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Theater

Highlights

  1. The Culture Desk

    Alicia Keys on Reimagining ‘Fallin’’ for Broadway

    The singer talks about finding a new home for her first hit.

     By Alex BarronLynn LevyMichael Paulson and

    CreditPhoto Illustration by The New York Times; Photo: Jason Mendez/Getty Images
  1. How a Broadway Theater Was Remade Into a Queer Cabaret

    The set and costume designer Tom Scutt has conjured a surreal, New York-inspired version of the fictional Kit Kat Club for the latest revival of the 1966 musical “Cabaret.”

     By

    CreditDavid Chow
  2. ‘Orlando’ Review: A Virginia Woolf Fantasy That Plays With Gender

    In this revival of Sarah Ruhl’s adaptation of the Woolf novel, now starring Taylor Mac, the flashes of comedy can’t make up for the loss of poetry.

     By

    Taylor Mac in “Orlando,” a revival at Signature Theater in New York.
    CreditJeenah Moon for The New York Times
  3. ‘Oh, Mary!,’ a Surprise Downtown Hit, Will Play Broadway This Summer

    Cole Escola’s madcap comedy about the former first lady Mary Todd Lincoln will begin performances in June.

     By

    Cole Escola, left, as Mary Todd Lincoln and Conrad Ricamora as Abraham Lincoln in the play “Oh, Mary!”
    CreditSara Krulwich/The New York Times
  4. In a Pair of ‘Macbeth’ Productions, Only One Does Right by the Lady

    One of Shakespeare’s most coveted roles for women gets different interpretations onstage in New York and Washington.

     By

    Indira Varma gives a memorable performance as Lady Macbeth in a current production in Washington, D.C.
    CreditMarc Brenner
    Critic’s Notebook
  5. Review: It’s All Right to Groove to Huey in ‘The Heart of Rock and Roll’

    The new musical doesn’t take itself too seriously and has many winning moments — almost enough to eclipse the weaknesses of its story.

     By

    McKenzie Kurtz as Cassandra and Corey Cott as Bobby in “The Heart of Rock and Roll,” inspired by the songs of Huey Lewis and the News, at the James Earl Jones Theater in Manhattan.
    CreditAmir Hamja/The New York Times
  1. ‘Patriots’ Review: What Happened to the Man Who Made Putin?

    Michael Stuhlbarg and Will Keen shine as a kingmaker and his creature. But in Peter Morgan’s cheesy-fun play, it’s not always clear which is which.

     By

    Will Keen as Vladimir Putin in “Patriots,” Peter Morgan’s wild story of makers switching places with the made, at the Ethel Barrymore Theater in Manhattan.
    CreditSara Krulwich/The New York Times
  2. ‘Cabaret’ Review: What Good Is Screaming Alone in Your Room?

    Eddie Redmayne and Gayle Rankin star in a buzzy Broadway revival that rips the skin off the 1966 musical.

     By

    Eddie Redmayne, center, as the Emcee in Rebecca Frecknall’s revival of “Cabaret” at the August Wilson Theater in Manhattan.
    CreditSara Krulwich/The New York Times
  3. How ‘Stereophonic’ Made Musicians Out of Actors

    The new Broadway play conjures a group as dazzling as peak Fleetwood Mac. This is how five actors with limited training (one never held a bass) became rock stars.

     By

    In “Stereophonic,” Sarah Pidgeon and Tom Pecinka portray members of an unnamed band. “Rock star charisma started to come as we started feeling like these were our songs,” she said.
    CreditSara Krulwich/The New York Times
  4. Review: ‘Grenfell’ Listens to the Survivors of a Towering Inferno

    At St. Ann’s Warehouse, this documentary play about a London fire is blood-boiling and aggrieved.

     By

    Dominique Tipper, center, in the play “Grenfell: in the words of survivors” at St. Ann’s Warehouse in Brooklyn.
    CreditSara Krulwich/The New York Times
    Critic’s Pick
  5. ‘Hell’s Kitchen’ Review: Alicia Keys’s Musical Finds Its Groove on Broadway

    The retooled jukebox musical, with its top-notch performances and exciting choreography, “stands out as one of the rare must-sees” in a crowded season.

     By

    Maleah Joi Moon, center, playing 17-year-old Ali in the musical “Hell’s Kitchen” at the Shubert Theater in Manhattan.
    CreditSara Krulwich/The New York Times
    Critic’s Pick

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