Antiheroes: Mexico and Its Detective Novel
Stavans's overall argument is that, in a national arena where moral decadence and political corruption prevail, the detective genre has been forced to embrace the hard-boiled model of Raymond Chandler and Dashiell Hammett, rather than exploring its links to the more high-brow, sophisticated British tradition of Arthur Conan Doyle and Agatha Christie. An enlightening treatise on parody as a literary device, this book is a fiesta that students of Latin American literature in particular, and fans of the art of slighting in general, will not want to miss.
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Contents
Constables and Sentries
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55 |
RealLife Cases
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64 |
The Critics Voice
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70 |
Antonio Helú
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78 |
Rafael Solana
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85 |
María Elvira Bermúdez
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91 |
Carlos Fuentes
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100 |
Paco Ignacio Taibo II
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108 |
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Common terms and phrases
adaptation Adolfo Bioy Casares Agatha Christie albañiles anthology Antonio Helú Bakhtin Belascoarán Shayne Borges Buenos Aires Carlos Fuentes Chapter character complot mongol Comunidad Conacyt corruption crime critical Cruz cuento policial mexicano Cultura Económica culture detective fiction detective genre detective literature detective novel detective story Distrito Federal Editorial Ensayo essay Excélsior Fondo de Cultura García Hammett Hydra Head Ibid investigation James Bond Joaquín Mortiz Jorge Ibargüengoitia José Emilio Pacheco Juan language Latin America literary Luis María Elvira Bermúdez Mexico City misterio Monsiváis Morirás lejos muerte Murder mystery narrative narrator North American novela policial novelist Octavio Paz Paco Ignacio Taibo parody Péter Pérez Pitol police private eyes prologue protagonist published Rafael Bernal Rafael Ramírez Heredia Raymond Chandler reader Rodolfo Usigli Roldán Sergio Pitol Sherlock Holmes Spanish Stavans Stavans's theme thriller tion tive Tlatelolco Torres translated University Press Vargas Llosa Vega Vicente Leñero writers Yates