‘Mary Jane’ Review: When Parenting Means Intensive Care
Amy Herzog’s heartbreaker arrives on Broadway with Rachel McAdams as the alarmingly upbeat mother of a fearfully sick child.
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Amy Herzog’s heartbreaker arrives on Broadway with Rachel McAdams as the alarmingly upbeat mother of a fearfully sick child.
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One of Shakespeare’s most coveted roles for women gets different interpretations onstage in New York and Washington.
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The new musical doesn’t take itself too seriously and has many winning moments — almost enough to eclipse the weaknesses of its story.
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Michael Stuhlbarg and Will Keen shine as a kingmaker and his creature. But in Peter Morgan’s cheesy-fun play, it’s not always clear which is which.
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‘Cabaret’ Review: What Good Is Screaming Alone in Your Room?
Eddie Redmayne and Gayle Rankin star in a buzzy Broadway revival that rips the skin off the 1966 musical.
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How ‘Stereophonic’ Made Musicians Out of Actors
The new Broadway play conjures a group as dazzling as peak Fleetwood Mac. This is how five actors with limited training (one never held a bass) became rock stars.
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Review: ‘Grenfell’ Listens to the Survivors of a Towering Inferno
At St. Ann’s Warehouse, this documentary play about a London fire is blood-boiling and aggrieved.
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‘Hell’s Kitchen’ Review: Alicia Keys’s Musical Finds Its Groove on Broadway
The retooled jukebox musical, with its top-notch performances and exciting choreography, “stands out as one of the rare must-sees” in a crowded season.
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‘Stereophonic’ Review: Hitmakers Rendered in Sublime Detail
In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.
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Peter Morgan Turns His Pen From ‘The Crown’ to the Kremlin
His new play “Patriots,” now on Broadway, follows Putin’s rise to power and the Russian oligarchs who mistakenly thought he’d be their puppet.
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Review: In ‘Suffs,’ the Thrill of the Vote and How She Got It
Shaina Taub’s new Broadway musical about Alice Paul and the fight for women’s suffrage is smart and noble and a bit like a rally.
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Review: In ‘Still,’ Confessions Doom Two Reunited Lovers
Despite a juicy premise, this Colt Coeur production, starring Tim Daly and Jayne Atkinson, never manages to take off.
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Alfred Molina on the Museum He Never Misses When He’s in New York
“Every time I’m in the city, I make a visit,” said the actor, who is performing on Broadway in “Uncle Vanya.”
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Hillary Clinton and Malala Yousafzai Toast Their New Broadway Show
Dozens of theater, film and media stars turned out on Thursday night for the opening of “Suffs,” a new musical about women’s suffrage.
By Sarah Bahr and
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He was the only Black actor on “Combat!” and “The Phil Silvers Show,” then made well regarded documentaries on luminaries like Duke Ellington and Katherine Dunham.
By Robert D. McFadden
A party for the buzzy revival of the Broadway musical was held at a theater that has been transformed to look like a 1930s-era nightclub.
By Sarah Bahr, Melissa Guerrero and Jutharat Pinyodoonyachet
The musical traces the story of Black twin sisters who pass as white, and exact their own form of justice for the crime of slavery, in 19th-century Texas.
By Naveen Kumar
This season’s beginners, from Ice Spice to Tyla to Sarah Pidgeon.
Interviews by Juan A. Ramírez and Emily Lordi
Almost 50 years after it debuted, this classic Black take on “The Wizard of Oz” tries to update its original formula.
By Maya Phillips
She pivoted from painting to lighting exhibitions, performance art, graphic design and minimalist music, performed with her husband, the composer La Monte Young.
By Walker Mimms
In “Staff Meal,” in previews at Playwrights Horizons, a restaurant becomes a refuge as the world ends.
By Rachel Sherman
“Agreement,” at Irish Arts Center, and “Philadelphia, Here I Come!,” at Irish Repertory Theater, have a timeless feel, rooted in their eras and resonant in ours.
By Laura Collins-Hughes
In Bekah Brunstetter’s new play “The Game,” women withhold sex from their partners who are obsessed with a Fortnite-like game. Her previous work includes “The Oregon Trail.”
By Eric Grode
The 30-year relationship between Sally Hemings and Thomas Jefferson is the basis for Suzan-Lori Parks’s hilarious and harrowing nesting doll of a play.
By Jesse Green
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