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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

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Dipartimento di Chimica and CNR di Scienze e Tecnologie Molecolari (CNR-ISTM), Università degli Studi di Perugia, via Elce di Sotto 8, I-06123 Perugia, Italy
§ §Department of Chemistry, University of Antwerp, Universiteitsplein 1, B-2610 Wilrijk, Belgium
Department of Physics, Electron Microscopy For Materials Science (EMAT), University of Antwerp, Groenenborgerlaan 171, B-2020 Antwerp, Belgium
Department of Materials Science and Engineering, Delft University of Technology, Mekelweg 2, NL-2628CD Delft, The Netherlands
Centre de Recherche et de Restauration des Musées de France, CNRS UMR171, Palais du Louvre, Porte des Lions, 14 Quai François Mitterrand, F-75001 Paris, France
European Synchrotron Radiation Facility, Polygone Scientifique Louis Néel -6, rue Jules Horowitz − F-38000 Grenoble, France
*Phone: +32 3 820 2373. Fax: +32 3 820 23 76. E-mail: [email protected]
Cite this: Anal. Chem. 2011, 83, 4, 1214–1223
Publication Date (Web):February 14, 2011
https://doi.org/10.1021/ac102424h
Copyright © 2011 American Chemical Society

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    Abstract

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    On several paintings by artists of the end of the 19th century and the beginning of the 20th Century a darkening of the original yellow areas, painted with the chrome yellow pigment (PbCrO4, PbCrO4·xPbSO4, or PbCrO4·xPbO) is observed. The most famous of these are the various Sunflowers paintings Vincent van Gogh made during his career. In the first part of this work, we attempt to elucidate the degradation process of chrome yellow by studying artificially aged model samples. In view of the very thin (1−3 μm) alteration layers that are formed, high lateral resolution spectroscopic methods such as microscopic X-ray absorption near edge (μ-XANES), X-ray fluorescence spectrometry (μ-XRF), and electron energy loss spectrometry (EELS) were employed. Some of these use synchrotron radiation (SR). Additionally, microscopic SR X-ray diffraction (SR μ-XRD), μ-Raman, and mid-FTIR spectroscopy were employed to completely characterize the samples. The formation of Cr(III) compounds at the surface of the chrome yellow paint layers is particularly observed in one aged model sample taken from a historic paint tube (ca. 1914). About two-thirds of the chromium that is present at the surface has reduced from the hexavalent to the trivalent state. The EELS and μ-XANES spectra are consistent with the presence of Cr2O3·2H2O (viridian). Moreover, as demonstrated by μ-XANES, the presence of another Cr(III) compound, such as either Cr2(SO4)3·H2O or (CH3CO2)7Cr3(OH)2 [chromium(III) acetate hydroxide], is likely.

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