Original Article
The Hallucinatory Landscape in Twentieth-Century American Poetry
First published: 09 February 2022
Works Cited
- Annas, Pamela J. “ The Self in the World: The Social Context of Sylvia Plath’s Late Poems.” Critical Essays on Sylvia Plath, edited by Linda W. Wagner. G.K. Hall, 1984.
- Aumont, Jacques. “ The Variable Eye, or the Mobilization of the Gaze.” Translated by Charles O’Brien and Sally Shafto, The Image in Dispute: Art and Cinema in the Age of Photography, edited by Dudley Andrew, U of Texas P, 1997, pp. 231–58.
- Beard, George M. American Nervousness: Its Causes and Consequences. G. P. Putnam’s Sons, 1881.
10.1037/10585-000 Google Scholar
- Berman, Marshall. All That Is Solid Melts Into Air. Penguin, 1982.
- Bonds, Diane S. “Entering Language in Louise Glück’s ‘The House on Marshland’: A Feminist Reading.” Contemporary Literature, vol. 31, no. 1, 1990, pp. 58–75.
- Chatlos, Jon. “Automobility and Lyric Poetry: The Mobile Gaze in William Carlos Williams.” Journal of Modern Literature, vol. 30, 2006, pp. 140–54.
10.2979/JML.2006.30.1.140 Google Scholar
- Cole, Merrill. The Other Orpheus: A Poetics of Modern Homosexuality. Routledge, 2003.
- Corso, Gregory. Gasoline. City Lights Books, 1958.
- Crane, Hart. The Complete Poems of Hart Crane. Edited by Marc Simon, Liveright, 2000.
- Crane, Hart. “ Modern Poetry.” Revolt in the Arts, edited by Oliver M. Sayler. Brentano’s, 1930.
- Di Prima, Diane. Pieces of a Song: Selected Poems. City Lights Publishers, 2001.
- Eliot, T. S. The Complete Poems and Plays. Harcourt, Brace & World, 1971.
- Fischer, Roland. “A Cartography of the Ecstatic and Meditative States.” Leonardo, vol. 6, no. 1, 1973, pp. 59–66.
10.2307/1572429 Google Scholar
- Fone, Byrne R. S. Masculine Landscapes: Walt Whitman and the Homoerotic Text. Southern Illinois UP, 1992.
- Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason, Vintage Books, 1973.
- Ginsberg, Allen. Collected Poems, 1947–1980. Harper & Row, 1984.
- Ginsberg, Allen. Journals: Mid-Fifties, 1954-1958. Edited by Gordon Ball, HarperCollins, 1995.
- Ginsberg, Allen. Spontaneous Mind: Selected Interviews 1958–1996. Edited by David Carter, Harper, 2001.
- Glück, Louise. The First Four Books of Poems. The Ecco Press, 1995.
- Goldstein, Laurence. The American Poet at the Movies. U of Michigan P, 1994.
10.3998/mpub.14064 Google Scholar
- Gosmann, Uta. Poetic Memory: The Forgotten Self in Plath, Howe, Hinsey, and Glück. Fairleigh Dickinson UP, 2012.
- Hall, Donald. Introduction to Above the River: The Complete Poems by James Wright. Farrar, Straus and Giroux, 1990, pp. xxiii–xxxvii.
- Hess, Scott. “William Wordsworth and Photographic Subjectivity.” Nineteenth-Century Literature, vol. 63, no. 3, 2008, pp. 283–320.
- Kaufman, Bob. Cranial Guitar: Selected Poems. Coffee House Press, 1996.
- Kern, Stephen. The Culture of Time and Space, 1880-1915. Harvard UP, 1983.
- Kogl, Alexandra. Strange Places: The Political Potentials and Perils of Everyday Spaces. Lexington, 2008.
- Krielkamp, Ivan. “A Voice without a Body: The Phonographic Logic of ‘Heart of Darkness’.” Victorian Studies, vol. 40, no. 2, 1997, pp. 214–44.
- Lewis, Peirce. “ Axioms for Reading the Landscape.” The Interpretation of Ordinary Landscapes, edited by D. W. Meinig, Oxford UP, 1979.
- Nickowitz, Peter. Rhetoric and Sexuality: The Poetry of Hart Crane, Elizabeth Bishop, and James Merrill. Palgrave Macmillan, 2006.
10.1007/978-1-349-73463-4 Google Scholar
- O'Hara, Frank. The Collected Poems of Frank O’Hara. Edited by Donald Allen, U of California P, 1995.
- Plath, Sylvia. The Collected Poems. Harper Perennial, 2008.
- Plato, Phaedrus. Translated by Stephen Scully, Focus P, 2003.
- Pound, Ezra. New Selected Poems and Translations. New Directions, 2010.
- Quinn, Justin. “Coteries, Landscape and the Sublime in Allen Ginsberg.” Journal of Modern Literature, vol. 27, no. 1, 2003, pp. 193–206.
10.1353/jml.2004.0064 Google Scholar
- Ramirez, Jesse J. “The Ghosts of Radicalisms Past: Allen Ginsberg’s Old Left Nightmares.” Arizona Quarterly, vol. 69, no. 1, 2013, pp. 48–71.
10.1353/arq.2013.0001 Google Scholar
- Rawson, Eric. “The Telephonic Logic of the Great Gatsby.” The F. Scott Fitzgerald Review, vol. 8, no. 1, 2010, pp. 92–103.
10.1111/j.1755-6333.2010.01029.x Google Scholar
- Schein, Richard H. “The Place of Landscape: A Conceptual Framework for Interpreting an American Scene.” Annals of the Association of American Geographers, vol. 87, no. 4, 1997, pp. 660–80.
- Schivelbusch, Wolfgang. Railway Journey: The Industrialization of Time and Space in the Nineteenth Century. U of California P, 2014.
10.1525/9780520957909 Google Scholar
- Sexton, Anne. The Complete Poems. Houghton Mifflin, 1981.
- Simmel, Georg. “ The Metropolis and Mental Life.” On Individuality and Social Forms: Selected Writings, edited by Donald N. Levine, U of Chicago P, 1971, pp. 324–39.
- Stalter, Sunny. “Subway Ride and Subway System in Hart Crane’s ‘The Tunnel’.” Journal of Modern Literature, vol. 33, no. 2, 2010, pp. 70–91.
10.2979/JML.2010.33.2.70 Google Scholar
- Taylor, Henry. “Cinematic Devices in Richard Wilbur’s Poetry.” The Bulletin of the Rocky Mountain Modern Language Association, vol. 28, no. 2, 1974, pp. 41–48.
10.2307/1346543 Google Scholar
- Trask, Michael. Cruising Modernism: Class and Sexuality in American Literature and Social Thought. Cornell UP, 2003.
10.7591/9781501717475 Google Scholar
- Williams, William Carlos. Collected Earlier Poems of William Carlos Williams. New Directions, 1938.
- Williams, William Carlos. Paterson. New Directions, 1946.
- Wright, James. Above the River: The Complete Poems. Farrar, Straus and Giroux, 1990.
- Yingling, Thomas. Hart Crane and the Homosexual Text: New Thresholds, New Anatomies. U of Chicago P, 1990.
- Zerubavel, Eviatar. “The Standardization of Time: A Sociohistorical Perspective.” American Journal of Sociology, vol. 88, no. 1, 1982, pp. 1–23.
