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Empire City: New York Through the Centuries Paperback – July 15, 2005
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The anthology begins with an account of Henry Hudson's voyage in 1609 and ends with an essay written especially for this book by John P. Avlon, former Mayor Rudolph Guiliani's speechwriter, called "The Resilient City," on the September 11th attack on the World Trade Center as observed from City Hall. The editors have chosen some familiar favorites, such as Washington Irving's A History of New York and Walt Whitman's "Crossing Brooklyn Ferry," as well as lesser-known literary and historical gems, such as Frederick Law Olmsted's plan for Central Park and Cynthia Ozick's "The Synthetic Sublime"―an updated answer to E. B. White's classic essay Here Is New York, which is also included. The variety and originality of the selections in Empire City offer a captivating account of New York's growth, and reveal often forgotten aspects of its political, literary, and social history.
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Print length1008 pages
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LanguageEnglish
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PublisherColumbia University Press
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Publication dateJuly 15, 2005
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Dimensions6.1 x 1.8 x 9 inches
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ISBN-100231109091
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ISBN-13978-0231109093
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Editorial Reviews
Review
A rich harvest of wide-ranging writings about New York City. ― Library Journal
A huge―but readable―collection of nearly 400 years of writing about New York. ― New York Magazine
The sheer amount of out-of-the-way text and lore among these 158 pieces is worth the price of admission; the city comes alive through the texts it has produced. ― Publishers Weekly
Fine... a well-wrought anthology. -- Fred Siegel ― New York Sun
This volume is an anthology to be savored...Empire City is a treat for anyone who is interested in New York. -- Barbara Blumberg ― The Historian
A monumental documentary history of New York City... These documents illustrate much of the American experience beyond the five boroughs. This collection is of value to anyone who seeks to add eyewitness understanding to his or her perception of the development and growth of the United States. -- John A. Grigg ― New York History
[Kenneth Jackson and David Dunbar's] excellent anthology of New York writings. -- Russell Shorto ― New York Times Magazine
About the Author
David S. Dunbar is co-founder and academic dean of CITYterm at the Masters School in Dobbs Ferry, New York, an interdisciplinary, experience-based semester program that immerses high school students from around the country in the history, literature, and culture of New York City. He lives in New York City.
Product details
- Publisher : Columbia University Press; First PB Edition, First Printing (July 15, 2005)
- Language : English
- Paperback : 1008 pages
- ISBN-10 : 0231109091
- ISBN-13 : 978-0231109093
- Item Weight : 2.95 pounds
- Dimensions : 6.1 x 1.8 x 9 inches
- Best Sellers Rank: #1,320,534 in Books (See Top 100 in Books)
- #1,668 in American Fiction Anthologies
- Customer Reviews:
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Rocco Dormarunno,
author of "The Five Points, A Novel"
The first part, the Colonial Period (1624-1783), covers the largest span of time in the fewest pages. Due to the language of the period though, the primary documents here are perhaps the hardest to trudge through. But there's some great stuff here, from an account of Henry Hudson's maiden voyage up the Hudson, to a few initial colonial social contracts between the city's first citizens, though accounts leading into the Revolutionary War. Jackson ends the epoch with his own heart-wrenching, ironic account of the slave ships of the British Army, where American prisoners were served rotten food as a deal between British General Howe and a New York City mercantilist when said mercantilist found out Howe was having an affair with his wife.
Things get moving at a much quicker pace in the second part, Rise to National Dominance (1783-1860), with documents of the laying out of the street grid in Manhattan, DeWitt Clinton's then-revolutionary idea of using the public schools to educate the poor as well as the well-off, and plenty on the notorious Five Points district. There are also lots of accounts of European travelers having a look around at the Great Experiment (including a certain Victorian novelist who almost ruined his career with his account), but more important to this section are some of the first writers of the American literary tradition, including Washington Irving, Edgar Allan Poe, Walt Whitman, and Herman Melville.
Industrial Metropolis (1860-1898), the third part, starts off with a selection of writings by a couple of relatively obscure black citizens of New York who might be credited as the start of the long, proud line of African American literature to spring from the tight racial relations of New York City. An account of the Draft Riots of 1863 follows, and the bulk of the literary work of this section is decidedly political, with most sides drawn between representation and/or endorsement of the capitalist model that, let's be honest, NYC was built on (George Fitzhugh, Horatio Alger, Edith Wharton), and a worker-based outcry against the dehumanizing effects of that model (Thomas McGuire, Henry George, Jacob Riis). On a lighter note, there are accounts of the building of Central Park and the Brooklyn Bridge, as well as a poem in praise of the Statue of Liberty and an early view of Coney Island before it was ever lit up.
The last two parts take up more than half of the book, which is understandable as by this time the printing press was heralding the rise of mass media and New York was replacing Boston as the literary capital of the world. It's no surprise, then, that a decent portion of part 4,World City (1898-1948), is composed of giants of the American literary tradition, including Henry James, Henry Adams, O. Henry, Theodore Dreiser, John Dos Passos, Dorothy Parker, Thomas Wolfe, Henry Miller, F. Scott Fitzgerald, Joseph Mitchell, and John Steinbeck. It's filled in nicely with Mayor Fiorello La Guardia's Ten Misconceptions of New York, Le Corbusier's chimeric fancies about filling every space with a skyscraper, the compact that established the Port Authority, numerous documents of the horrendous worker treatment and tenement laws of the turn of the century, and "Brooklyn Could Have Been a Contender," a modern essay by John Tierney that imagines a world where Brooklyn hadn't accepted Manhattan's conditions for consolidating into the New York City we know.
If part 3 showed the roots of the Harlem Renaissance, the fourth part and then the fifth, World Capital (1948-2002), reveal the bulk of its fruits; they're represented with selections by Langston Hughes, Ralph Ellison, and James Weldon Johnson in Part 4, and James Baldwin, a searing poem by Federico Garcia Lorca about Harlem, and a slew of white writers who were influenced by them including Bernard Malamud, Jack Kerouac, and Tom Wolfe in Part 5. The rest of World Capital could probably be second-guessed more than any other section simply because of the wealth of material being written in and about NYC in the last half-century, but I don't have many complaints. This part is especially heavy on city planning arguments (what was that old saying? Something like, "New York would be the greatest city in the world, if they ever finished it."), with Robert Moses on one end of the spectrum and the Young Lords on the other and plenty in between. I got a little nostalgic to see they included Joan Didion's "Goodbye to All That," the first thing I ever read on the subway when I came to the city. And they even were prescient enough to include a short essay by Junot Diaz of recent Oscar Wao fame, a cool little piece where he reveals some of the origins of that great novel with his mashup of New York City and science fiction imagery.