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The Swastika: Symbol Beyond Redemption? Paperback – Illustrated, March 4, 2008
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Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
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Print length184 pages
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LanguageEnglish
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PublisherAllworth
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Publication dateMarch 4, 2008
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Dimensions6 x 0.6 x 9 inches
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ISBN-101581155077
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ISBN-13978-1581155075
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Product details
- Publisher : Allworth; 1st edition (March 4, 2008)
- Language : English
- Paperback : 184 pages
- ISBN-10 : 1581155077
- ISBN-13 : 978-1581155075
- Item Weight : 9.6 ounces
- Dimensions : 6 x 0.6 x 9 inches
- Best Sellers Rank: #1,069,003 in Books (See Top 100 in Books)
- #363 in Design History & Criticism
- #2,776 in German History (Books)
- #5,847 in Art History (Books)
- Customer Reviews:
About the author
Steven Heller, author and editor of over 130 books on graphic design, satiric art and popular culture, is the co-founder and co-chair of the MFA Designer as Author program at the School of Visual Arts, New York. He is also co-founder of the MFA in Design Criticism, MFA in Interaction Design, MFA Social Documentary Film and MPS Branding programs. Although he does not hold an undergraduate or graduate degree he has devoted much of his career to fostering design education venues, opportunities and environments.
On the editorial side, for over 40 years he has been an art director for various underground and mainstream periodicals. For 33 years he was an art director at the New York Times (28 of them as senior art director New York Times Book Review). He currently writes the “Visuals” column for the Book Review and “Graphic Content” for the T-Style/The Moment blog (http://tmagazine.blogs.nytimes.com/author/steven-heller/). He is editor of AIGA VOICE: Online Journal of Design, a contributing editor to Print, EYE, and Baseline, and a frequent contributor to Metropolis and ID magazines. He contributes regularly to Design Observer and writes the DAILY HELLER blog for Print Magazine (http://blog.printmag.com/dailyheller/). His 135 books include "Design Literacy, " "Paul Rand," "Graphic Style" (with Seymour Chwast), "Stylepedia" (with Louise Fili), "The Design Entrepreneur" and "Design School Confidential" (both with Lita Talarico), "Iron Fists: Branding the Twentieth Century Totalitarian State", and the most recent, “Born Modern: The Life and Design of Alvin Lustig.”
He is the recipient of the 1999 AIGA Medal for Lifetime Achievement. His website is www.hellerbooks.com and his blog, The Daily Heller sponsored by Print magazine is http://imprint.printmag.com/daily-heller/
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Although the author touched on the Asian usage of the swastika, he fell little short regarding the Asian elements of the swastika and its meanings. When my father was stationed in Japan, I had a chance to see many swastikas on Japanese temples and surprised to see swastikas adopted into some of the Japanese samurai families' mon (family crest) during that era of history. One of the more funnier things I have seen was reading a Japanese map and seeing all these red swastikas on the map - each of them showing the location of a temple or a shrine. One of my friends who didn't know any better asked once if that map is showing where all the Nazis live in this area.
The author also wrote some interesting stuff on whether this symbol can ever be save from how we see it today, symbol of evil, racism and hate. The book came to a regretful conclusion that as long as there are large numbers of racists and anti-Semites out there using the swastika for their own purpose and with its history, this symbol can never be reclaim in innocence. In some way, the swastika's fate can be linked with the Confederate Battle Flag. Both will always be associated with racism and hate as long as there are people who will used it as such.
Overall, a very useful book and interesting reading material to anyone who wants to know more about this symbol which apparently been hijacked permanently by Adolf Hitler and those like him.