Abstract
The goal of this research is to lay the foundations for a formal theory of drama, that abstracts from the procedural and interactive aspects involved in the generation of dramatic content. Based on the structural accounts provided from traditional drama analysis, the theory proposed in this paper exploits an agent-based perspective on characters to provide a goal-based characterization of dramatic qualities.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
References
Loyall, A.B., Bates, J.: Personality-rich belivable agents that use language. In: Johnson, W.L. (ed.) Proc. of the First International Conference on Autonomous Agents (1997)
Staller, A., Petta, P.: Towards a tractable appraisal-based architecture. In: Canamero, D., Numaoka, C., Petta, P. (eds.) Workshop: Grounding Emotions in Adaptive Systems (1998)
Marsella, S., Johnson, W.L., LaBore, K.: Interactive pedagogical drama. In: Proc. of Agents 2000 (2000)
Cavazza, M., Charles, F., Mead, S.: Interacting with virtual characters in interactive storytelling. In: Proc. of the First Interantional Joint Conference on Autonomous Agents and Multiagent Systems (2002)
Szilas, N.: Idtension: a narrative engine for interactive drama. In: Proc. 1st International Conference on Technologies for Interactive Digital Storytelling and Entertainment (TIDSE 2003), Darmstadt, Germany (2003)
Cassel, J., Bickmore, T., Campbell, L., Vilhjamlmsson, H., Yan, H.: Human conversation as a system framework: Designing embodied converational agents. In: Cassell, J., Sullivan, J., Prevost, S., Churchill, E. (eds.) Embodied Conversational Agents, pp. 29–63. MIT Press, Cambridge (2000)
Mateas, M., Stern, A.: Towards integrating plot and character for interactive drama. In: Working notes of the Social Intelligent Agents: The Human in the Loop. AAAI Fall Symposium Series (2000)
Theune, M., Faas, S., Heylen, D., Nijholt, A.: The virtual storyteller: Story creation by intelligent agents. In: Goebel, S., Braun, N., Spierling, U., Dechau, J., Diener, H. (eds.) Proc. of TIDSE 2003 (2003)
Bratman, M.E.: Intention, Plans, and Practical Reason. Harvard University Press, Cambridge (1987)
Ortony, A., Clore, G.L., Collins, A.: The Cognitive Stucture of Emotions. Cambrigde University Press, New York (1988)
Aristotle: On the Art of Poetry. I. Bywater (transl.). Clarendon, Oxford (1920)
Stanislawski, K.S.: An Actor Prepares. Eyre Methuen, London (1980 / 1936)
Styan, J.L.: The Elements of Drama. University Press, Cambridge (1963 / 1962)
Egri, L.: The Art of Dramatic Writing. Simon and Schuster, New York (1960 / 1946)
Esslin, M.: The Field of Drama. Methuen, London (1988 / 1987)
Hamon, P.: Pour un statut sémiologique du personnage. In: Poétique du récit, Paris, Editions du Soleil (1977)
Seger, L.: Creating Unforgettable Characters. Henry Holt and Company, New York (1990)
Elliott, C.: The affective reasoner: A process model of emotions in a multi-agent system. Ph.d. thesis, Institute for the Learning Sciences, Northwestern University (1992)
Bates, J., Loyall, A., Reilly, W.: An architecture for action, emotion, and social behaviour. In: Castelfranchi, C., Werner, E. (eds.) MAAMAW 1992. LNCS, vol. 830. Springer, Heidelberg (1994)
Horace: Epistles, Book II; and Epistle to the Pisones (Ars poetica). In: Rudd, N. (ed.). Cambridge University Press, Cambridge (1989)
Field, S.: The definitive guide to screen writing. Ebury Press, London (2003)
Hatcher, J.: The Art and Craft of Playwriting. Story Press, Cincinnati (1996)
Lavandier, Y.: La dramaturgie. Le clown et l’enfant, Cergy (1994)
McKee, R.: Story. Harper Collins, New York (1997)
Greimas, A.J.: On meaning: selected writings in semiotic theory. Pinter, London (1970)
Elam, K.: The Semiotics of Theatre and Drama. Methuen, London (1980)
Lehman, E.: North by Northwest. Directed by A. Hitchcock. Photographed by R. Burks. With C. Grant, E. M. Saint, J. Mason. Metro Goldwyn Mayer (1959)
Mateas, M.: Interactive Drama, Art and Artificial Intelligence. Phd. dissertation, Carnegie Mellon University (2002)
Bringsjord, S., Ferrucci, D.: Inside the mind of Brutus, a storytelling machine. Lawrence Erlbaum, Mahwah (1999)
Riedl, M., Young, R.: An intent-driven planner for multi-agent story generation. In: Proc. of the 3rd Int. Conference on Autonomous Agents and Multi Agent Systems (2004)
Rumelhart, D.: Notes on a schema for stories. In: Bobrow, D., Collins, A. (eds.) Representation and Understanding: Studies in cognitive science. Academic Press, New York (1998)
Schank, R.C., Abelson, R.P.: Scripts, Plans Goals and Understanding. Lawrence Erlbaum, Hillsdale (1977)
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2005 Springer-Verlag Berlin Heidelberg
About this paper
Cite this paper
Damiano, R., Lombardo, V., Pizzo, A. (2005). Formal Encoding of Drama Ontology. In: Subsol, G. (eds) Virtual Storytelling. Using Virtual Reality Technologies for Storytelling. ICVS 2005. Lecture Notes in Computer Science, vol 3805. Springer, Berlin, Heidelberg. https://doi.org/10.1007/11590361_11
Download citation
DOI: https://doi.org/10.1007/11590361_11
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-540-30511-8
Online ISBN: 978-3-540-32285-6
eBook Packages: Computer ScienceComputer Science (R0)