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Journal Article
The Lost Unconscious: Delusions and Dreams in Inception
Mark Fisher
Film Quarterly
Vol. 64, No. 3 (Spring 2011), pp. 37-45
Published by: University of California Press
DOI: 10.1525/fq.2011.64.3.37
https://www.jstor.org/stable/10.1525/fq.2011.64.3.37
Page Count: 9
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Topics: Psychoanalysis, Home video, Movies, Unconscious mind, Thrillers, Philosophical object, Antagonists, Limbo, GriefWere these topics helpful?
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Abstract
An analysis of Christopher Nolan's science-fiction thriller, Inception, which relates it to Nolan's previous films and argues that the film's multilayered nest of worlds and strangely cold action sequences relate to the commodification of the psyche.
Film Quarterly © 2011 University of California Press