Portable stereo's creator got his due, eventually

By Larry Rohter

Published: FRIDAY, DECEMBER 16, 2005

SÃƒO PAULO: In the late 1960s, Andreas Pavel and his friends gathered regularly at his house here to listen to records, from Bach to Janis Joplin, and talk politics and philosophy. In their flights of fancy, they wondered why it should not be possible to take their music with them wherever they went.

Inspired by those discussions, Pavel invented the device known today as the Walkman. But it took more than 25 years of battling the Sony Corporation and others in courts and patent offices around the world before he finally won the right to say it: Andreas Pavel invented the portable personal stereo player.

"I filed my first patent a complete innocent, thinking it would be a simple matter, 12 months or so, to establish my ownership and begin production," he said at the house where he first conceived of the device. "I never imagined that it would end up consuming so much time and taking me away from my real interests in life."

In person, Pavel seems an unlikely protagonist in such an epic struggle. He is an intellectual with a gentle, enthusiastic, earnest demeanor, more interested in ideas and the arts than in commerce, cosmopolitan by nature and upbringing.

Born in Germany, Pavel came to Brazil at the age of 6, when his father was recruited to work for the Matarazzo industrial group, at the time the most important one here. His mother, an artist named Ninca Bordano, had a home built for the family that included a studio for her and an open-air salon with high-end audio equipment, meant for literary and musical gatherings.

Except

for a period in the mid-1960s when he studied philosophy at a German university, Pavel, now 59, spent the remainder of his childhood and early adulthood here in South America's largest city, "to my great advantage," he said. São Paulo was experiencing a period of unusual creative and intellectual ferment then, culminating in the Tropicalist movement, and he was delighted to be a part of it.

When a station called TV Cultura was licensed to go on the air, Pavel was hired to be its director of educational programming. After he was forced to leave because of what he thinks was political pressure, he edited a "Great Thinkers" book series for Brazil's leading publishing house in another effort to "counterbalance the censorship and lack of information" then prevailing.

In the end, what drove Pavel back to Europe was his discontent with the military dictatorship then in power in Brazil. By that time, though, he had already invented the device he initially called the "stereobelt," which he saw more as a means to "add a sound track to real life" than an item to be mass marketed.

"Oh, it was purely aesthetic," he said when asked his motivation in creating a portable personal stereo player. "It took years to discover that I had made a discovery and that I could file a patent."

Pavel still remembers when and where he was the first time he tested his invention and which piece of music he chose for his experiment. It was February 1972, he was in Switzerland with his girlfriend and the cassette they heard playing on their headphones was "Push Push," a collaboration between the jazz flutist Herbie Mann and the blues-rock guitarist Duane Allman.

"I was in the woods in St. Moritz, in the mountains, the snow was falling down, I pressed the button and suddenly we were floating," he recalled. "It was an incredible feeling, to realize that I now had the means to multiply the aesthetic potential of any situation."

Over the next few years, he took his invention to one audio company after another - Grundig, Philips, Yamaha and ITT among them - to see if there was interest in manufacturing his device. But everywhere he went, he said, he met with rejection or ridicule.

"They all said they didn't think people would be so crazy as to run around with headphones, that this is just a gadget, a useless gadget of a crazy nut," he said. In New York, where he moved in 1974, and then in Milan, where he relocated in 1976, "people would look at me sometimes on a bus, and you could see they were asking themselves, 'Why is this crazy man running around with headphones?"'

Ignoring the doors slammed in his face, Pavel filed a patent in March of 1977 in Milan. Over the next year and a half, he took the same step in the United States, Germany, England and Japan.

Sony started selling the Walkman in 1979, and in 1980 began negotiating with Pavel, who was seeking a royalty fee. The company agreed to that in 1986, he said, but would not acknowledge him as the Walkman's inventor, so in 1989 he began new proceedings, this time in British courts, that dragged on and on and ate up his limited financial resources.