At the Vanguard of Vinyl | The Weekly Read

Cover of At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller. Cover text is in black and white over a photo of Duke Ellington, with a cigarette in his mouth, sitting at a piano. Billy Strayhorn stands next to him, looking down. A microphone hangs over them.

The Weekly Read is At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller. The book examines how musicians used the jazz industry’s adoption of the long-playing record to redefine the uneven power relations of the heavily segregated music business. Kevin Fellezs writes, “A profound reconception of jazz historiography, At the Vanguard of Vinyl forces us to confront our deepest-held notions about jazz through close attention to the musicians and record-industry personnel who shaped the ways in which we hear and appreciate the music.” Darren Mueller is Assistant Professor of Musicology at the Eastman School of Music, University of Rochester, and coeditor of Digital Sound Studies, also published by Duke University Press. Read this fascinating book now for free! This title is made open-access due to funding from the University of Rochester.

The Weekly Read is a weekly feature in which we highlight articles, books, and chapters that are freely available online. You’ll be able to find a link to the selection here on the blog as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.

New Books in May

It’s the end of the semester! Celebrate the start of summer with some of the great new titles we have coming out in May.

For twenty years, Terry Bisson published a regular “This Month in History” column in the science fiction magazine LocusTomorrowing collects these two decades of memorable events—four per month—each set in a totally different imaginary yet possible, inevitable yet avoidable future.

A Primer for Teaching Indian Ocean World History by Edward A. Alpers and Thomas F. McDow is a guide for college and high school educators who are teaching Indian Ocean histories for the first time or who want to reinvigorate their courses.

In The Ethnographer’s Way, Kristin Peterson and Valerie Olson guide students and scholars through the process of turning an initial idea into an in-depth research project.

The contributors to Feminism against Cisness, edited by Emma Heaney, showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience.

Duke University: The First One Hundred Years by Carolyn Gerber presents a visual and narrative history of Duke University from its naming in 1924 to the celebration of its Centennial in 2024.

In Geologic Life, Kathryn Yusoff examines the history of geology as a discipline to theorize how race and racialization emerged from Western production of geologic knowledge.

The tenth edition of Developments in Russian Politics, edited by Henry E. Hale, Juliet Johnson, and Tomila V. Lankina, offers critical discussion of contemporary Russian politics and its fundamental principles and covers established topics such as executive leadership, parties and elections as well as newer issues of national identity, protest, and Russia and Greater Eurasia.

Cover of Unsettling Queer Anthropology: Foundations, Reorientations, and Departures edited by Margot Weiss. Cover features an abstract, colorful background composed of overlapping patterns, lines, and hues.

Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology, edited by Margot Weiss, foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology.

In Apartheid Remains, Sharad Chari explores how people handle the remains of segregation and apartheid in South Africa as witnessed through portals in an industrial-residential landscape in the Indian Ocean city of Durban. 

In Secularism as Misdirection, Nivedita Menon traces how the discourse of secularism hyper-visualizes women and religion as a means of obscuring forms of capitalist, racialized, caste, and anti-minoritarian violence throughout the global South.

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International Jazz Day

Happy International Jazz Day! To celebrate, we are highlighting a few of our new and recent titles on all things jazz.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

In Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Bebop’s complexity and radicality, Leal contends, made it possible for those who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.

In the early 1960s, pianist Horace Tapscott returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing community-oriented jazz and jazz training. In The Dark Tree, Steven L. Isoardi draws on one hundred in-depth interviews with the Arkestra’s participants to tell the history of the important and largely overlooked community arts movement of Black Los Angeles. 

In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media, and in every context, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power.

Cover of Ain't But a Few of Us: Black Music Writers Tell Their Stories by Willard Jenkins. Cover features pink spotted border on left with purple background to the right. Various sized rectangles across the center feature pictures of hands, someone writing, and instruments. Orange subtitle is bottom-right of images, white title is above, and word US in captial pink. Author's name is below-right images in yellow.

Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. Ain’t But a Few of Us, edited by Willard Jenkins, presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. 

Soundworks is Anthony Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. In this work, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. 

You can save 30% on these titles and any others that catch your eye with coupon code SAVE30.

Author Events in May

Catch our authors at in-person and online events in May.

Cover of Archive of Tongues: An Intimate History of Brownness by Moon Charania. Cover is an artistic depiction of red flowers that resemble bloodstains splattered against a heather gray wall. Underneath this depiction, at the bottom of the cover, is a dark red banner which contains the title and author information.

May 1, 5 pm BST: Anne Allison, author of Being Dead Otherwise, gives an in-person talk  at Cambridge University. Lecture Theatre, Old Divinity School, St John’s College, Cambridge

May 2, 7 pm EDT: Moon Charania, author of Archive of Tongues, appears in person at Lost City Books. 2467 18th Street Northwest, Washington, DC

May 2, 12 pm PDT: UC Berkeley’s Social Science Matrix hosts an in-person Author Meets the Critics event for Juana María Rodríguez, author of Puta Life. Social Sciences Building, 8th Floor, Berkeley, California

Cover of dear elia: letters from the Asian American abyss by Mimi Khúc.Cover has a light blue background, with a photograph in the center of the page. The photograph depicts a young girl in a floral dress adn pink shoes. She holds a stick and walks down an empty path, lined on each side with grass and bushes.

May 7-8: Mimi Khúc, author of dear elia, will give three workshops at UC Santa Barbara, one for undergraduates, one for instructors, and one for graduate students.

May 7: 5:30pm BST, The Stuart Hall Foundation presents the first event in their online Reading the Crisis series, The West and the Rest: Discourse and Power with Ilan Pappe and Priyamvada Gopal.

May 7, 9 am – 3 pm EDT: Duke University presents a hybrid symposium celebrating the work of Walter Mignolo entitled De/coloniality, 30 Years After.  Holsti-Anderson Assembly Room, Rubenstein Library Rm 153, Durham, North Carolina

May 9, 4:30 pm CEDT: Luis Manuel Garcia Mispireta, author of Together, Somehow, speaks in-person at the Nuits Sonores festival. 12 rue Gabriel Péri, La Mulatière, France

May 10, 9:30 am PDT: Mimi Khúc, author of dear elia, gives the keynote address at the Care as the First Student Learning Objective symposium at University of California, Irvine. Humanities Instructional Building 135, Irvine, California

Cover of Stay Black and Die: On Melancholy and Genius by I. Augustus Durham. Cover has a black background. In the center of the image is a portrait of a man, staring stoicly at the viewer. The face is portrayed in shades of gray and black.The artist overlays the simple portrait with sketches in pastel shades of yellow, pink, and blue.

May 11, 6:30 pm EDT: I. Augustus Durham, author of Stay Black and Die, appears in person at Unnamable Books. 615 Vanderbilt, Brooklyn, New York

May 22, 6 pm EDT:  I. Augustus Durham, author of Stay Black and Die, is joined in conversation by Kinohi Nishikawa at a hybrid event at Princeton Theological Seminary. Theodore Sedgwick Wright Library, Theron Room, 6 Mercer Street, Princeton, New Jersey

May 22, 7 pm EDT: Mimi Khúc, author of dear elia, appears in-person with Peggy Kyoungwon Lee at Loyalty Books. Registration required. 843 Upshur St NW, Washington, DC

May 24, 6:30 pm EDT: Rob Drew, author of Unspooled, appears in person at the Ann Arbor District Library. Multi-purpose Room, 343 South Fifth Ave., Ann Arbor, Michigan

May 25, 3:30 pm CDT: Deon Haywood, co-author of Fire Dreams, and Marsha Jones lead a master class at the Texas Black Womxn Reproductive Justice Summit. Hyatt Regency Hotel Drive Dallas, Texas

Transnational Queer Materialism | The Weekly Read

The Weekly Read for April 27, 2024, is “Transnational Queer Materialism” by Rana M. Jaleel and Evren Savci. The article is the introduction to a recent special issue of South Atlantic Quarterly edited by the authors.

Read this article for free through June 30, 2024.
Buy this special issue and use coupon code SAVE30 for a 30% discount.

Cover of "Transnational Queer Materialism" a thematic issue of South Atlantic Quarterly (123:1). A white background with a color photograph of a brightly colored sculpture that appears to be a hammer and sickle. The journal logo and issue title are in gray and white text.

The introduction to this special issue takes up the narrations and values produced by the travels of words like queer of colorrace, and racial capitalism to both comobilize and retheorize queer of color critique and the content and contours of global racial capitalism. With and beyond the story of US empire and the transatlantic slave trade—from peripheral European engagements with Africa to the circulation of caste in Africa via Indian Ocean worlds—in this special issue the authors examine some of the histories and present modes of capitalist accumulation that are relevant to telling global stories of race and capitalism. A queer/trans lens keeps the authors’ attention trained as well on the arrangements and estrangements of the sex/gender systems that power such narratives of race and capitalism. So positioned, the authors enter ongoing debates on the geopolitics of queer studies, the import of queer materialism, and theorizations of racial capitalism by asking (1) What is the “racial” of racial capitalism?, and (2) What is the “of color” in queer/trans of color critique? The questions form a method for thinking global racial capitalism and queer/trans of color study together—what the authors call transnational queer materialism.

The South Atlantic Quarterly, founded amid controversy in 1901, provides bold analyses of the current intellectual scene, both nationally and worldwide. Published exclusively in guest-edited special issues, this award-winning centenarian journal features some of the most prominent contemporary writers and scholars tackling urgent political, cultural, and social questions. Some issues grow out of current academic debates, concerning, for example, the growing power of finance, narratives of black leadership, and the politics of austerity.

The Weekly Read is a weekly feature in which we highlight articles, books, and chapters that are freely available online. You’ll be able to find a link to the selection here on the blog as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.

2024 AUPresses Book, Jacket and Journal Show Awardees

Congratulations to our designers who were recognized for excellence in the 2024 AUPresses Book, Jacket and Journal Show! The annual show, now in its 59th year, honors the university publishing community’s design and production professionals; recognizes achievement in design, production, and manufacture of print publications; and serves as a spark to conversations and source of ideas about intelligent, creative, and resourceful publishing.

A. Mattson Gallagher was honored in the Scholarly Illustrated category for his design of A View from Venice, edited by Kristin Love Huffman.


Cover of A View of Venice: Portrait of a Renaissance City, edited by Kristin Love Huffman. The cover features an incredibly detailed drawing of Venice, from a bird's eye view. The canals are portrayed in light blue, while all the buildings are tan. Each bridge extending across the canals is depicted in bright red. Several ships are depicted in the foreground in the light blue water.
table of contents for A View of Venice
selection of text with chapter heading for A View of Venice
2 page spread of A View of Venice. Left page has an image of a Renaissance man with long blonde hair and a coat with a fur collar next to an image of a pale, nude mand and woman standing in front of a window in an ornate room. Text is below. Right page has a detail from a woodblock map of Venice with text below.
two pages from A View of Venice

In the Jackets and Covers category, the committee honored A. Mattson Gallagher’s cover for The Sovereign Self and Beyond the Sovereign Self by Grant H. Kester and Matthew Tauch’s cover for Dreams in Double Time by Jonathan Leal.

Congratulations to Mattson and Matt and thanks to all our designers for their beautiful work this year.

Save on New Titles in Asian American Studies

We look forward to meeting authors, editors, and friends of the Press in person at the 2024 AAAS conference! Courtney Berger is joining you in Seattle, and you can find us in the exhibit hall. Browse books and journals in Asian American studies on our conference landing page. Or, check out our complete list in the field.

Use coupon code AAAS24 to save 40% on books and journal issues when you order on our website through June 7, 2024. Customers in the UK and Europe can order books with this code from our UK partner, Combined Academic Publishers.

Cover of the collection "Bangtan Remixed: A Critical BTS Reader," edited by Patty Ahn, Michelle Cho, Vernadette Vicuña Gonzalez, Rani Neutill, Mimi Thi Nguyen, and Yutian Wong.

Don’t miss the editors of our forthcoming BTS reader, Bangtan Remixed, who will be in the exhibit hall and around the conference. Show proof that you’ve preordered the volume and claim free swag (while supplies last)!

If you are looking to connect with any of our editors about your book project, see our editors’ specialties and contact information and our online submissions submission portal.

Poem of the Week

Our final poem of the week is “Everything Always Distracts” from Fat Art, Thin Art by the late Eve Kosofsky Sedgwick. Originally published in 1994, we’re thrilled to celebrate the thirtieth anniversary of this book.

Oh Eve, help me erase those nastily scenic
afternoons with the goddamned objects
in the goddamned motel room, with both your and my

goddamned beauty; with me-your beloved-
grim, baffled, jaunty, looking
(as they say of gynecologists) in the pink,

which to us means the folded tissue of blood,
and you, dear naked girl, with the disposal of
this red explanatory lapful:

that’s not our love, which is pure voice
and also a steady touch in an inky room,
making a grown man want to think

his eyesight is a costly adult disease.
Your voice, mooded and languid under my voice,
too soft, not quite continuous, not quite

your own in the penetrated dark
touching and instructing my uncertain one, which is
more simply the riddled voice of sexual desire

and, afterwards, of unsleeping tristesse
reminds me a little of the touch of writing
to the reading it inhabits, trying to sustain.

(I know you think I’m being fancy, or just flat.
Wait, though, I’ve got more for you.) If
it finally happens, if we discover

a night we can spend together, a night to make good
what so far is only the raging sift of the detail
of impatient arousal, it won’t be more

our own than other nights. Everything always distracts,

A great friend of Duke University Press, Eve Kosofsky Sedgwick (1950-2009) was Distinguished Professor of English, CUNY Graduate Center. Her many other publications with us include The Weather in Proust, Touching, Feeling, Tendencies, Novel Gazing, and Shame and Its Sisters: A Silvan Tomkins Reader (coedited with Adam Frank), and articles in a number of our journals.

Earth Day Reads

Happy Earth Day! In celebration of environmental protection, we’re pleased to highlight some of our most recent titles in environmental studies.

In Escaping Nature, Orrin H. Pilkey and his coauthors offer concrete suggestions for how to respond to the threats posed by global climate change that involve adapting to a hotter world through technological innovations, behavioral changes, nature-based solutions, political changes, and education.

In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.

In How the Earth Feels Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture. By tracing geology’s relationship with biopower, Luciano illuminates how imagined connections with the earth shaped American dynamics of power, race, and colonization.

Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. In The Ocean on Fire, Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. 

In Immeasurable Weather Sara J. Grossman explores how weather data collection has been central to the larger project of settler colonialism in the United States. Throughout, Grossman shows that weather science reproduced the natural world as something to be measured, owned, and exploited. 

In Residual Governance, Gabrielle Hecht dives into the wastes of gold and uranium mining in South Africa to explore how communities, experts, and artists fight for infrastructural and environmental justice.

Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror in Terracene. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. 

In The Pulse of the Earth Adam Bobbette tells the story of how modern theories of the earth emerged from the slopes of Indonesia’s volcanoes, showing that the origin of the earth sciences emerged from a fusion of Western and non-Western cosmology, theology, anthropology, and geology.

In Subterranean Matters, Andrea Marston examines the ongoing history of Bolivian mining cooperatives, an economic formation that has been a central and contested feature of Bolivian politics and economy.

Can we have a wild ocean whose survival is reliant upon technology? In Oceaning, Adam Fish answers this question through eight stories of piloting drones to stop the killing of porpoises, sharks, and seabirds and to check the vitality of whales, seals, turtles, and coral reefs.

Drawing on research from high-level industry meetings, petrochemical plant tours, and polluted communities in the United States, China, and Europe, in Petrochemical Planet Alice Mah examines the changing nature of the petrochemical industry as it faces the existential threats of climate change and environmental activism.

And lastly, our journal Environmental Humanities publishes outstanding, open-access scholarship that draws humanities disciplines into conversation with each other, and with the natural and social sciences, around significant environmental issues. Start reading here or sign up for email alerts when new issues are published.

“If You’re Going to Be Beautiful, You Better Be Dangerous”: Sex Worker Community Defense | The Weekly Read

The Weekly Read for April 20, 2024, is “‘If You’re Going to Be Beautiful, You Better Be Dangerous’: Sex Worker Community Defense” by Heather Berg. The article appears in “Feminists Confront State Violence” a recent issue of Radical History Review.

Read this article for free through May 18, 2024.
Buy this special issue and use coupon code SAVE30 for a 30% discount.

Abstract
Refusing both sex workers’ state-produced vulnerability to violence and the state’s monopoly on protection, sex worker radicals articulate community defense as a practice of care. Grounded in interviews with thinkers of the sex worker Left and in sex workers’ cultural production, this article explores sex worker community defense with an eye to its relationship to past struggles and contributions to future ones. Chief among those is the abolitionist struggle for a world beyond prisons and policing. Sex worker abolitionists identify a tension between a vision of transformative justice that rejects violence and the understanding that transformation might not come without injury to those who do violence on behalf of the state. Sex worker abolitionists seek resources for navigating this tactical ambivalence in Black radical, decolonial, and queer and feminist traditions. Many wonder if building new worlds will require a transitional program of militant community defense, even retribution.

For more than forty-five years, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories. RHR includes sections devoted to public history and the art of teaching as well as reviews of a wide range of media—from books to television and from websites to museum exhibitions—thus celebrating the vast potential for historical learning in the twenty-first century.

The Weekly Read is a weekly feature in which we highlight articles, books, and chapters that are freely available online. You’ll be able to find a link to the selection here on the blog as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.