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Journal Article

The Lost Unconscious: Delusions and Dreams in Inception

Mark Fisher
Film Quarterly
Vol. 64, No. 3 (Spring 2011), pp. 37-45
DOI: 10.1525/fq.2011.64.3.37
https://www.jstor.org/stable/10.1525/fq.2011.64.3.37
Page Count: 9
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The Lost Unconscious: Delusions and Dreams in Inception
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Abstract

An analysis of Christopher Nolan's science-fiction thriller, Inception, which relates it to Nolan's previous films and argues that the film's multilayered nest of worlds and strangely cold action sequences relate to the commodification of the psyche.