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Semiotics of humor in Nigerian politics

  • Adeyemi Adegoju EMAIL logo
From the journal Semiotica

Abstract

This study explores the semiotics of humor and political disaffection in the online feedback discourse evaluating party performance in a post-election era in Nigeria’s democratic practice. It examines the incongruities in multimodal digital humor as semiotic resources of subversive play to criticize a political party for its perceived weak program-to-policy linkage. Data for the study comprise some purposively sampled political internet memes which were deployed to express political disaffection at the party All Progressives Congress (APC) in the first half (2016–2017) of its four-year (2015–2019) tenure. The study applies Algirdas J. Greimas’ semiotic theory by drawing upon the notions of narrativity and modalities to read the selected political internet memes, which run profound social commentaries on the anxieties and frustrations of the ordinary citizens in a failing economy, thereby underpinning the thrust of the theory, which lies not only in the signification of texts but also in the signification of the living experience. The study reveals the power of signs evidenced in the deployment of objects, behaviors, practices, images, and symbols within the socio-economic sub/culture of the production of the internet memes to configure backlashes of democratic deficits relating largely to worsening poverty, hunger, struggle for survival, and political cynicism in an emerging democracy.


Corresponding author: Adeyemi Adegoju, University of Freiburg, Freiburg, Germany, E-mail:

Acknowledgements

I would like to express appreciation to Prof. Dr. Dr. h.c. Christian Mair for being an amazing academic host while I was carrying out this research as Visiting Humboldt Scholar at the Department of English, University of Freiburg, Germany.

  1. Research funding: This study was funded by the Alexander von Humboldt (AvH) Foundation, Germany.

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Received: 2021-12-27
Accepted: 2022-04-12
Published Online: 2022-05-18
Published in Print: 2022-07-26

© 2022 Walter de Gruyter GmbH, Berlin/Boston

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