford: Clarendon Press, 1979.Google Scholar
Wright, George T. Shakespeare's Metrical Art, Berkeley: University of California Press, 1988.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×