Front Matter
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Table of Contents
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Preface
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Acknowledgments
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Mussolini at the Movies:: Fascism, Film, and Culture
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Dubbing LʹArte Muta:: Poetic Layerings around Italian Cinema’s Transition to Sound
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Intimations of Neorealism in the Fascist Ventennio
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Placing Cinema, Fascism, and the Nation in a Diagram of Italian Modernity
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Sex in the Cinema:: Regulation and Transgression tn Italian Films, 1930–1943
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Luchino Viscontiʹs (Homosexual) Ossessione
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Ways of Looking in Black and White:: Female Spectatorship and the Miscege-national Body in Sotto la croce del sud
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Seeing Red:: The Soviet Influence on Italian Cinema in the Thirties
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Theatricality and Impersonation:: The Politics of Style in the Cinema of the Italian Fascist Era
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Shopping for Autarchy:: Fascism and Reproductive Fantasy in Mario Camerini’s Grandi magazzini
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The Last Film Festival:: The Venice Biennale Goes to War
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Film Stars and Society in Fascist Italy
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Selected Bibliography
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Contributors
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Index
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