This book covers both the history and professional practice of commedia dell'arte companies from 1568 to the present day.

This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice.

This comprehensive new book provides clear and approachable explanations of how commedia dell'arte operates theatrically and shows how both experienced and novice actors can approach and succeed in performing these marvelous plays.

This collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre.