Front Matter
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Table of Contents
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List of Audiovisual Materials
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FOREWORD:: A Total Artwork: Memorable Resonances and Reverberations in The Rite
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Acknowledgments
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Editorial Notes
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INTRODUCTORY ESSAY:: Stravinsky’s Russia and the Politics of Cultural Ferment
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A Century of Rites:: The Making of an Avant-Garde Tradition
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The Rite of Spring as a Dance:: Recent Re-visions
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Re-sourcing Nijinsky:: The Rite of Spring and Yvonne Rainer’s RoS Indexical
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Death by Dancing in Nijinsky’s Rite
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Le sacre du printemps:: A Ballet for Paris
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Styling Le sacre:: The Rite’s Role in French Fashion
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The Rite of Spring, National Narratives, and Estrangement
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Formalizing a “Purely Acoustic” Musical Objectivity:: Another Look at a 1915 Interview with Stravinsky
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Racism at The Rite
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Commentary and Observations on Le sacre in Russia:: An Overview
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Stravinsky, Roerich, and Old Slavic Rituals in The Rite of Spring
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Orchestral Sketches of Le sacre du printemps in the National Library of Russia
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Yuri Nikolaevich Kholopov:: His Analytical Comments on The Rite of Spring
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Leonard Bernstein’s 1959 Triumph in the Soviet Union
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The Rite of Spring in Russia
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“I Penetrated the Mystery of the Spring Lapidary Rhythms”:: Baroque Topoi in The Rite of Spring
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“The Great Sacrifice”:: Contextualizing the Dream
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An Interview with Composer Vladimir Tarnopolski
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The Physicality of The Rite:: Remarks on the Forces of Meter and Their Disruption
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How Not to Hear Le sacre du printemps?: Schoenberg’s Theories, Leibowitz’s Recording
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Rethinking Blocks and Superimposition:: Form in the “Ritual of the Two Rival Tribes”
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Stravinsky at the Crossroads after The Rite:: “Jeu de rossignol mécanique” (Performance of the Mechanical Nightingale) (1 August 1913)
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Dissonant Bells:: The Rite’s “Sacrificial Dance” 1913/2013
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Revisiting The Rite in Stravinsky’s Later Serial Music
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Dionysos Monometrikos
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PLENARY ESSAY:: Resisting The Rite
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Bibliography
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List of Contributors
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General Index
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Index of Composers and Their Works
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Index of Choreographers>
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