Genesis and The Lamb Lies Down on Broadway
Genesis' 'The Lamb Lies Down on Broadway' is one of the last concept albums of the late 1970s, released at a time when concept albums were out of fashion. It is a product of its time, reflective of the general economic and social turmoil of the early '70s. This book examines the album.
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Contents
Introduction This is the story of Rael
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1 |
Situating The Lamb
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7 |
Recording The Lamb
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45 |
The Lamb song by song
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55 |
In the press and on tour
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97 |
Interpreting The Lamb
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117 |
Genesis and Gabriel after
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133 |
157 | |
163 | |
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32 Doors American archetype Armando Gallo artists audience Back in N.Y.C. band band's Banks's Bardo bass Beatles beginning bootleg recording Bootlegged Bowler and Dray Bright British Broadway Melody Cage Campbell Carpet Crawlers Chamber of 32 Charterhouse chord Colony of Slippermen concept album concert costume Couture Cuckoo Cocoon early El Topo example fans Fielder film Gabriel told Gabriel's story Gabriel's vocals Genesis Genesis's genre Grand Parade guitar hippie improvisation John Jung keyboard Lamb Lies Lamb tour Lamia Lifeless Packaging Lilywhite Lilith live performances Macan McMahan Mellotron Melody of 1974 Michael Rutherford Mike Rutherford Moore music industry Musical Box narrative Note Parade of Lifeless Peter Gabriel Phil Collins Pink Floyd's Platts play progressive rock Rael Rael's reference released rock's Russell Rutherford Selling England solo song songwriting stage Steve Hackett story studio Stump style theatrical title track Tony Banks visual voice Waiting Room Windshield writing